Genre

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the two shows are on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has peaked my interest and shows some potential.  Both Key and Peele got their big breaks from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh, and keeps its audience laughing.

The 8th season of CSI: New York begins with the strongest and most emotional CSI episode ever. The show flashes back to what the team members were doing during the 9/11 attacks. It's very tastefully done. They never actually show the planes hitting the buildings, but they do show the disaster as it unfolds on the streets of New York. We get to see Mac spending what will be the final moments with his wife, who was killed during the attacks. We always knew that these people were likely working that day. Now we get to see what they were doing and understand the impact it must have had on their lives.

Look, I don’t take pleasure in being the guy who slams a religious movie. It’s not that I’m afraid I’ll go to hell. (If someone can go to hell for writing a scathing movie review, then the system is broken.) I just don’t particularly enjoy tearing down any well-meaning movie with a positive message. However, when a film is as thoroughly inept as The Holy Roller, I’m afraid I have no choice.

"800,000 children are reported missing each year in the USA.  Most are found within a few days.  1000 children disappear without leaving a trace."

After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan.  It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience.  He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project.

"Everything old is new again."

If the CSI franchise were a sports team, we would say that season 12 was a rebuilding year. It's the most radical change since the show began. Certainly loosing Grissom was a big change, but he was just one guy. In the 12th season we say goodbye to two of our characters and welcome in three. It's going to take some getting used to, to be sure. Overall, it's actually a good thing for the series and the franchise. I don't think it's been this good for a number of years. It's a family again.

All good things must come to and end. Fortunately, the same can be said for the not-so-good things as well. I've been calling it the weakest link in the CSI franchise since the year it first hit our television screens. It looks like the ratings and your opinions have supported that feeling, and CSI: Miami is finally going the way of the dinosaur, both on television and in reality... extinct.

Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a state of mind. And according to the surreal IFC sketch series created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel, that state of mind is happily stuck in the simpler time represented by the '90s.

"Now this is going to be so much fun."

They've just saved the world, yet again. If you watch Supernatural, you know I'm talking about the Winchester brothers Sam and Dean. You also know by now that saving the world is never the end of the story. Each time they put themselves out there to stop the big evil from putting a major hurt on planet Earth, it comes at a cost, and this season is no exception.

When you pick up a movie with the title Strippers vs. Werewolves, to expect anything more than schlocky B-movie horror is a mistake by the viewer and the viewer alone.  This foray into cheesy cinema is best viewed after a few drinks or just as random fun late at night when you can’t sleep.  It’s never a movie trying to change the way we view cinema but instead just something to have some fun with, a simple escape where our brains can shut off and simply enjoy the show.

If the phrase “You got served” only conjures up images of wait staff or a notice to appear in court, then Battlefield America may not be for you. The film comes “from the writer, director and creator of You Got Served” — the hip hop-flavored dance drama that became a modest hit in 2004 — but offers up a child-centric twist. For fans of You Got Served, the best way to enjoy this inferior film may be to pretend the dancers in that movie were tragically shrunk down to kid size.