Posted in: Disc Reviews by J C on July 15th, 2013
Cruel blood sport or culturally-significant art form? That’s been the centuries-long debate surrounding the practice of bullfighting. Personally, almost everything I know about bullfighting comes from Ernest Hemingway stories and Looney Tunes. So Blood and Sand — a grand, cynical bullfighting drama/Technicolor spectacle from 1941 making its Blu-ray debut — was an eye-opening experience in more ways than one.
Blood and Sand is the story of Juan Gallardo (Tyrone Power), who we first meet as a bullfighting-obsessed child (played by Rex Downing) in Seville. Juan’s father was a legend in the sport — and the kid will eagerly break a bottle over the head of any pompous critic (like the one played by Laird Cregar) who disagrees — and the brash boy is obsessed with following in his footsteps. (He routinely sneaks onto a ranch at night to work on his skills.) Eventually, he runs away from home with a group of friends and travels to Madrid in the hope of becoming Spain’s greatest bullfighter.
Posted in: No Huddle Reviews by J C on July 10th, 2013
Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a (dog-dressing, raw milk-drinking, Seattle-hating) state of mind. And after three seasons of lovingly mocking upper middle class indulgence along with the denizens of the Pacific Northwest, Portlandia — created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel — feels more like a fully-realized destination than ever.
Armisen and Brownstein still star in almost every sketch, and the versatile duo has created a solid stable of recurring oddballs to anchor the show. The Portlandia “Winter Special” — which aired a few weeks before the season 3 premiere on IFC — features some of their most popular creations: feminist bookstore owners Toni and Candace try to get Candace’s son to accept (another) vagina pillow, while a Peter and Nance sketch finds ineffectual Peter deciding to cut pasta from his diet to hilariously disastrous results.
Posted in: Disc Reviews by Jeremy Butler on July 10th, 2013
“There are only two reasons why a boat would go rogue. One is to defect, and the other is to start a war, and I don’t think we’re defecting. ”
Abraham Lincoln once said, “The best way to get rid of an enemy is to make him a friend.” That’s one way; however, Phantom proposes a different tactic: the best way to get rid of an enemy is to get someone else to do it. Which do you agree with more? Ed Harris and David Duchovny square off as two pieces on the opposite sides of the chess board locked in a submarine together with control of a nuclear warhead being the checkmate.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2013
When one thinks of The Dick Van Dyke Show it's hard not to think of its star Dick Van Dyke. After all, it's his name on the opening credits, and he does play the lead character in this groundbreaking television comedy. There's little question that the show became a wonderful vehicle for his many comedic talents. But the genius behind the show wasn't really Dick Van Dyke at all. It was Carl Reiner (yes, Meathead's father) who is the true brains behind the show.
Reiner was a popular comedy writer in the early days of television. He made his name with Sid Caesar, writing for the very popular Your Show Of Shows. During that time he had been inundated with ideas for his own show. He wasn't happy with any of them and decided to write his own. The result was Head Of The Family. It starred Reiner as Rob Petrie, a television comedy writer living in the New York suburbs of New Rochelle. In a break from traditional sit-com style, he told his stories both at home and at the office. We got to see Rob with his fellow writers and with his wife and neighbors. If any of this sounds rather familiar...it should. It was a clever idea, but it stank up the ratings and was soon dropped.
Posted in: No Huddle Reviews by J C on July 8th, 2013
“The 1860s was a decade in which one of the most terrible civil wars in history was to begin and end. But far from the bloody fields of Gettysburg and Shiloh, changes — which were to alter forever the face of the American West — had already begun.”
And that pioneering spirit continued to capture the American public’s imagination 100 years later. The Western was the big boy on the block during the 1950s and ‘60s on both television — peaking in 1959, which saw 26 such shows air in prime time — and in the movies. How the West Was Won — starring John Wayne, Jimmy Stewart and Gregory Peck, among others — is one of the more enduring titles from that era.
Posted in: No Huddle Reviews by J C on July 3rd, 2013
“Only a few people in the world have the ability to remember everything. I'm one of them. If I miss something the first time, it's okay; I can go back and look again. My life…is unforgettable.”
You’ve got to admire the courage of the person who decided to call this show Unforgettable. He or she had to know they’d be leaving themselves open to easy pot-shots from viewers and snarky critics like me if the drama series failed to make a lasting impression. And, for a while, it looked like this Unforgettable: The First Season DVD set might wind up being Unforgettable: The Only Season. After sitting through the first season of CBS’s umpteenth procedural drama, I can see why the network initially canceled the show. But I can also see why they decided to bring it back.
Posted in: Disc Reviews by Jeremy Butler on July 2nd, 2013
A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.
The Rambler opens up with our titular character (Dermot Mulroney) observing a house on fire. Next it jumps to behind prison walls where The Rambler has ended up (whether it was due to the fire is not really explained). Through a quick montage sequence, we are given a recap of the character’s life on the inside up until he earns his release: smoking in his cell, smoking in the cafeteria, and smoking in the exercise yard.
Posted in: Disc Reviews by J C on July 1st, 2013
The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.
Dr. Cara Jessup (Julianne Moore) would strongly disagree with my diagnosis. When we meet the widowed psychiatrist early on in 6 Souls, she’s expressing her belief that multiple personality disorder is a fad perpetuated by the media and pop culture. Cara’s father (Jeffrey DeMunn) is also a psychiatrist, and he’s playfully determined to prove his daughter wrong. He asks her to examine a seemingly timid young man named David (Jonathan Rhys Meyers) who becomes the much more aggressive Adam after a well-placed phone call. Even though Adam/David is very convincing, Cara wants to debunk the idea that he suffers from multiple personality disorder. As she investigates Adam/David’s background, she finds a common link between his personalities and realizes there might be more to come. (The movie isn’t called 2 Souls, after all.)
Posted in: Disc Reviews by Gino Sassani on June 26th, 2013
"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."
If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review. I had not seen Oldboy at the time of the viewing or since. I did go out of my way to get some exposure to the film's famous imagery through clips and stills. Even still, I've never been more confused about a film than I am about Stoker.
Posted in: Disc Reviews by William O'Donnell on June 25th, 2013
Every generation since “X” has lionized its slackers and frat boys with films (perhaps earlier if you look to Animal House as the beginning). Workaholics dances between this honouring of the stoner/slacker lifestyle and satirizing it. This show's third season is just like the previous two. Three best friends, Adam, Anders and Blake, spend their work days with pranks, pot and parties on their minds, and each episode showcases their adventures therein.
These three indulge in so much “bro” talk, which entails frequent use of the words “bro,” “dude,” and turning as many words as possible into slang, usually by shortening them to one syllable if possible. A whole scene may go by where their English has been massacred to the point where I feel as if they are speaking an entirely new language. While many times this would seem to be a way of relating to the keg-tapping demographic, it can reach such a preposterous level, such as when Adam talks about getting a girl to put her “H on his D,” that it becomes more of a lampooning.
