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It's been a while since a CSI episode has crossed our paths. For nearly 20 years the franchise would be one of the top-rated dramas on television. It all started with the original CSI: Crime Scene Investigation. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one.

Ah, good old 1990's, such important years in our history. The Soviet Union was in a state of social and political upheaval, David Robinson had just taken the professional basketball world by storm, and I was hatching plans for my first double-digits birthday. Oh yeah, and Beverly Hills, 90210 hit the airwaves for its inaugural season. Obviously, at the time I was a bit young to have been interested in this teen soap opera, so watching the DVD set has not be full of reminiscence for me. Instead, it's been like discovering for the first time what 1990 could have been like, had I been a beautiful, spoiled-rich teen living in Beverly Hills. My three biggest regrets about missing out on 90210? I could have looked back now and laughed about the bad hair, bad clothes and bad music that I thought were so cool back in the day. Actually, I did laugh at that stuff, but surely not as heartily as I would have, had I been an old-school 90210 fan.

"Well, you think about it, Ethan, it was inevitable. No more cold war. No more secrets you keep from yourself. Answer to no one but yourself. Then, you wake up one morning and find out the President is running the country without your permission. The son of a bitch, how dare he. Then you realize, it's over. You are an obsolete piece of hardware, not worth upgrading, you got a lousy marriage, and 62 grand a year."

The more things change, the more they tend to remain the same. In 1996 Paramount was nearing the end of a run of feature films that started with a 1960's Desilu Studios television series called Star Trek. That same year the studio was beginning a run of feature films based on a 1960's Desilu Studios television series that at one time shared an actor with Star Trek, Leonard Nimoy. That series was Mission Impossible. The show starred Peter Graves as the leader of a cold war covert government group called the IMF or Impossible Mission Force.

"In the 19th century, persons suffering from mental illness were thought to be alienated from their own true natures. Experts who studied them were therefore known as alienists."

The Alienist was drama airing on TNT for two seasons and is the latest in the recent trend of period-piece dramas to populate the television series market. Like many of these kinds of shows, The Alienist relies as much on atmosphere as it does on the actual story being told. The series is intended to attack the senses and obviously elicit some kind of a reaction. Filmed in Budapest, the show takes us back to New York City in the 1890's and truly builds a rather deep and dark environment that you will likely remember far longer than any other element of the show. The series also utilizes a tremendous amount of computer-generated images for set extensions and sometimes complete environments. It's an ambitious undertaking and might well have been the crowning achievement of the series.

The Italian film industry has been setting trends since Edison first released his wonderful moving picture cameras. Names like Dario Argento, Lucio Fulci, and Lamberto Bava delivered what would be known as Spaghetti Nightmares. These are the films that gave birth to the American splatter craze that began in the 1970's. Then there was Sergio Leone and his Spaghetti Westerns that propelled Clint Eastwood to instant stardom with his Man With No Name films. Most film fans know these filmmakers and the history that spawned. What is less known is that decades before these trends Italian filmmakers were created, a genre often called sword and sandal films that featured a lot of ancient buff guys with swords saving cities, and of course beautiful damsels in distress. While many were low-budget affairs, they soon evolved into epic spectacles while still on somewhat limited funds. Among these films the Greek semi-god Hercules would become one of the more famous and successful. Hey, Greek mythology is in public domain, so you can develop a franchise that has high name recognition without having to pay royalties. Writers were a dime a dozen and could be paid with a six-pack and a TV dinner. In Europe at the time there were no unions to make sure everyone shared in the wealth.

"There is a doorway in the universe. Beyond it is the promise of truth. It demands we question everything we have ever been taught. The evidence is all around us. We are not alone. We have never been alone."

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA.

"We bring you the circus, pied piper whose magic tunes greet children of all ages, from six to 60, into a tinsel and spun-candy world of reckless beauty and mounting laughter and whirling thrills; of rhythm, excitement and grace; of blaring and daring and dance; of high-stepping horses and high-flying stars. But behind all this, the circus is a massive machine whose very life depends on discipline and motion and speed. A mechanized army on wheels that rolls over any obstacle in its path, that meets calamity again and again, but always comes up smiling. A place where disaster and tragedy stalk the big top, haunt the back yard, and ride the circus train. Where death is constantly watching for one frayed rope, one weak link, or one trace of fear. A fierce, primitive fighting force that smashes relentlessly forward against impossible odds. That is the circus. And this is the story of the biggest of the big tops, and of the men and women who fight to make it The Greatest Show on Earth." 

It was 1952 and four years before Cecil B. DeMille would deliver his Biblical epic release of The Ten Commandments.

"This bird you'll never change."

That seems to be the case with the Southern Rock band Lynyrd Skynyrd. Few bands have experienced the level of tragedy this one has. It's somewhat of a miracle that any version of the band would still be standing. But they are thriving and doing their best to keep their particular sound alive. And what better place to demonstrate that nearly 50 years after they were formed than back home in Jacksonville, Florida where the band's original members were formed. (No, they didn't come from Alabama.) I was never a huge fan of the band, but like most music lovers, I was drawn to hits like Free Bird. In my high school band we played Free Bird, Gimme Three Steps, and ... of course, Sweet Home Alabama.