Posted in: Disc Reviews by Brent Lorentson on August 28th, 2019
Back in 2014 when Godzilla came out, I had a blast with the film, though one of the major complaints seemed to have been that there were not enough fights or not enough of Godzilla. Personally I didn’t see how this could be a complaint to take too seriously; after all, if you watch some of the older films, we’d only get maybe 15 minutes of screen time, but thankfully this wasn’t always the case. Now with the release of Godzilla: King of the Monsters, the human story is a bit of an afterthought, and it’s the titans that carry this blockbuster bonanza. Is this a good thing? You bet it is, though I’m sure there are plenty of stuffy critics who will complain about there being too many monster fights, and for those critics, this movie wasn’t made for them. This is a movie made for the kid in all of us that wanted to believe in the possibility that giant monsters could exist, and seeing these hulking giants duke it out while destroying cities in the process just made us smile.
Right from the get go we get to see Godzilla in action, though it’s back in 2014, and Mark Russell (Kyle Chandler) is trying to find his son during the chaos of the final fight from the previous film. Then we get a five-year time jump where we meet up with Madison (Millie Bobby Brown) and her mom, Dr. Emma Russell (Vera Farmiga) who are living in a Monarch facility in China. Emma and Mark are clearly having difficulty handling the loss of their son, and Madison is simply doing what she can to maintain a happy balance between the two. But the film doesn’t waste much time with this, as we are immediately introduced to the ORCA device, an invention Emma and Mark created that was originally meant to communicate with whales, but Emma has figured out a way to use it to communicate with the MUTO’s of the world (Massive Unidentified Terrestrial Organisms). And it’s early on where we get to meet one of these new organisms, and it’s none other than Mothra. But just as we’re enjoying getting to see this new incarnation of Mothra, a group of environmental terrorists led by Jonah Allen (Charles Dance) come into the Monarch facility and kidnap Madison and Emma along with the ORCA device. Yeah, basically this film is not messing around when it comes to story, as it keeps things at a nice fast pace so we can get to the monster action.
Posted in: Disc Reviews by Brent Lorentson on August 27th, 2019
When it comes to Batman, he’s a character you can enjoy in just about every visual medium out there, and there is something out there for adults and even the little kids to enjoy. Personally, I think Batman: The Animated Series is the best adaption out there. I cherish those discs, and I dust off those DVDs plenty just to enjoy seeing my favorite caped crusader. When it comes to the LEGO take on the Batman property they are aiming for a much younger demographic, and that’s fine, so when you watch these films, you do have to keep that in mind. So how does LEGO BATMAN: FAMILY MATTERS stack up against the numerous other adaptations out there? To be fair, it’s somewhere in the middle.
With a running time of 79 minutes, there isn’t much time to waste when it comes to story, and the film pretty much jumps into it. Bruce Wayne, aka Batman (Troy Baker) is starting to find it cumbersome to play the part of Bruce Wayne the businessman; it seems to just get in the way of his crime-fighting job. This is despite the fact that Robin, Nightwing, Batgirl, and Batwoman are all playing their part in fighting crime. It’s at a business meeting where scientists at the Wayne Corporation reveal their new project, Brother Eye, an AI super brain that’s able to make decisions on the fly. Once Bruce sees what it can do, he decides to just sell Wayne Enterprises so he can focus on being the caped crusader. It’s a rash and impulsive move that we quickly see the fallout from.
Posted in: Disc Reviews by Gino Sassani on August 22nd, 2019
"It's going to be a tearjerker."
It all started with Iron Man in 2008. Marvel Studios put together the most ambitious film saga in the history of the medium. 22 films that served as introduction to comic book heroes and the various story threads that would ultimately bind them together into one epic tale. All along the way it was important that each film stand on its own legs and provide enough story and action to satisfy the film audiences at each signpost along the way. 22 films over 11 years, and it all finally comes to its inevitable conclusion in The Avengers: Endgame. From this film forward, it's going to be a very different landscape for the Marvel Cinematic Universe. New heroes are on the way, and some will either no longer be there or will take on an entirely different form and persona. I'm not about to tell you where these changes come down. That would ultimately ruin this three-hour ride you are about to embark upon. But when it ends, you will completely understand that it was all leading to this point, and it will be a sad but satisfying conclusion. But before we talk about endings, let's enjoy that final ride into the end.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2019
"My name is Oliver Queen. After six years of being a vigilante, the only way to achieve my goal and save my city was to confess to being The Green Arrow. Now my family and friends must carry on my mission without me. I am no longer a hero. I am inmate 4587."
Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first six seasons. It'll be worth the effort, and I can get you started with those reviews found here. This review will not contain spoilers from the seventh season but very well must contain some from the previous year. So if you're not caught up, do that first.
Posted in: Disc Reviews by Jeremy Butler on August 16th, 2019
“That’s a great fifth option; let’s work on the other four.”
This line is one of the signature witty clips that Ryan Reynolds brings to the character of Pikachu in this movie adaptation of the popular Nintendo DS video game, Pokemon: Detective Pikachu. It is clear that Pokemon is standing the test of time, as I remember collecting and playing the cards in my youth. Though the card game appears to have fallen out of favor, the franchise received a resurgence a few years ago with the emergence of popular mobile phone app, Pokemon GO! In fact, I wouldn’t be surprised of the popularity of app led to the decision for this live action film starring Ryan Reynolds, Justice Smith, and Bill Nighy. This was a solid opening in my opinion, though I am skeptical of its film franchise potential, given that those without a basic understanding of the video game or card game (there does not appear to be any connection to the original animated series or subsequent animated films besides inclusion of the Pikachu character) are unlikely to get by the questions of “What are Pokemon?” or “Where do they come from?”
