Posted in: Disc Reviews by Brent Lorentson on July 9th, 2021
“Bueller … Bueller …”
When it comes to the 80’s teen comedies, I think we can all agree John Hughes is the king, and I feel just about every kid who grew up during that time has a strong opinion on what the “BEST” John Hughes movie is. The Breakfast Club, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off, and Planes, Trains and Automobiles are pretty much all classics that he wrote and directed, but that doesn’t count the numerous others that he just wrote. When I heard John Hughes died, it was a sad day, even though he hadn’t directed a film since 1991’s Curly Sue. I think we all were kind of holding out hope he’d be able to step back behind the camera one more time.
Posted in: Disc Reviews by Brent Lorentson on July 6th, 2021
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials, I wasn’t all that thrilled. I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I might have had in different circumstances. I was definitely pessimistic about watching the , but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons, and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series. Season 2’s can be a make-or-break for a lot of shows. Expectations have been made by the audience, and sometimes things just fall apart, but sometimes there is the rare occasion where Season 2 manages to only get better. I’m happy to say in the case of His Dark Materials, things definitely improve.
Posted in: Disc Reviews by Gino Sassani on July 1st, 2021
"We're 10 years in now. I was a little kid. I can barely remember the Night The Sky Fell, let alone what the world was like before. We still live behind walls, and the dead still have this world. And I think that with everything that went away, with everything we lost, with everyone we lost, some people think it can happen again. Some people think that what we have can't last. Some people can't believe. But I'm certain of our home city and our alliance with Portland, with the Civic Republic, and I'm certain what's ahead. We are monuments to the past, but everyone here, all of you, you are the future. We are the future. I'm sure of it."
There is life after death. For The Walking Dead that life has a pretty solid run.
Posted in: No Huddle Reviews by Gino Sassani on June 30th, 2021
"Welcome to the unlimited possibilities of the Quantum."
It's a somewhat near future, and airport baggage handler Ray (Imperial) is in need of more money. He doesn't have the new Quantum computer, and he discovers that he isn't able to access accurate data on the net because everyone is now using the new format. He also has a brother Jamie (Howard) who is suffering from Omnia, which is a disease that makes you tired all of the time. It's considered by many to be fake, and "clinics" have popped up to treat the disease with odd ... and very expensive treatments. It's a scam, and Ray has bought into it. So he's going to need money.
Posted in: Disc Reviews by Brent Lorentson on June 29th, 2021
Long before super-hero films became the rage of American cinema, the Western was the original bread and butter that would draw in its audiences to flock to the silver screen. Hollywood cranked out so many Westerns I seriously doubt anyone knows just how many of these films were shot by the studios, not to mention the others that were re-cut with scenes inserted with new stock footage just to re-title a film and put it back out onto the screen. There are some directors that elevated the genre, John Ford, Howard Hawks, Clint Eastwood, Sam Peckinpah, and then there’s John Sturges who is mostly famous for helming The Magnificent Seven and The Great Escape. Sturges had a strong 30 year career directing and though he had a few misses when his films were good they were really good so when the offer came along to review one of his Westerns I hadn’t seen I was happy to jump aboard to review the Last Train From Gun Hill.
Posted in: No Huddle Reviews by Gino Sassani on June 25th, 2021
"Months from now, if you’re ever asked where you were, what you were doing, on October 9, you’ll have the muscle memory of what you did. You won’t have to construct the lie, because you lived it."
We all live that day in somewhat excruciating detail. I'm talking about the opening 20 minutes of Showtime's limited series Your Honor, starring everyone's favorite high school chemistry teacher, Bryan Cranston. The ten-episode crime thriller/drama was developed by British television wunderkind Peter Moffat and took a rather long route to this American release. It's based on an Israeli series called Kvodo and was originally remade in India before finally taking a shot in America via a British writer. I have not had the opportunity to see either of the earlier incarnations, so I can't really comment on how faithful this version might have been. Beyond a strictly academic purpose, what's important is how this series stands on its own. And that analysis is just as complicated as the path the material has taken around the world to your television ... or, God help us, your phone.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2021
Just in time for the first days of shooting on the next and final Indiana Jones film, Paramount cashes in on the renewed interest with the long-awaited, at least from this reviewer, release of the first four films in the Indiana Jones franchise on UHD Blu-ray in full ultra high definition complete with HDR and Dolby Vision. OK, I lied about the long-awaited four films. Most of us have long-awaited two out of the first four films, but Paramount gets that. That's why the original Blu-ray release and again the 4K release doesn't give you the option yet to just pick the two you want. If you want Raiders Of The Lost Ark and Last Crusade in 4K, you're stuck with the other two. I'll take that deal, and you should, too. Here's why.
Posted in: Disc Reviews by Brent Lorentson on June 18th, 2021
Ever since the release of Godzilla in 2014, just the possibility of this film has been highly anticipated. The last time we got to see these two titans go head to head, it was in the 1963 version of Kong vs, Godzilla. Sure, it has some value as a campy romp, but you’ll have a difficult time convincing anyone that it was actually a good movie. No matter what fans may think of the new Monsterverse that we’ve gotten, I feel what can be agreed upon is that each of the films has given us an impressive look at these monsters, not just in their design, but in their fights. While I’m pretty open about my affection for these titans and how happy I am to see them finally get their due beyond the man-in-suit films (which of course I still enjoy and adore), it’s still no surprise to me that the weakest parts have always been the human aspect of the films.
Posted in: No Huddle Reviews by Jeremy Butler on June 16th, 2021
“You see this bulls*%t right here? This is exactly like him … just like Ghost.”
The first sequel series in the Power universe, starring quite possibly one of the most hated characters in the original series, and that’s a long list. Fans of the original series are likely still bearing a grudge against Michael Rainey Jr.’s Tariq St. Patrick for his murder of his father, James St. Patrick, aka Ghost, at the end of the original series. However, I heard tell when it comes to his actions in this sequel series, those are the least of Tariq’s transgressions. Picking up just a few days after the conclusion of the original series, Tariq adjusts to his new life at Stansfield University, where he immediately finds his way back into the drug game in hopes of financing his mother’s trial for the murder of his father, a rap she took for him. This Starz series shows Tariq’s descent from the world of privilege into the gritty street world
Posted in: No Huddle Reviews by Jeremy Butler on June 16th, 2021
Nothing like being framed for murder to revitalize a dying relationship. Or least that is the premise that fueled this Issa Rae and Kumail Nanjiani-led romantic comedy. Now in recent years, both Rae’s and Nanjiani’s star powers have been on the rise, interestingly enough as a result of stellar performances in television series (Rai on Insecure, which she also produces, and Nanjiani on Silicon Valley). This has led to more theatrical roles, which have also been moderately successful. I anticipate that their stock will continue to rise, especially given Nanijiani’s induction into the MCU with his casting in the upcoming Eternals movie, and Rae is not slouching, either, with a whopping 17 projects that her name has been attached to produce. As glad as I am that these two are doing great professionally, I don’t see this Netflix-turned-home-media release doing much for either one of them.
