Disc Type

"Two can keep a secret as long as one of them is dead."

The Pretty Little Liars have finally reached the end of their rope. And while you discovered who little mini-A's were over the previous six years, you're finally going to get to the bottom of the entire mystery. I'll admit it's a bit of a shocker. With the end upon us, this is no place for beginners. If you don't know who Aria, Spencer, Emily, Hannah, and Alison are, it's time for you to head back to the beginning and catch up. You can find our reviews from those seasons here. For the rest of you, let's talk Pretty Little Liars, shall we?

I'm done with crazy.”

When it comes to movies about psychotically wronged women, the crazier things get, the better. Unfortunately, the makers of Unforgettable — a dull domestic drama/wannabe thriller — never got the memo. It's a shame because the movie had some of the ingredients to be a deliciously pulpy thriller, including an amusingly unhinged turn from one of its stars. But in the end, this comes off as a Lifetime movie that slipped through the cracks, fell upwards, and was accidentally released in theaters.

"Guns change everything, and a bullet is forever."

This new USA Network series is based very loosely on the 2007 film staring Mark Wahlberg. The film was based on the bestseller novel Point Of Impact by the ironically named Stephen Hunter. The series started life with several events going against it. The film really didn't make much of an impact itself. It lost money with a domestic box office total under $50M and about the same in the world-wide box office. So it wasn't necessarily a no-brainer for a television series adaptation.

La Vie de Jean-Marie (The Life of Jean-Marie) is a documentary that pitches itself as an “excellent example of cinema verité,” leaving it exposed to the tremendous legacy that specific film movement left upon cinema history. For those that don’t know, “cinema verité,” or “truth cinema,” is a style of documentary invented by French filmmaker Jean Rouch around the late 1950’s. The idea behind this style of cinema is “reveal the truth” through the use of the camera and the spontaneity of the film’s subjects. La Vie de Jean-Marie does indeed wear the shoes of cinema verité quite well; however, it does so in an exhausting fashion.

"We'll figure something out. We always do."

You should know the setup by now. If not, you can check out our previous reviews: The 100 Reviews. You'll discover a series that changes quite substantially with each new season. In fact, the title itself was no longer relevant to the series after the first episode. The originally 100 was quickly whittled down in size. Then the rest of the Ark came down, and in Season 4 there are about 500 of the Ark's inhabitants on the planet.

We here at UpcomingDiscs strive to provide our beloved readers with the most informative and well-thought-out reviews, regardless of the movie or TV show genre that comes flying through the door. Collectively, our awesome little staff covers a wide range of interests. But when swing dancing documentary Alive and Kicking arrived at UpcomingDiscs HQ…there was only one man for the job. The toe-tapping doc is equal parts enlightening and entertaining, whether you’re a swing dancing novice (like my wife/occasional movie-watching partner) or — like me — a guy who’s been into this stuff for the last 15 years.

Every year it seems the “summer” movie season seems to start sooner than the year before.  Here we are, the second Friday of March, and already we’ve seen the huge box office weekend for Logan, and now this weekend we have the release of Kong: Skull Island.  Ever since Kong first graced the big screen back in 1933, every film that followed was a mega-event. Personally it wasn’t till 2005 that theatergoers got to fully experience the massive beast in all his glory as he became worthy of the title “the 8th wonder of the world”.  Now we have Legendary Entertainment playing in the giant monster movie sandbox with plans to set up a series of monster films.  All this leads up to the inevitable clash of the kaiju monsters where we will finally see the showdown of Godzilla vs. King Kong.  Before we begin to get too excited, how does our current trip to Skull Island fare?

Over the last eight years or so, the abstract concept of nostalgia has become a commodity. Film, television, and videogames have been adjusting their aesthetic to incorporate stylistic visuals that are intended to draw in what seems to be a relatively specific demographic: “80’s kids.” Whether it be Stranger Things, Kung Fury, or Turbo Kid, these films have succeeded (and failed) to create a new style out of this “nostalgia aesthetic.” However, being a child of the 90’s, I have noticed that these “nostalgia aesthetics” have shifted toward my decade.

"Freedom has a price. I died 7 years ago. Left behind a brother, a wife, a son, but the dead talk if you listen. They're there with you. Reaching out. Trying to tell us something. Because not all deaths are the same. Some are real. Some are a story. Question is: do you believe the story? Was the man who died who you thought he was? The dead talk. If you listen..."

The same can be said for dead series. Fox has been riding a wave of series revivals that have brought shows back from the dead in a limited-run event series format, and it has actually been doing well for the network

In 2003, a commercial director named Sandy Collora made an 8-minute short film called Batman: Dead End, in which the Caped Crusader does battle with the Joker…along with Alien and Predator! While this sounds like a heavy dose of fanboy wish-granting, the film was Collora’s very serious attempt to show Hollywood big wigs what he could do. The mini-movie turned heads among the Comic Con crowd due to its gritty tone and impressive production values on a shoestring budget. Not surprisingly, this overlong Behind the Mask documentary is at its very best when it chronicles the making of what is widely-regarded as one of the best fan films ever made.