Posted in: Disc Reviews by Michael Durr on August 13th, 2019
It is hard to not like a well done baseball movie. From Bad News Bears to The Natural to The Pride of the Yankees, there have been a slew of movies on America's favorite pastime. Today's review of Major League in its thirty years after release is another fine baseball movie which does well with great characters and easy to root for story-line of the plucky underdogs. Let us take a look at this re-issue of a fine blu-ray with a snazzy new cover and see what it has going for it.
Posted in: Disc Reviews by Brent Lorentson on August 13th, 2019
I’ll go ahead and get this out of the way, Batman: Hush is my favorite DC graphic novel; it’s one I’ve read multiple times and one I’ve dreamed to see done as a live action film. The story is just one that offers up so much for the fans to enjoy, and considering it features just about all of the core characters in the Batman rogues gallery, it’s simply a graphic novel that I’m surprised it’s taken this long to tackle. When it comes to DC, though, they’ve been pretty hit-or-miss when it comes to their properties being adapted for the big screen, but for television and their animated films they’ve been successful. Basically when I heard Hush was going to be an animated film, it’s one I got excited about, but in the back of my mind I was worried this could end up being like The Killing Joke, great material that just didn’t connect. So how was this adventure with the caped crusader?
The story for Hush was originally done by writer Jeph Loeb and was a whopping 300 pages of beautifully crafted panels. For the most part the whole story is here, but there have been a few liberties taken (mostly with fleshing out the Batman and Catwoman relationship). The trimming is expected, considering this was only an 82-minute feature. In a perfect world I would have loved to have seen this get the kind of treatment we saw with Spider-Man: Into the Spider-verse. It’s a story certainly geared more towards adults, but with the large assortment of villains is a huge attraction to the project, and going the animated route would save on having to shell out the big bucks for big-name actors to fill these roles.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2019
"Tell me a story..."
One of the first people in my life to tell me a story was J.R.R. Tolkien. I was given a colorfully illustrated copy of The Hobbit that I still have to this very day. Sure, it was abridged and was mostly filled with pictures, but I was likely five years old when I got the book. The fact that I've kept it this long should tell you something about the kind of story Tolkien told me. Since that time I've read the Fellowship Of The Ring trilogy at least three times. I've written music inspired by those stories. And then there are the six massive films from Peter Jackson. In all these years I've never quite shaken the words of a man I never did have the opportunity to meet... that is, until now. Watching the biographic drama Tolkien leaves me with a sense of connection that I always wished I might obtain to the man himself. It's still rather early in the film season, and while this might not quite be the season for such things just yet, I must say I've at least seen the best film of 2019 to date.
Posted in: Disc Reviews by Michael Durr on August 5th, 2019
I think most men as they take on the journey from boys to men usually encounter a fascination with an older woman. Usually it's nothing more than an infatuation, an impossible ideal that even the woman herself can't live up to. But the ideal of what we think of her is important to our growth and vital to exploring our feelings. In our film, Penguin Highway, we meet a boy who becomes fascinated with an older woman named Onee-San. However, the mysteries surrounding this lady are numerous and turn this common coming-of-age story into something extraordinary. Let us take a look.
It is June 29th; the temperature outside is a breezy 25 degrees Celsius (77 degrees Fahrenheit). Aoyama is in the fourth grade. He is smart, and he studies hard. The student has a very bright future ahead of him. Importantly, Aoyama is high on himself, but he is not conceited, and that's what makes him great. On the way to school, he stops by a bunch of children his age who are looking out into the field. There appears to be a gathering of something, but nobody can make it out.
Posted in: Disc Reviews by Brent Lorentson on August 1st, 2019
When it comes to Body At Brighton Rock, there was an opportunity for this to be something pretty awesome. After all, when you think about it, only a few years ago The Revenant was showing just how great a film can be about surviving in the wilderness and how intense a bear attack can be. Well, to be fair, I don’t believe Body At Brighton Rock was aiming to be in the same ballpark of The Revenant, but as I was watching this, it was difficult to not think about what could have been. Really, the film is a simple little tale about a state park employee who gets lost in the woods and stumbles upon a dead body in the process. It’s a good start for the film, but sadly this turns into a bit of a snooze-fest despite some spurts of promise.
When we meet Wendy (Karina Fontes), she’s already late for work, something she seems to do quite often. She works for the State Park Service, which seems to have more people on duty than I would have guessed. Wendy from the start just doesn’t seem to be right for the job. Even her coworkers can’t help but make jokes at her expense. But to help a friend out, she decides to swap positions with her, so rather than sticking to the indoors, Wendy sets out on the trails to post signs and do whatever it is a Park Service officer does. It doesn’t take long before she gets lost, and in the process of trying to find her way she stumbles across a body. Sure, I can believe anyone can get lost in the woods, but when it comes to Wendy’s abilities in the wild, well, it’s hard to believe she’d ever be hired not knowing simple basic survival skills. Another frustrating aspect: she’s carrying around a pack just for the specific purpose of helping keep her alive in case of emergency, but it seems nothing you would actually need is in this pack.
