Posted in: Disc Reviews by Jeremy Butler on October 29th, 2021
I really liked the film, but I don’t expect that it will be the savior that revitalizes the franchise. Without question it is the best of the three films that were adapted from the popular toy line, but even so I just didn’t find it compelling enough to serve as the launch point for a franchise reboot. I just don’t think it’s in the cards for G.I. Joe to become a movie powerhouse. Snake Eyes is without question one of the most popular characters from the television incarnation, and he was also the biggest draw for the film adaptation as well. Anticipation for a live-action telling of his origins has been in the works for years, with many hoping to see Ray Park, who played the character in the first two films (though we never see his face), reprise the role. However, much time passed between G.I. Joe Retaliation and this film, making that an impossibility. Stepping in to take over the role is Henry Golding, who you most likely recognize from Crazy Rich Asians, but who I recognize from The Gentlemen. The film is his first foray into the action film world, which was quite a risk for the film, but good thing for them, they got him some backup in the form of Andrew Koji, who we all should recognize from Cinemax’s (now to be reborn on HBO Max) Warrior.
When I heard about Henry Golding’s casting, I had some reservation. In my opinion, he had the look unquestionably, but discovering his lack of a fighting or action resume prior to this outing made me somewhat skeptical of his ability to give a convincing performance. However, after watching him, I give his performance a B plus; he was convincing, but there was room for improvement. Ironically, it wasn’t his fighting where the improvement was needed, as I found his skill on par with what you would expect. As previously stated, he is also surrounded by actors whose fighting resumes speak for themselves. Take Andrew Koji. Firstly, if you haven’t watched this man technical skill in the first two seasons of Warrior, you have no idea what you are missing, and I recommend that you correct this error immediately. Koji brings that same technical skill to this film, making his fight sequences without question my favorite, particularly in the fish market, where he takes on essentially an entire army all by himself, and is more than convincing doing so, especially when he gets his hands on two swords.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2021
"Look. See a world that holds more wonders than any since the Earth was born. And of all who reigned o'er, none had more renown like the boy who pulled the sword from the stone. But this is not that king, nor is this his song. Let me tell you instead a new tale. I'll lay it down as I've heard it told. Its letters set, its history pressed, of an adventure brave and bold. Forever set in heart, in stone like all great myths of old ..."
Mythology is filled with stories of knights. The Black Knights of villainy can be found in thousands of stories, perhaps far more. What young girl doesn't dream of her White Knight coming to rescue her from a mundane life? And there are countless stories of King Arthur and his entourage of famous names like Guinevere, Galahad, and Merlin the wizard. But you won't find too many stories of a Green Knight. Nor has there been much set to paper on Sir Gawain, one of Arthur's lesser known family members. Turns out the young lad was his nephew of Gwen's side of the family. So it's no surprise that I had never heard of either character even though I spent a considerable time in my youth devouring Arthur legends and myths. So I considered myself somewhat learned on the subject, enough to complain constantly when films depict the sword in the stone as Excalibur. It wasn't. The iconic sword was given to Arthur much later by The Lady Of The Lake. But I digress. As the above quote informs us, this is not THAT story. This one comes mostly from an anonymous poem called Sir Gawain And The Green Knight as retold here by writer/director David Lowery.
Posted in: Disc Reviews by Jeremy Butler on October 28th, 2021
“How many people? Husbands, wives, and children, will you kill for peace, Clark?”
Needless to say, when Superman goes bad, it’s a bloodbath. And not just civilians, but heroes as well, as the Justice League is divided, and several are killed in what becomes a civil war between Superman and Batman. When the Joker tricks him into murdering the love of his life, Superman breaks his most solemn vow in pursuit of what he believes to be justice, and this act sends shockwaves throughout the world. Batman, Superman’s most trusted ally, finds himself in the impossible position of having to stand oppose the hero, as Superman proceeds to impose his will on mankind in order to keep them safe. All in the name of justice, or is it Injustice? This 43rd installment in the DC Animated Universe is based on the popular video the popular 2013 video game of the same name, which takes place in a separate continuity from the main DC Universe. Justin Hartley takes quite a step up in his return to the world of DC movies, going from portraying Green Arrow in television series Smallville to voicing Superman for this animated film. He is in good company, as he is joined by Anson Mount, voicing Batman, as well as Edwin Hodge, Oliver Hudson, Gillian Jacobs, and Anika Noni Rose.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2021
"My most vivid memories are of the days when my life changed. I remember coming to this Earth, feeling the sun on my face for the first time. Hearing the voices of my parents. My mother called me their greatest surprise. And boy, there sure were lots of them. I remember loving Smallville; the people, the community, how the small things were the big things. And I thought I'd live there forever. But my father's death set me on a different path. Eventually, I moved to Metropolis to become who I was meant to be. But my most vivid memory of all was the day I met her."
