Posted in: Disc Reviews by Gino Sassani on September 11th, 2014
"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill
He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later. I can foresee a day when history will once again change its perspective and refer to the entire period as The Great War. It's the tactic that this History mini-series has taken.
Posted in: No Huddle Reviews by J C on September 11th, 2014
Some of the most iconic stand-up comics of all time have famously wrestled with personal demons while simultaneously mining them for material on stage. Few have done so more successfully — and for a longer period of time — than Richard Lewis. His neurotic, self-flagellating act earned Lewis his “Prince of Pain” nickname, but his longevity is just as impressive. The fact is a lot of great comics don't last as long as Lewis because they lose that battle with their demons too soon. So it's great to see that, at age 67, Lewis finally gets his due with a DVD set that covers some of his most seminal work.
The career-spanning Richard Lewis: Bundle of Nerves, now available courtesy of Video Services Corp., offers the full Lewis experience by showing the comedian on stage, on the small screen, headlining a movie, and in his beloved, memorabilia-packed house. Disc One contains 1979's Diary of a Young Comic and his Magical Misery Tour HBO special from 1997. (Both of those titles are making their DVD debuts.) Disc 2 has the 1995 drama Drunks and House of a Lifetime, a Cribs-style documentary created exclusively for this set. Let's break them down in the order in which they are presented on this set.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2014
"It's been a long summer."
And my how things have changed in Mystic Falls. Elena is a vampire, and Katherine is now a human, and doing a pitiful job of that, to be sure. Bonnie is a ghost who only Jeremy can see, and they're trying to keep it all a big secret from everyone so they all think Bonnie is out globe-hopping and having a great time. Stefan is at the bottom of a lake in a safe where everyone else thinks Silas is. He's drowning, dying and then waking up again and again and again. In between he's hallucinating conversations with Damon and Elena. Meanwhile those two are hitting the sheets together again and again and again. All the while big bad from last season Silas is masquerading as Stefan. Turns out that's his true form, and this season is going to make you sick and tired of the whole doppelganger thing. That is, if you weren't already. Yes, it's been quite a long summer, but it's time to head back to Mystic Falls once again.
Posted in: Disc Reviews by J C on September 9th, 2014
“Drag racing is for fast cars. Road racing...that's for fast drivers.”
I imagine that distinction — along with one character scolding another for pulling a “Vin Diesel stunt” — is meant to set this straight-to-DVD racing drama apart from the Fast & Furious franchise. That separation is an interesting choice for a couple of reasons. On one hand, I assume it's been easier to finance any car-centric flick ever since a certain high-octane film series proved there's an audience for the genre. Then again, the increasingly staggering success of the Fast movies seems to be directly proportional to how ludicrous they've become. So by positioning itself as a less outlandish/more grounded alternative, Born to Race: Fast Track seems to be targeting gearheads craving a more realistic racing drama. And, apart from its half-baked cliches and total predictability, it actually kinda succeeds.
Posted in: No Huddle Reviews by J C on September 5th, 2014
There are movies that can be described as slow burns, and then there's Night Moves. Director Kelly Reichardt frames much of her 112-minute thriller in a way that invites you to pay an inordinate amount of attention to the lush greenery, winding trails, and tranquil water the film's three protagonists go to dangerous lengths to preserve. The extended, quiet sequences and exceedingly simple plot also encourage viewers to fill in spaces in the story that seem to have been intentionally left blank. This deliberate approach will undoubtedly infuriate and bore some people, but I personally found it absorbing enough to recommend as an unconventionally tense drama.
Night Moves is about three environmentalists who plot to blow up a hydroelectric dam. (See? I told you the plot was exceedingly simple.) Given that the movie's synopsis can be neatly wrapped up in a single sentence, the real pleasures in Night Moves are derived from trying to figure out precisely how they're going to pull it off and how the characters relate to one another.
Posted in: Disc Reviews by J C on September 4th, 2014
The list of bad videogame movie adaptations is as ridiculously long as the titular weapon in this animated offering. In fact, the film that has best captured the spirit of gaming wasn't even based on an actual videogame. The bottom line is it's hard to translate the highly-interactive thrills of videogames into a satisfying, relatively passive moviegoing experience. So maybe the answer lies in targeting inherently cinematic games like Heavenly Sword.
“Prophecies speak of a savior, a deity born of man whose fate is to wield the Heavenly Sword.”
Posted in: Disc Reviews by Brent Lorentson on September 3rd, 2014
Right now in the martial arts world I don’t believe there is a bigger star than Donnie Yen. From his work in Iron Monkey to his modern classic Ip Man, Yen shows he is nearly an unstoppable force in the martial arts world, and when his name is involved with a project, you should be ready for a spectacle. His fight choreography is stunning to say the least, and despite the genre of film, he’s able to keep his fight scenes grounded in reality. Now teamed with director Daniel Lee who brought us Black Mask, 14 Blades is on first glance the kind of movie martial arts fans should get excited about.
I’m not too sure about the historical accuracy of this film, but during the Ming Dynasty the Emperor created his own special security team by finding orphaned kids and training them to be his personal guards. These special guards were called Jinyiwei; basically think about the President’s Secret Service agents, only extremely skilled in martial arts. The one who would oversee the Jinyiwei would be the most skilled of the group and called Qinglong. What made this Qinglong even more threatening is this special box he would carry with him, and inside are an array of bladed instruments, the 14 blades.
Posted in: Disc Reviews by J C on September 3rd, 2014
“It’s kind of a corny, romantic comedy-type story.”
Even those of us who actually enjoy a good romantic comedy have rolled our eyes or groaned about some overused cliche in the genre. Well David Wain and Michael Showalter — who last teamed up to satirize summer camp movies in 2001's Wet Hot American Summer — have gathered many of their famous, funny friends to make They Came Together, an alternately hilarious and uneven spoof that lovingly skewers rom-com tropes.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2014
"My siblings and I are the first vampires in all of history. The Original Family. Three centuries ago, we helped build a town called New Orleans. Now a plot by witches has lured me back, hoping that I will defeat a tyrant, a vampire I created. My brother hopes I will find redemption through the power of family, a miracle child, part werewolf, part vampire, a hybrid. My sister is doubtful; she thinks I am beyond redemption. Despite my brother's best efforts, I have a plan of my own. I will take back my home and reclaim what was mine. I will be king."
If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.
Posted in: Disc Reviews by Brent Lorentson on September 1st, 2014
The backwoods flesh-eating disease film Cabin Fever was writer/ director Eli Roth’s first dip into horror and helped establish Roth as one of the “it” guys of the industry despite having a limited film catalog. The film’s cringe-worthy deaths, not to mention the memorable bathtub sequence, made the film an overnight sensation, and when talk of a potential sequel came out, I was more than a little excited. Picking up the reins for Roth would be another young rising star of the horror genre, Ti West. The film made a valiant attempt at capitalizing on the fame of the original, but it just never made the connection with audiences. Now we have the third entry in the Cabin Fever saga, Cabin Fever: Patient Zero. This time the film trades in its familiar backwoods local on a tropical paradise in the Caribbean.
When you see the title Patient Zero, you go into this with the hopes that this would be the film to have the big reveal as to how the virus managed to make its way to a lake in the middle of the woods in the outskirts of a small mountain town. Or you would be like me and have your fingers crossed for more fun from the party guy himself, Deputy Winston. Unfortunately, we get no familiar faces, but instead two separate storylines that we know inevitably will cross over.
