Genre

"The fall of the worlds, it was the war to end all wars. There was no one left to fight, no war memorials, no wall with the names of the dead, no statues of heroes. Only empty cities and the ruins of great civilizations on two planets. Tumbleweeds, skulls, crows. Only in Zolem did the lights stay on."

I was unfamiliar with the original source material. I found myself treated to a unique action-packed experience. Alita is unquestionably one of the top action films of 2019. I know it’s early, but I have no reason to doubt that my claim will be just as true as the year continues. I would have liked it a bit more if they expanded on the universe slightly more, but it was still a solid opening for the inevitable franchise. By the year 2563, the world has been ravaged by a catastrophic war known as “The Fall,” dividing the population. High-born members of society reside in a sky city known as Zalem, while low-born people live underneath in the junkyard metropolis known as Iron City. Many low-born people have cybernetic limbs and enhancements. One day cyborg surgeon Dr. Dyson Ido discovers a disembodied female cyborg with a fully intact human brain. Providing it with a body, the cyborg returns to life but does not remember her former life or her own name. Naming it Alita, Ido takes the cyborg and raises it like a daughter.

I thought Nalyce would be all about this animated movie, but it only managed to hold her interest for about forty minutes. After that, she was off playing with her toys without a care in the world. So that obviously means that Missing Link does not get the Nalyce stamp of approval. I remained more discerning than my daughter and continued to do my due diligence of sticking it out to the end. I’m glad I did; Missing Link does get my seal of approval. From the creators of Kubo and the Two Strings comes this new family-friendly film full of adventure and friendship. The story does drag a bit in the beginning, but it gets more interesting as things go on. Though there a couple of adult themes that I was not expecting at first, I would style characterize this as a film that the family can enjoy together, just not my family.

Sir Lionel Frost (Hugh Jackman) is an adventurer determined to take his place amongst a society of distinguished gentlemen. However, given his adventures to discover mythical creatures usually yield no irrefutable proof, he is considered a mockery and not granted access to the level of status he desperately seeks. After his latest adventure proves as fruitless as the others, he receives a letter revealing the existence of another fabled creature known as Sasquatch. His peers immediately disregard his claims as false, especially Lord Piggot-Dunceby (Stephen Fry), Sir Frost’s biggest detractor. A wager between the two men is struck: if Sir Frost can bring back proof of the creature’s existence, he will be granted access into the society of “great men.” As Sir Frost begins his journey, Lord Piggot Dunceby plots to rid himself of Sir Frost altogether.

By Ian Delia

A good time to praise the lord just as many others have in the movie Breakthrough. A beautiful true story of young John, who fought for his life and the miracle brought through his belief in Christ. This movie shows the amazing things you can be blessed with with prayer and faith. Get ready to laugh and smile, but be prepared to cry your heart out with sweet tears. I suggest bringing tissues with you; bring a lot. Young John (Marcel Ruiz) was an orphan since he was an infant. He never knew his mother and always wondered why she gave him up. As a five-month-old baby he was adopted by a loving family, the Smiths. The Smiths, Joyce and Brian, are a very religious family. Joyce runs a bible study, and John is in a Christian school Living Word Christian School in his hometown of St. Charles. John plays basketball at his school, and he’s a very good player, even though the film shows he acted up quite a bit. John doesn’t do assignments, starts fights with others, and doesn’t really care too much about school. John hasn’t given himself to the lord as his adopted parents wish he would. He didn’t really believed in our lord and savior, until the lord shed the light upon John and saved him from the grave.

Warner Brothers has done an impressive job when it comes to their live-action DC Universe television shows. Arrow, The Flash, and Legends of Tomorrow have been fun, entertaining experiences. Now with them starting up their own streaming service, they have upped the ante by releasing Titans.  When I first heard about this one I wasn’t sure what to think, considering I wasn’t much of a fan of the animated series, but I’m so glad I came into this show with an open mind, because this show is jam-packed with coolness.  Since this was made for a streaming service and not broadcast television, not only do we get superheroes dropping F-bombs, but we get some edgier storytelling along with some violent action you may not expect.  Seriously, this one is not for the kids. The show introduces us to Dick Grayson, aka Robin ( Brenton Thwaites) a year after he has fled Gotham City and has moved to Detroit to become a detective.  It doesn’t take long before we find out he’s made the move from being Batman’s sidekick because he’s started to develop a taste for dispensing violence and is worried about what he could become.  Don’t worry; he’s still down for inflicting some vigilante justice, but we see it comes at a price over the course of the season.  It’s not long before he meets a young girl, Rachel Roth (Teagan Croft), who has some dark supernatural powers that are drawing some negative attention her way which eventually leads her to Dick.  The heart of the show is about these two orphans at different stages in their life. Dick is attempting to step out into the world and make a name for himself, while Rachel is alone and in desperate need of help.  There is some nice chemistry between these two as we see them develop a sort of brother-sister relationship, and it’s the strength of this bond that makes it easy to want to invest our time in these characters.