The her, of course is Lois Lane. Together they are Superman & Lois, and they've joined the ever-expanding Arrowverse for their first season now out on Blu-ray from Warner Home Entertainment. While this is their first season, the characters and these actors portraying them are not new to the Arrowverse. Tyler Hoechlin as Superman and Elizabeth Tulloch as Lois Lane have been here for a few years. Both have shown up on Supergirl, and both appeared in a couple of the crossover events that have pulled together the various Arrowverse shows in the past. Now the focus is on them. They have their own show, and it's quite a different approach to the characters and their story.
Posted in: Disc Reviews by Brent Lorentson on October 28th, 2021
No, this isn’t a remake of the 1994 Ice-T Surviving the Game. Unfortunately, this is yet another low-budget action film starring Bruce Willis that has this reviewer wondering if we’ll ever get a great film out of Willis ever again. For the past few years it seems Bruce Willis has given up doing A-list films and has instead gone the route of straight-to-disc releases, and the films have ranged from tolerable to garbage. This is frustrating, because I think we can all agree he’s better than this, but he seems to be fine cashing the paychecks and going onto set and looking miserable from one scene to the next. I miss seeing Bruce Willis being the average-Joe badass. The Last Boy Scout? Heck, at this point I’d rather see him in a Hudson Hawk revival, but alas, this seems to be what we’re stuck with.
The plot is relatively simple. David (Willis) gets injured and is taken hostage after a drug bust goes wrong. Cal (Swen Temmel) follows members from the failed drug bust to a farm, and their confrontation draws the attention of the property owner, Eric (Chad Michael Murray), an soldier who’s been awarded the Purple Heart but is grieving the recent loss of his wife and child. The setup isn’t all that bad, but it’s the initial drug dealers we see Cal having to confront that are just a taste of the cringe-worthy performances and dialog that’s to follow. This could have worked if the two criminals were just a pair of dumb, love-struck criminals. They’d still be annoying, but it’s at least believable that all they were good at is knocking over gas stations and stealing cars, but instead they are connected to a major drug cartel that David and Cal have been pursuing for years. Where this takes a turn for the worse is when more of the gang arrive, and they are comprised of a ragtag group of idiots who belong on an episode of The World’s Dumbest Criminals. Trying to take control of this crew is Frank (Michael Sirow), who seems to be the only professional who has any brains and menace, but in contrast to the rest of the crew, it just makes everything all the more absurd.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2021
"Scared yet? You should be."
There have been a ton of changes in the Arrowverse that started in 2012 with the CW premier of Arrow. It told the story of Oliver Queen, The Green Arrow. Other shows and heroes were added along the way that included time-traveling heroes of The Legends Of Tomorrow, Supergirl, Black Lightning, Stargirl, and most recently Batwoman and Superman and Lois. But the best of these Arrowverse shows has always been and continues to be The Flash. But a lot has changed since then. The mothership, Arrow, has been gone for two years. Supergirl ended last season along with Black Lightning, and Legends Of Tomorrow appears to be fading fast in just plain silliness. Too bad DC doesn't own the rights to Howard The Duck. He'd fit right in. Of the new shows, Stargirl shows a lot of promise with a pretty solid ensemble. Batwoman, for so many reasons, is a complete mess, and Superman & Lois looks to be the most promising future of the Arrowverse. The jury is still out after only one season. But The Flash remains the touchstone of quality in this collection and is now the longest running of the entire franchise. There's a reason for this, and Season 7 will give you even more reasons to run toward The Flash. However, if you're thinking of joining The Flash for the first time in Season 7, that's not going to work out so well for you. Hopefully you're a speed watcher, because you have 6 to go. You're going to love what this series has cooking, but you need to start with getting yourself caught up in order to fully appreciate what is in store for you here. In addition to the many seasons, crossovers, and other shows, COVID has reared its ugly head and kind of mixed up the order of some things. That means you're not really getting Season 7 from the beginning when you buy this set. You're getting the last three episodes of Season 6, and Season 7 starts on the fourth episode and gets a bit truncated by the shorter production schedules. That's a lot to get caught up with, so check out our reviews of the previous releases here.
