Posted in: Disc Reviews by Michael Durr on May 7th, 2012
As I get older, I find myself slightly more forgetful. Perhaps I will not remember where I put my watch (even though I own half a dozen), or maybe I will not see my sunglasses when they are conveniently strapped to my head. But at least I am not old enough yet to be clueless. This brings us to our next review starring Alicia Silverstone as the one and only Cher, a 15 year old Beverly Hills girl who is clearly Clueless.
Funky fresh 90’s music and go. Oh wait, that’s an eighties tune but covered by a nineties band. Cher (played by Alicia Silverstone) is another upbeat high school kid, who lives life like a Noxzema commercial. She has the best clothes and shoes and has lots of fun. She tends to fight with her dad over his daily dose of Vitamin C, (played by Dan Hedaya) who is a famous litigator. Cher does not like the idea of her ex-stepbrother Josh (played by Paul Rudd) showing up for dinner.
Posted in: No Huddle Reviews by Brent Lorentson on May 3rd, 2012
Ever since Ralphie May first appeared on Last Comic Standing, it seems his career has exploded and he has become one of the most recognizable comedians of the past decade. He’s just released his fourth Comedy Central DVD and has done numerous appearances on television talk shows. The guy simply is a rock star in the comedy world and shows no signs of slowing down as he is doing a US tour throughout the rest of the year. He’s always come off as a likeable guy, his humor is always topical with a bite, but in his recent DVD Too Big to Ignore with a running time of 108 minutes he may have bit off more than he can chew.
Ralphie starts out strong with the set bringing attention to the similarity Chazz Bono has with looking like Ralphie after having the sex change. And he keeps things moving as he recalls stories filled with embarrassing incidents while being a good parent and husband. The first 30 minutes of this is all solid and works so well till suddenly the jokes start to revolve about racism and gay rights. Now there is nothing wrong with the direction he took, and I respect that he’s using his platform to discuss these issues, but it just goes on for too long. Sure his stories were amusing, but at times it just came off as being preachy, and that’s not what one expects when putting in a standup DVD.
Posted in: Disc Reviews by J C on May 3rd, 2012
In terms of major conflicts involving the United States, the Korean War has sort of gotten the short end of the cinematic stick with American audiences. Most people can easily rattle off their favorite movies dealing with World War II, the Vietnam War or the U.S. Civil War, but when it comes to the Korean War the options are comparatively more limited. Off the top of my head, there's M*A*S*H, the original Manchurian Candidate, and Don Draper suffering one of the most famous cases of identity theft. (I realize Mad Men is a TV show, so forgive me for reaching.)
The Front Line — a fine, Korean-produced drama — attempts to present the final days (and hours) of the war on both an epic and personal level, and mostly succeeds.
Posted in: Disc Reviews by Michael Durr on May 3rd, 2012
As of late, I have found myself picking up some classic albums by Madonna. Her early stuff mostly, but I have even picked up Truth or Dare on Blu-Ray within the last week or so. Why? I honestly can not explain. Maybe I miss her voice, her sex appeal and the music that has made her a legend. What I did not expect was that I was going to be reviewing a movie directed by her. So let us sit back and see how the movie W./E. plays out.
A faint radio plays out. It talks about the greatest love story of the 20th century or the king who gave up his throne for the woman he loved. Wallis Simpson was her name and she started a constitutional crisis when the King of England, Edward VIII decided to leave the throne to marry this woman. They became the Duke and Duchess of Windsor. The legend lives on today. An answering machine clicks after Walli is told that she is loved but will be alone that night.
Posted in: No Huddle Reviews by Archive Authors on May 2nd, 2012
Are you a very, very big fan of horror films? If you are, you are part of a small but passionate core of fans who live to gobble up anything that is gory and creepy and disgusting. Many people enjoy a good horror film from time to time, but that is not the same thing as thinking every day about what obscure monster or murder film you haven’t seen. If you read Fangoria or any number of websites or fanzines devoted to the subject, you know what I mean. There is a worldwide group of fans who have a bloodthirsty need for more and more and more horror.
The Theatre Bizarre is an example of just the kind of thing that horror fan is looking for. It is tailored specifically to those who want their movies evil and horrible and no-holds-barred. It is made by a small do-it-yourself horror boutique that you can find out more about at severine-films.com.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
When I was a kid there was one summer when all of the radio stations were playing a song called Billy Don't Be A Hero. Somehow I don't think that Billy Bretherton was quite what they had in mind. Sure, Billy goes where most of us would be afraid to tread, but he's also got to be the biggest crybaby sometimes. Hero or not, Billy and his brother Ricky have put in a fourth season of Billy The Exterminator, and it's now available on DVD.
Billy Bretherton is the owner of Vex Con Pest Control in Shreveport, Louisiana. It's a family-run business. Mom is the office manager and takes all of the service calls and then dispatches the technicians to their various jobs. Dad is the office mascot. He's had a heart attack along with a few other medical scares, so he's not really very hands-on. You might say his main job is to worry and complain. Mary is Billy's wife. She quits halfway through the first season, appearing only a couple of brief moments in the second season. Still, she's a part of the opening credits. Ricky is Billy's brother and often his partner on many of his two-man jobs. It's interesting that we're constantly told that Ricky is deathly allergic to wasp stings. One sting and it's an airlift ride to the ER, Billy is always reminding us. But when a wasp call comes in, who do you think Billy takes along to help? Of course, it's Ricky. Mom always reminds us of the allergy and admonishes Billy to be sure his brother doesn't get stung. It's things like this that make this the most frustrating A&E series I've ever watched.
Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2012
Three sisters have to come together after the death of their father, and in the process discover they have a half-sister they never knew about, and if they can manage to live together for six months they will receive 4.3 million dollars. This is the simple setup for this train wreck of a film that claims to be powerful and inspirational but instead comes off as shallow and just painful to watch. Perhaps I’m not the target audience for this, but really I don’t see how there is anyone out there that could endure the 90-minute running time and have anything good to say about this.
This was a musical stage production, and it is hard to not notice this was all filmed on a sound stage considering the over-lighting and the wide shot that always is cut to so that we are reminded it’s a set and not a real location. If the camera work isn’t jarring enough for you, there is the equally bad editing and stock footage transition shots. I think it would be fair to say that this is a failure in every way, and I didn’t even mention the laugh track. Though to be fair I understand the need to use the laugh track because any real audience would have walked out or simply yelled obscenities, which would have at least made this entertaining to a certain degree.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Meet the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly. He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling life-style. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread. I think they need to lay it to rest going into season 2.
Posted in: Disc Reviews by David Annandale on May 1st, 2012
Samantha Newly (Christina Applegate) was hit by a car, fell into a coma, and woke up with retrograde amnesia. She discovers that prior to her coma, she was a mean piece of work, and the show revolves around her reactions to what she discovers about her past, as well as the relationships she now has with friends (Melissa McCarthy – the good one – and Jennifer Esposito – the bad one, basically channeling Kim Cattrall), family, and ex-boyfriend (a generic Barry Watson). Season Two picks up with Samantha returning to her apartment, discovering she used to be able to dance, getting herself a new guy (again), and so on.
Christina Applegate is a talented comic performer. So is Kevin Dunn, who plays her father. The other people here might well be, too. But there's nothing they can do to salvage the hoary, predictable gags. Forced, painful, irritating, we can be glad that this second season is also the last one, but must shakes our heads in wonder that the show made it this far.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Say goodbye to the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly .He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling lifestyle. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread.