We also get to meet Kory Anders, aka Starfire (Anna Diop), who has powers of her own but has lost her memory, though she has reason to believe Rachel is the key to getting back her memories.  Along the way we also meet Gar Logan, aka Beast Boy (Ryan Potter), who has a gift for turning into any animal (though we only see him as a tiger), and he develops his own unique relationship with Rachel.  The four together make up the core group of the Titans, though there are plenty of other characters who weave their way in and out of the storyline.

"After the bridges blew and the government declared Gotham off-limits the city was up for grabs. Given over to criminals and murderers. Now territory is controlled by whoever has enough power to hold it. I mean we have Penguin in City Hall for God's sakes..."

Gotham City. You know the name, just as you know the names of Metropolis and Smallville. These are important places in the DC comics universe that have existed as part of modern American mythology since the 1930's. Warner Brothers has decided to tackle Gotham in much the way it spent 10 years bringing us to Smallville. But there is a decided difference to be found here. Smallville was indeed the origin story of Superman, and while the obvious answer might be that Gotham serves the same role for Batman, I found that to be a bit of an oversimplification. This is not the origin story for Batman, and while many of the future major villains from that universe take their first baby steps here, this is not their origin story either. This is an origin story for the city of Gotham itself. Unlike many heroes, Batman was a product of his environment. This is the story of how one city devolved so badly that a hero like Batman was necessary. What we see taking shape here is a place where a certain Dark Knight can thrive and spread his wings. That's finally going to happen in the final moments of this the fifth and final season of Gotham. It's out now from Warner Brothers, and it's the last 12 episodes of the Batman origin story. But Gotham was more than that.

"Once upon a time in a faraway land, there was a tiny kingdom: peaceful, prosperous, and rich in romance and tradition. Here, in a stately chateau, there lived a widowed gentleman, and his little daughter, Cinderella. Although he was a kind and devoted father, and gave his beloved child every luxury and comfort, still, he felt she needed a mother's care. And so he married again, choosing for his second wife, a woman of good family, with two daughters just Cinderella's age, by name, Anastasia and Drizella. It was upon the untimely death of this good man, however, that the stepmother's true nature was revealed: cold, cruel, and bitterly jealous of Cinderella's charm and beauty, she was grimly determined to forward the interests of her own two awkward daughters. Thus, as time went by, the chateau fell into disrepair, for the family fortunes were squandered upon the vain and selfish stepsisters while Cinderella was abused, humiliated, and finally forced to become a servant in her own house. And yet, through it all, Cinderella remained ever gentle and kind, for with each dawn she found new hope that someday her dreams of happiness would come true." 

Snow White And The Seven Dwarfs put the Walt Disney Studios on the map. It's a literal truth. Walk had mortgaged his entire worth to make the film and used the incredible box office return to create what we today call Walt Disney Studios. But it wasn't quite the happily-ever-after fairy tale ending that Walt and his new studio might have hoped for. The studio churned out a couple of films that are classics today but didn't pull in the kind of money they needed to stay afloat. Both Pinocchio and Fantasia were masterpieces greatly appreciated today, but the years of WWII found little extra money for extravagances like going to the movies. The studio was in danger of closing, and they had pretty much one more shot to turn it around. Could lightning hit the same place twice? Cinderella proved that it could, and put the studio firmly back on solid ground.