Posted in: Disc Reviews by Archive Authors on October 20th, 2021
"My name is Lt. Aldo Raine, and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only ... killin' Nazis. We will be cruel to the German, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the Germans will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sound good?"
All right, so I’m a bit late to the party on this one, but I wanted to toss in my two bits anyway.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2021
We first came to know Paul Hogan as the "Shrimp On The Barbie" guy. He was doing television and radio ads for Australian tourism. A smart fellow, he saw that the ad character was popular and rode an enormous wave of an Australian fad that hit America in the 1980's. Suddenly there were Australian bands like Men At Work teaching us about vegemite sandwiches on the top of the music charts. We got steak, not shrimp, on our barbie with a chain of Australian-themed steakhouses appropriately called Outback "no rules, just right" started up by a Florida group. Pop culture became inundated with catch phrases like "no worries" and "G'Day". Australia was cool, and we even had an "Australian" neighbor we all later found out was faking it for years. No doubt anything Aussie was considered cool. It was in that light that Hogan parlayed his tourism ads into an over-the-top Aussie character named Michael J. "Crocodile” Dundee.
The film was an almost instant hit. It pulled in a rather sweet $175 million at the domestic box office. Remember, this was a 1987 comedy with no real known American stars. Of course there was going to be a sequel. That film pulled in considerably less, but still a respectable $110 million. Those three films have now been brought to Blu-ray as a three-disc set from Paramount. The third film was called Crocodile Dundee In Los Angeles and tanked big time with an embarrassing $25 million box office total. That was 2001, and the Aussie fad has long since passed.
Posted in: Disc Reviews by Brent Lorentson on October 2nd, 2021
Ever since The Purge came out back in 2013, I think with each passing year it seems like it can become a terrifying reality. Some fans, I’m sure, have even thought about what deviant activities they’d get into or how they’d defend themselves if it ever became a reality. The films in their own blunt way have been an examination of our government and how society is treated by class and by race. It’s not a big surprise that these films have been hits at the box office, but my big complaint has been are they really horror films? For me they are just modern takes of a world that John Carpenter created with his Escape from New York and Escape from LA films, like a hard-edged dystopian sci-fi survival film. At least with the first installment The Purge felt more grounded as an intense home invasion film, but as the sequels followed and the world opened up, it just started to feel more like an action film. Suspense and atmosphere have been replaced by gunfire and over-the-top costumes, and it’s just lost its impact. But then this idea of The Forever Purge came along, the idea that the bloodshed and chaos doesn’t have to end, that the government has lost control, and the blood thirsty lunatics have taken control. This direction seemed to offer some potential. The bleakness could be a sobering look at what could occur.
The film opens with a family sneaking across the border for a potential for a new life in America, a family seeking to live the American dream and flee the violence of the cartels and no longer live in poverty. Things then shift a year later, and we’re on a ranch in Texas. The ranch is run by the Tucker family and has its share of Mexican ranch hands. There’s a little tension between the son Dylan (Josh Lucas) and Juan (Tenoch Huerta), who seems to be better at handling the horses than the good old Texan cowboy. At first glance it seems like simple racism, but later in the film the two end up discussing their differences, and we see it’s a little more complicated, but at least doesn’t come from a place of hate. Honestly, I wish this was explored more. Even if it is a touchy subject, I felt it at least showed how discrimination and culture clash doesn’t necessarily have to come from a place of hate. Of course we know these two will need to set aside their differences in order to survive, but really, there is never any tension between these two again, which I found little frustrating.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2021
"There's a war coming to Gotham, and now there's no Batwoman stop it."
Well ... that's halfway true. After just one season in the cape and cowl, Ruby Rose rather abruptly quit the show. That's a pretty big red flag when you lose your titular star and character after just one season. For many shows that might have been the end of the road. Not true for Batwoman. They had several choices. They could have recast the part and just pretend it's the same character with a new look. They could have killed the character off and found a new one to replace her. Of course, with the multiverse now closed down, the most likely option of replacing her with another Earth's Kate Kane might have been the best option. The announcement came pretty much on the heel of Rose's departure that they would not recast the part. That turned out to be partially true, but more on that later. The choice was made to put an entirely new character into the suit.
