Posted in: Disc Reviews by J C on May 17th, 2017
“Look, as lousy as the marriage is, the divorce is going to be much, much worse.”
The subject of divorce isn't exactly a laugh riot in real life, so the makers of HBO's comedy series tracking the dissolution of a decade-long marriage had their work cut out for them. Divorce (not surprisingly) takes a darkly comic approach to the hostile material; the problem is the show seemingly forgot about the part where we're supposed to want to spend time with these people every week. The series also marks the HBO return of star/executive producer Sarah Jessica Parker...call this new show No Sex in the Suburbs.
Posted in: Disc Reviews by Archive Authors on May 16th, 2017
There was a 20th anniversary edition of Michael Mann's Heat planned a couple of years ago by the folks at Warner Brothers. There was hope of a 4K restoration and more. The rights ended up reverting to 20th Century Fox before any of that could happen. Now Fox has released something they are calling The Director's Definitive Edition, but it is the same cut and print of the film as used in the last Warner Brothers' Blu-ray release. So I really can't tell you what is definitive except for a couple of new and more recent bonus features.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2017
"I got this..."
When Sly Stallone delivered his homage to the 1980's action film in The Expendables he hit a lot of the action film requisites. It was old-school fun with a new-school level of effects and production design. But with all of his efforts to bring back the 1980's action star hero, there was one beat he couldn't have connected with until a couple of years later. You see, action films are like potato chips. You can't have just one. Films like First Blood, Die Hard, Terminator, and all of the others always had one final thing in common...the sequels. In case you thought that The Expendables was a one-off, the sequel was inevitable. And this is one case where the second film might be a little better than the first. Sure, it's somewhat of a two-hour cliché, but who says there's anything wrong with that?
Posted in: Disc Reviews by Jeremy Butler on May 11th, 2017
From the suggestion of the title, you would think that we would be diving deeper into the world of BDSM, but after watching, the only thing that I can say about Fifty Shades Darker is that it’s a love story. Yes, I know that it was always a love story, but the first film possessed an edge and intensity which no longer exist in the sequel. Disappointing is too pale a word for the film. From its failure to properly capture the essence of the source material, less than engaging performance of the leads, and the vanilla nature of the sex scenes, the movie does not live up to the hype. If 50 Shades of Grey pushed the envelope with its sexuality, 50 Shades Darker embraces the commercialism of a sequel for profit rather than effect.
Posted in: Disc Reviews by Gino Sassani on May 9th, 2017
It's hard to believe that it has been 45 years since The Godfather first graced theater screens. The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills.
Posted in: No Huddle Reviews by Brent Lorentson on May 9th, 2017
When it comes to graffiti art there is only one name that comes to mind, and it’s Banksy. Before checking out this documentary I had no clue that graffiti art was actually something people took seriously, beyond gang tags and little kids marking up a wall for fun. Apparently there are numerous acclaimed graffiti artists around the world, artists who define themselves with their own unique style and message they’d like to share with the rest of the world, even if their message will most likely be painted over. In 2010 Banksy came to San Francisco to vandalize some walls with a little paint, and it was enough to create a buzz across the city about what the artist would do, and out of that spawned this unique documentary that explores the value of graffiti art.
Posted in: Disc Reviews by Brent Lorentson on May 8th, 2017
When The Ring (2002) first came out, if you looked hard enough you could still find movies on VHS, so the thought of a mysterious tape that kills you seven days after watching it wasn’t so entirely farfetched. Now that we are in 2017, if someone were to find a mysterious VHS tape, well, they’d be out of luck for the most part, since I’d wager most of the US population no longer has a VCR. But Hollywood won’t let this stop their successful franchise from moving forward, even though it’s been 12 years since The Ring Two, this weekend is the release of the third film in the series, and quite frankly, I have to wonder if anyone really wanted this.
Posted in: No Huddle Reviews by Gino Sassani on May 8th, 2017
If you weren’t around in the 1970’s you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them literally bring the show to life. The series was run by Quinn Martin, himself no stranger to groundbreaking television. Martin was the same talent who created the crime drama with The Untouchables. His uncanny ability to come up with a clever premise was responsible for such milestones in television history as The Invaders and The Fugitive. Later he would continue to shape the look of television
Posted in: No Huddle Reviews by Dan Holland on May 4th, 2017
It is always interesting to see how the history of cinema weaves its way back into the art form, especially when it is incorporated into the narrative itself. For example E. Elias Merhige’s Shadow of the Vampire (2000) constructs its narrative around a fictional filming of F.W. Murnau’s Nosferatu (1922). Recently, Gary Oldman announced his interest in writing and directing Flying Horse, a biopic of Eadward Muybridge, one of the founding fathers of moving images as we know them. Cinema is the only art I am aware of that artists take strides to be self-reflexive for the sake of appreciation of the medium. Apocalypse Child (2015) toys with self-reflexivity, but in a very unique way: It portrays cinema as a quasi-mythical presence through alluding to Francis Ford Coppola’s hellish stretch of filming Apocalypse Now (1979) in the Philippines.
Posted in: No Huddle Reviews by J C on May 4th, 2017
“I thought it was dull...unless it was supposed to be a satire.”
Television has been trending toward shorter, more self-contained stories. Successful shows like American Horror Story, Fargo, American Crime, and others reboot themselves every year with new characters and storylines in an attempt to offer viewers something fresh each season. The Affair seemed ready-made for that formula: each season could've followed different adulterous encounters in a wide variety of settings. Instead, the perspective-shifting Showtime drama is determined to chronicle the far-reaching effects of a single Long Island dalliance. So while the show brushes up against some interesting relationship dynamics, it feels like it has stretched a thin concept beyond its breaking point.
