Posted in: Disc Reviews by Michael Durr on October 3rd, 2012
The residential cartoon aficionado is reporting for duty. I often think when I am 80 or 90 years old (if I live that long), I will be in my easy chair with a glass of Metamucil and my cane off to the side while I enjoy a heaping dose of cartoons. Then I will go yell at some kids and tell them to get off my lawn. That is the life, I am telling you. Today, I will be reviewing the third best of Adventure Time dvd with the always lovable Jake and Finn.
Adventure Time has not been reviewed here on the site before, so here is a quick synopsis. Adventure Time involves two main characters named Finn a human, and Jake a dog. The two have frequent adventures where they must go through dungeons, save princesses, and defeat evil monsters. Their adventures often border on outlandish and lots of craziness but it can be agreed that these two will always have a fun time doing it. Let us take a look at some of the assorted episodes from this disc.
Posted in: Disc Reviews by William O'Donnell on October 3rd, 2012
Dora sets out to teach kids a little English here, and a little Spanish there, as she goes on some Halloween themed adventures; most of which involving costume parades. The formula for each episode (Halloween themed or not) is identical, allowing kids to speak along with the characters, while grating the patience of nearby adults.
The way in which each character takes long pauses while asking questions of the viewers will either seem condescending and/or just flat-out creepy to viewers older than 5. That said, you simply have to be a pre-schooler to enjoy viewing multiple episodes of this show. The encouragement young viewers receive to participate and solve simple problems is all well and good for them. This jaded 20-something on the other hand, is just a little too unnerved to join this manner of edu-tainment.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2012
We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.
I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.
Posted in: Disc Reviews by Brent Lorentson on October 2nd, 2012
It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement. I wouldn’t go so far as to say the two shows are on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has peaked my interest and shows some potential. Both Key and Peele got their big breaks from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh, and keeps its audience laughing.
To be fair, though, the only endorsement the pair will ever take notice of is that of President Obama, who has actually seen their show and has publicly given it his approval. Not many sketch comedians can put that in their resume.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2012
The 8th season of CSI: New York begins with the strongest and most emotional CSI episode ever. The show flashes back to what the team members were doing during the 9/11 attacks. It's very tastefully done. They never actually show the planes hitting the buildings, but they do show the disaster as it unfolds on the streets of New York. We get to see Mac spending what will be the final moments with his wife, who was killed during the attacks. We always knew that these people were likely working that day. Now we get to see what they were doing and understand the impact it must have had on their lives.
The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full-fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.
Posted in: No Huddle Reviews by J C on October 1st, 2012
Look, I don’t take pleasure in being the guy who slams a religious movie. It’s not that I’m afraid I’ll go to hell. (If someone can go to hell for writing a scathing movie review, then the system is broken.) I just don’t particularly enjoy tearing down any well-meaning movie with a positive message. However, when a film is as thoroughly inept as The Holy Roller, I’m afraid I have no choice.
The New Zealand dramedy follows Pastor Luke (Angus Benfield) who leaves his modest countryside congregation — although calling one person a “congregation” might be too generous — in favor of the big city because he wants to witness a miracle. (The Holy Roller was filmed in Christchurch, the country’s third largest urban area, right before a series of severe earthquakes in 2010 and 2011.)
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2012
"800,000 children are reported missing each year in the USA. Most are found within a few days. 1000 children disappear without leaving a trace."
After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan. It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience. He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project. There was a time he was attached to do a remake of Hellraiser. Usually the thought of remaking such a classic would send me into an outrage, but if there was ever a director who could handle the material, I believed he’d be the perfect choice. Sadly the production fell apart, and his follow-up became The Tall Man.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2012
"Everything old is new again."
If the CSI franchise were a sports team, we would say that season 12 was a rebuilding year. It's the most radical change since the show began. Certainly loosing Grissom was a big change, but he was just one guy. In the 12th season we say goodbye to two of our characters and welcome in three. It's going to take some getting used to, to be sure. Overall, it's actually a good thing for the series and the franchise. I don't think it's been this good for a number of years. It's a family again. That's no dig on anyone who has left. It's just that the series has seemed in turmoil since the departure of Grissom. The show has lacked direction, and no one appeared to have the confidence that seems to have returned to the series in its 12th year. For the first time I'm not looking for this "tired" show to finally run its course. It has new legs, and I think we just might be in it for the long haul.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2012
All good things must come to and end. Fortunately, the same can be said for the not-so-good things as well. I've been calling it the weakest link in the CSI franchise since the year it first hit our television screens. It looks like the ratings and your opinions have supported that feeling, and CSI: Miami is finally going the way of the dinosaur, both on television and in reality... extinct.
The series followed the CSI model set forth in the original Vegas version of the franchise. The lead CSI here was Horatio Caine, played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off-the-reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek-tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all-around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. Now I won't have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead. The best new character and one I will see sorry to go is young Omar Benson Miller, who played Walter on the show for just the last couple of seasons. He brought the freshness the show so desperately needed. I will miss him a lot.
Posted in: Disc Reviews by J C on September 30th, 2012
Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a state of mind. And according to the surreal IFC sketch series created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel, that state of mind is happily stuck in the simpler time represented by the '90s.
Armisen and Brownstein co-star in almost every sketch, and each segment lasts no more than five minutes. That shrewdly gives the audience multiple opportunities to laugh within one episode even if a particular concept isn’t working or is too bizarre. (One especially painful skit consisted of Armisen and Brownstein repeatedly calling out “Sacagawea!" Thankfully, it was over relatively quickly.)