Posted in: Disc Reviews by J C on March 30th, 2015
“There's money flying all over Silicon Valley, but none of it ever seems to hit us.”
There's a lot to like about HBO's Silicon Valley, which debuted last year with a confident, clever freshman season that took merciless aim the tech capital of the U.S. My favorite thing about the show — besides hyper-specific jokes aimed at geeky targets like the many endings of “Mass Effect 3” — is that it portrays (and makes fun of) each aspect of the cutthroat tech industry, from the self-important, aggressively eccentric billionaires to the scrappy, proverbial guys in a garage.
Posted in: Disc Reviews by Brent Lorentson on February 26th, 2015
Despite being a fan of just about everyone involved with Horrible Bosses, I was more than a little disappointed by the first film. It wasn’t awful or unwatchable by any stretch of the imagination, but I felt with a cast like Jason Bateman, Charlie Day, and Jason Sudeikis, it just should have been better. But the movie gods have spoken and decided that the first film performed well enough that it deserved a sequel. What worked for the first film was the idea behind finally having enough of your bosses and being pushed to the point where murder seems like a viable option. We’ve all had bosses at some point that pushed our buttons to the point that these thoughts may enter our daydreams, so a movie that takes it to the next level will of course have its appeal. Sadly, the sequel doesn’t have that appeal.
This time around Dale (Day), Kurt (Sudeikis), and Nick (Bateman) are working together to release a new shower product, and after the trio make an appearance on a morning news broadcast they get the call from an interested investor. Rex (Chris Pine) claims to see promise in their product, as does his father Bert (Christoph Waltz). The father and son duo end up scheming the trio out of their product, which results in them going $500,000 in debt. With their options limited, the trio decides the best way to avoid going into debt is to kidnap Rex and hold him for ransom. It doesn’t take much thought to realize how bad an idea this scheme is, but the film wouldn’t be much of a comedy if this were a good scheme to begin with.
Posted in: Disc Reviews by J C on January 29th, 2015
“Love is an endless act of forgiveness.”
May Brennan is the best-selling author of a successful book centered around Arabic proverbs. She is played by Cherien Dabis, who is also the writer/director/producer of May in the Summer. Both Dabis and her fictional counterpart use short, pithy phrases like the one above as the basis for exploring familial and romantic relationships. But while May encounters rousing success with her (fictitious, unseen) book, Dabis' picturesque, breezy, ultimately disposable film is a little bit more of a mixed bag.
Posted in: Disc Reviews by J C on January 12th, 2015
“Writers are a ridiculous class of people who make everything about themselves.”
For many, the current face — and oft-naked body — of “writers who make everything about themselves” is Lena Dunham, the creator/star/writer/director of HBO's Girls. The equal-parts brilliant and maddening quarter-life crisis comedy became one of the most polarizing shows on TV over its first two seasons, as self-involved heroine Hannah Horvath sought love and a career as a writer in NYC. At the start of season 3, Hannah has both of those things...which is why I'm astounded — and, frankly, pretty impressed — that she remains as egotistical as ever.
Posted in: Disc Reviews by J C on January 6th, 2015
The most remarkable thing about Looking might be how thoroughly unremarkable it is. This is a double-edged sword for HBO's dramedy, which follows the love lives of three gay friends living in modern-day San Francisco. The series sidesteps the headline-grabbing sensationalism that accompanies many other shows that prominently feature gay characters. (Looking at you, Ryan Murphy.) On the other hand, Looking is often low-key to the point that it bypasses being funny or particularly entertaining. What the series does have on its side is a naturalistic tone that makes the show more engrossing and immersive as the first season progresses.
Looking follows the lives of Patrick (Jonathan Groff), a lovelorn, 29-year-old video game level designer; Agustin (Frankie J. Alvarez), a 31-year-old artist's assistant — and a frustrated artist himself — in a committed relationship; and Dom (Murray Bartlett), a 39-year-old waiter with a preference for younger guys who is at a personal and professional crossroads in his life. The series opens with Patrick bumbling his way through an anonymous sexual encounter in a park before going on a disastrous first date with a different guy, Agustin deciding to move in with boyfriend Frank (O.T. Fagbenle), and Murray mulling over a career move away from the food industry and into real estate.
Posted in: Disc Reviews by J C on December 18th, 2014
“Everybody's sad or angry or lying or cheating.”
That seems to be the state of the four adult Altman children even before they are thrust back together following the death of the family patriarch. This Is Where I Leave You has all the makings of a great dysfunctional dramedy. It has a terrific cast and is based on the very popular book by Jonathan Tropper, who wrote the screenplay. Yet the movie comes up well short of delivering on its promise. Despite some strong acting, a handful of funny beats, and a passing similarity to another ensemble movie where characters who were formerly close are brought back together by a funeral, this movie is less Big Chill and more “Big Shrill.”
Posted in: Disc Reviews by J C on December 16th, 2014
“You know what the sad thing is? We’re a good team.”
Up until they teamed up to star in The Skeleton Twins, there was nothing sad about the team of Kristen Wiig and Bill Hader. Regardless of how you feel about the quality of Saturday Night Live in recent years, Wiig (the only cast member to earn an Oscar nomination — for co-writing Bridesmaids — while still appearing on the show) and Hader (with "Stefon" and a laundry list of impressions that ranged from Alan Alda to Al Pacino) were clear standouts. So you'd expect their first post-SNL big-screen team up to be a laugh riot. That's not exactly the case.
Posted in: No Huddle Reviews by J C on December 15th, 2014
“Screw you, it's 'Merry Christmas!'”
A decent chunk of Jeff Dunham's Very Special Christmas Special is devoted to taking back the most wonderful time of the year from anyone who insists on saying “Happy Holidays” instead of daring to utter the C-word. The wildly successful comic certainly knows his audience, and the live crowd here eats up Dunham's assault on rampant political correctness. My feelings on this particular DVD release, on the other hand, are closer to “Bah, humbug!
Posted in: No Huddle Reviews by J C on December 11th, 2014
Stop me if you've heard this one before: single gal(s) looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It's an effective, well-worn story hook that has now gotten a funny, tremendously weird spin thanks to Comedy Central's Broad City.
“I'm an adult, I'm gonna buy my own pot.”
Posted in: Disc Reviews by J C on November 28th, 2014
“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”
Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.
