Disc Type

When it comes to writer/ director M. Night Shyamalan, it’s hard to find a more polarizing director between film critics and film geeks. I was a fan up until he did The Village. It’s not as though I “hated” the film; I just was getting sick of the gimmick plot twists that seemed to go hand in hand with his work.  As he continued to release films, I just would shrug at the trailers, and my enthusiasm for his films quickly declined.  For me Unbreakable has grown to be my favorite work of his, which is funny to me because the first time I saw it I had a hard time deciding how I felt about the film.  It was a comic/ superhero film that showed us perhaps what it would be like in the real world if some regular Joe realized he was perhaps meant for something greater.

Ben Franklin once said that there are two things that no one should see made. He was talking about sausage and laws. In the 18th century most people had little exposure to the workings of their government. Campaigns were waged on the road in public squares, and seldom by the person running for office. Party nominations were held in halls attended only by the party faithful. It was here in the span of a few days that a nomination would be haggled out of the delegates who attended. Since the riots at the Democratic National Convention in Chicago in 1968, the selection of nominees was handed to the registered voters, usually of the party in a series of primary elections that begin in January of each election year. The campaigning has become intense and now often begins nearly a year before that first nomination struggle.

Every year there are dozens upon dozens of horror films released, each with the intention to make an impact on the genre.  Horror is easily my favorite genre in film, but it’s a genre that easily allows itself to spill into other genres. It doesn’t matter to me what the budget is, or whether the special effects are on point; what matters most is if the story holds up.  I mention this because going into The Bye Bye Man I had heard some pretty bad things, but I don’t usually let that get in the way of my opinion of a film; after all, everyone has their own tastes.  For me the film’s tagline “Don’t think it. Don’t say it.” should have the added line, “Don’t remember it.”

“Think inside the box.”

One of the major through lines in season 3 of Silicon Valley is that our heroes at Pied Piper have created a product so ahead of its time that it is failing to connect with consumers, which puts the start-up company in peril. Fortunately, HBO’s brainy and bawdy tech comedy hasn’t had any problems connecting with its audience: the show’s confident and hilarious third season seamlessly mixes talk of “compression algorithms” with outrageous sight gags involving horses getting, um, familiar with each other.

The trouble with most holiday films is that once the holiday passes, there is about another year of waiting till it seems right to put the film on again.  Everyone knows about A Christmas Story and Polar Express, but really, the staple holiday films are sparse, but they are great.  Every year, despite the high probability to fail, studios churn out some holiday films in the hopes that one of these attempted swings will turn out to be a box office giant. I believe it’s safe to say that there hasn’t been a holiday hit for a while, but despite the long odds, Office Christmas Party comes out strong with a big cast and raunchy intentions.  Is it enough to lure people into the darkened Cineplex or have you want to go out to Netflix or Redbox to cure those holiday fever blues?

Drunk History is a good example of a good idea that lost steam very quickly. I remember when initial idea was aired as a web series produced by Funny or Die in 2007, and it was a rather brilliant idea. The show was not picked up by a major network for six years; then in the summer of 2013, it made its premiere on Comedy Central. Granted, I remember being excited about this premiere. However, about midway through that first season, I realized how too much of a great idea can be a bad thing. The format just became tiresome and dull after a few episodes. Now, four years later, the show has returned for four entire seasons, but it definitely feels it has run its course.

Let me tell you a few things about movie reviewers. We're the kind of people who love watching movies. We spend entirely too much time doing so, and we can find some entertainment even in a bad film. We're the kind of folks who don't ask what's playing when asked if we want to go to the movies. The answer is always yes. When someone applies to write for Upcomingdiscs, one of the first things I tell them is that they have to watch a movie all the way through...no matter how bad it might be. I've always been the kind of person who could do that. I've watched some stinkers in my day, and I never once left a film until the ending. Sure, there have been a couple of times I was tempted. I've had a few painful experiences. No film has ever put me to the test as much as Why Him? Halfway through the movie I was asking Why me?

With Season 8 gearing up, Season 7 of Archer makes its way onto DVD, for many to binge and catch up before the season premiere. I have to admit this was a show I had watched perhaps a handful of episodes but I could never quite get into.  I’ll admit at times I can be a bit thick-headed when it comes to watching an animated series. After repeated requests (or demands that may or may not have been at gunpoint), I settled in and binged a season of Archer.  To my surprise, I had a blast with the show and quickly devoured more episodes which finally caught me up to Season 7.  So what trouble has the former world’s greatest secret agent, Sterling Archer (H. Jon Benjamin) gotten himself into?

"You have to start somewhere."

I could sense a great disturbance in the Force. I could not quite put my finger on the reason, but there appeared to be much to worry about with the debut of the first ever Star Wars film that was not one of the driving episodes in the epic story of the Skywalker family and friends. There was worry that Disney might have been pushing their luck with these sidetrack stories. The Force Awakens was very good, but should the Mouse House really be tempting fate with such "filler" material? Then there were the disturbing reports that the film required so many rewrites that as much as $5 million had been spent on the services of Tony Gilroy to provide those touch-ups.

“The price for your glory is their suffering!”

For most of us, hearing the name “Martin Scorsese” leads to iconic wiseguys, rock and roll, and Robert De Niro/Leonardo DiCaprio movies dancing into our mind’s eye. Further down the list of Marty-related things — probably even below Scorsese’s real-life film preservation work — but no less crucial to appreciating the director’s filmography is the role that faith has played in his personal and professional lives. The most obvious manifestations are the three religious epics Scorsese has directed, including his latest film Silence.