Disc Type

Tis the season to be...overwhelmed with a crushing number of Christmas-themed movies on our television screens. In addition to holiday staples like A Christmas Story, It's a Wonderful Life, and Die Hard (yeah, I said it), many networks roll out original, made-for-TV yuletide tales. The Hallmark Channel is certainly doing its part this year with its “Countdown to Christmas”, which includes 12 new movies. One of those films transports us to the fictional land of Cordinia for the painfully cliched romantic-comedy stylings of A Royal Christmas.

“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”

Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.

Holiday movies, to be more specific holiday kids’ movies: talk about being out of my depth. It’s been quite some time since the days where I used to sit down to enjoy a kids’ movie; dare I say that I don’t have the slightest clue what the kiddies are into these days? Seems to be a lot of movies about planes, trains, and automobiles (pun intended) dominating the box office; however, not the case with Frozen in Time, which is centered around the most popular holiday of all time: Christmas. To give this film the proper justice that it deserves, I turned to someone who would be able to watch this with the objective view needed: I sat down and watched the film with my godson Amare.

It’s great to see the love that comic books and their characters are getting from the public; only a couple decades ago people didn’t look so kindly on the medium.  Growing up it wasn’t the wisest decision to broadcast to your classmates about your enthusiasm over the new Punisher or Batman comic.  I got lucky and never really had to deal with bullies, but I had friends who had their fair share of torment over liking the kind of music, movies or comics that they did.  The comic book store was a safe haven away from it all, and it was between the pages that all of us comic book geeks would escape and live vicariously through the animated panels before reality came barreling in. 

As adults we somewhat have a better understanding of how our dreams work and understand that those fears of the dark when we were children were somewhat silly in retrospect.  But when we were kids, the nighttime was a mysterious time that held so many possibilities, where the magic in the world around us was something that was very real for us all.  In the new Spanish language animated feature Nocturna, the first-time filmmakers (Adria Garcia & Victor Madonado) seem to have tapped into that childlike wonder and have crafted a film that I simply adore.

Welcome to the 21st century!”

Sylvester Stallone has dedicated the better part of the last decade to giving moviegoers what they wanted 20 years ago. It started with 2006's Rocky Balboa, which closed out Stallone's signature franchise in the satisfying manner fans have been craving since 1990's Rocky V debacle. We’ve also gotten another Rambo sequel, as well as long-awaited team ups with icons both real (Schwarzenegger in Escape Plan) and cinematic (Grudge Match was “Rocky vs. Raging Bull”). But Stallone's biggest recent success is the veritable fantasy team of action stars he's assembled for the Expendables films.

Breaking news: anyone who goes to see movie called Into the Storm is probably more interested in “the Storm than they are in any of the people running away from it. The good news is the film understands this, to an extent, and clocks in at a slender 89 minutes. Of course, the titular Storm doesn’t appear for every one of those 89 minutes. This is very bad news because Into the Storm is populated with characters and storylines that are both forgettable and irritating. It’s basically Twister with somewhat better effects, but much less interesting people.

Laughing out loud and getting startled out of your wits are two of the most visceral reactions you can have as a moviegoer. For a director to elicit either reaction is challenging enough, which is why I was so delighted to be feeling both during the thrilling, funny finale of Housebound. It’s an even more impressive feat when you consider it was accomplished by a first-time filmmaker working on a shoestring budget.

"If anybody gets up, they're dead. Anybody moves, they're dead. Anybody makes a sound before I leave this movie, ..."

You get the idea. These are the words of one John Wojtowicz, better known as The Dog. On August 22, 1972 he attempted to rob a Chase Manhattan bank in order to finance his male lover's sex change operation so that he could become a woman. The heist was about as amateur as the come and went horribly wrong from the start. In a matter of minutes the bank was surrounded by a swarm of police units and a growing mob of bystanders.

I’m not the biggest fan of Japanese animation. I don’t think it’s awful or anything, but animation is one of those things where I’m just picky about what I like.  Though I can say I am a big fan of Hayao Miyazaki (Spirited Away and Princess Mononoke) and most of his work.  I think this is worth mentioning, because though I may not be as well-versed in this genre, I’d like to feel I still go into it with an open mind, and I’m always excited to find a title that excites me that I never saw coming.  And that it precisely what Patema Inverted did.