Dolph Lundgren is one of those guys that I enjoy watching and can make a bad action movie worth watching.  Even when he starred in Masters of the Universe, it wasn’t the He-Man I was used to, and it was a B-movie mess, but he pulled off playing the character.  Many love the guy from his performance in Rocky IV, and for me I’m a fan of Universal Soldier, but he never quite reached the superstardom I feel he deserved. Thankfully, decades after his heyday on the big screen, he is still starring in films, though unfortunately a good portion of them are B-caliber action flicks that are simply not taking full advantage of the man’s awesomeness. Dead Trigger is the latest and the newest forgettable film to add to the actor’s catalog.  From its opening moments where it seems to be riffing on Starship Troopers but with zombies, I was certainly hopeful that this could be a fun cinematic romp.  While Lundgren does his best to deliver the goods, it’s everything that surrounds him in front of and behind the camera that seems to be working against him.

We’re quickly introduced to these new recruits who are joining a special government team that has developed a special video game to help find recruits.  The game simulates a zombie infestation that decimates the world, and it just so happens a zombie outbreak is now occurring in the real world.  Well, these recruits are taken into a boot camp. It’s here we get an explanation on what a “Dead Trigger” is; basically it’s a soldier with a low life expectancy. Lundrgren is Capt. Walker, who is tasked with making them battle-ready.  Their training is cut short when a lab attempting to make a cure for the zombie virus is attacked and the general orders them to rescue his daughter (one of the doctors) and anything they can that has to do with the cure.

Dateline: September 13, 1999

Mankind has been storing all of our nuclear waste on the far side of the moon. On the other side of the lunar surface was Alpha Base. Here mankind had a research station which also served as a launching point for deep-space missions. An unfortunate chain of events led to the unthinkable. The nuclear waste pile was ignited, and the whole dump exploded with a force so powerful that it tore the moon out of Earth's orbit and sent it hurtling through space. The 311 inhabitants of Alpha were swept along for this uncontrolled flight into uncharted space. Of course, the year 1999 is no longer science fiction to us now. It's going on ancient history. There has never been a base on the moon. In fact, we haven't been back since the end of the Apollo program in the 1970's. If you check tonight, you'll find that our only natural satellite is still firmly planted in its familiar orbit around our planet. Space 1999 never happened.

"I don't wanna be buried in a pet sematary."

It's an inescapable fact of life that some things get lost in translation. Italian poetry loses its imagery. War And Peace is apparently much more compelling in Tolstoy's original Russian. And I've been told that Abbott & Costello is painful when told secondhand. You can add to that axiom that Stephen King really doesn't translate very well on the silver screen. The notable exceptions are films based on non-horror works like The Shawshank Redemption and the barely-horror-related Stand By Me. Both are wonderful films that manage to capture King's knack for the absurd in everyday life. While some consider Kubrick's The Shining a classic, you'll find just as many King fans who hated it, "Here's Johnny", and all of that. I've read most of Stephen King's books and a couple of them multiple times. Pet Sematary is one of my favorites, and I've read it at least three times. When the 1989 film was released, I was eager to see it. That was a mistake, but an even bigger mistake was made by all involved in what was essentially a mess. I blame Denise Crosby, but then again I blame Denise Crosby for hurricanes and urban blight. I don't blame Fred Gwynne. He was the only part of that film that reminded me even remotely of the printed word. Now writers Matt Greenberg & Jeff Buhler join directors Kevin Lolsch & Dennis Widmyer in a remake that while not the disaster of the 1989 film still fails to capture the imaginative prose of the novel. I think it's a translation thing.

"You've seen a horsefly. You've seen a dragonfly. You've even seen a housefly. But you haven't seen anything until you've seen an elephant fly. Let's get ready for Dumbo."

So, Dumbo was never one of my favorite Disney classics. In fact, when news initially broke about a live-action version being filmed, I wasn’t moved one way or the other. I figured I would end up seeing it for the sake of my daughter, but I figured it would just be something that I would have to endure. I speak these words with the full knowledge that I now have to eat them, as Dumbo has gone from one of my least favorite Disney films to one of my favorite movie experiences of the year. With an all-star cast that includes Colin Farrell, Eva Green, Danny DeVito, and Michael Keaton, Dumbo is a fantastical and wholesome family experience that I will be taking my daughter to, but dragging her to it if she puts up a fight. Helmed by Tim Burton, Dumbo is the first of three live-action Disney movies expected this year, with the others being Aladdin and The Lion King. Of those three, I was expecting The Lion King to be the biggest audience draw, but as it stands, Dumbo has set the bar extremely high, and the other two have a lot of work to do if they expect to compete.