Genre

“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”

The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long.

American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our former president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.

It’s been 40 years since the release of The Man Who Fell to Earth, and in that time a lot has changed. If I’m being honest, this isn’t a film that really holds up too well.  Last year the star of the film, David Bowie, passed away, and it would seem prosperous and logical to crank out an anniversary edition of the film.  As it stands this film isn’t considered so much a classic, but a cult film that fans of Bowie and certain sci-fi fans hold in high regard.  For me, this was simply a title I had heard of in passing during talks about Bowie or sci-fi films, but it was never a film that really called to me.  To the disappointment of several friends, I’m not much of a fan of David Bowie’s music, and science fiction just isn’t a genre I’m in love with.

Forbes magazine called Jack Reacher and author Lee Childs the strongest brand in publishing as much for his over $100,000,000 in sales and billion-dollar imprint as for the strong loyalty of fans and favorable ratings of the readers. The 21st Jack Reacher novel, Night School, is coming out in a couple of weeks (which I’m sure Simon & Shuster would thank me for mentioning, but they don’t need my help), and Reacher fans will be buying in droves. The second Reacher movie will be out on November 21. One of the first things I want to address is that Lee Childs had been actively involved in the picking of Tom Cruise to be Jack Reacher.

Stop me if you’ve heard this one before: single gals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It’s an effective, timeless story hook that has gotten a funny, druggy, tremendously weird spin thanks to the queens kweens of Comedy Central’s Broad City.

My husband used to tell me I have an overactive imagination…”

The idea at the core of The Girl on the Train is equal parts provocative and relatable: a lonely commuter observes an attractive couple from a distance and imagines what their seemingly perfect lives must be like. Anyone who’s ever done any people-watching will recognize the appeal of inventing a backstory for a stranger, and the story is a healthy reminder that things are never quite what they seem from the outside. But despite a powerhouse lead performance, this Train is ultimately derailed by an unsatisfying mystery and a lack of flair that causes this potentially juicy story to lose steam as it chugs along

It would seem as though Ben Affleck is finally starting to shed the stigma of doing bad films.  He’s been on a roll since he took on the role of George Reeves in Hollywoodland and has also in the process become an accomplished director.  When the trailer first dropped for The Accountant, I wasn’t sure what to expect, but as you look at the laundry list of talent that fills the cast, it quickly became a film I had my eye on.  What is surprising is despite there being franchises that seem to cover the same territory i.e.: Jack Reacher and the Jason Bourne films, is there room for another lone-wolf killing machine film?  Before going into this it was a question that bothered me; heck, I’m already burnt out of the Jason Bourne films, and with a new Jack Reacher film on the horizon, the saturation is noticeable.

“I don’t want to be in this relationship anymore, and I don’t know how to get out.”

A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.

In 1999 The Blair Witch Project was released, and it was a horror film that created a stir like I had never seen before.  I remember going to Tampa Theatre to see it opening week.  The line was wrapped around the building for the sold-out screening.  Discussions were going on in the line about the film actually being real, some even talking about how they heard the bodies of the three filmmakers were never found.  It’s this kind of mindset going into the film that made it such an impact as I walked out of that first showing.  At the time I knew I had seen something unique, but I never would have expected it to spawn an entire style of genre filmmaking that would be copied over and over again.

There is something about a Rob Zombie film that will always be a draw, and it is always the realism that he brings to the screen.  Whether it’s The Devil’s Rejects or his version of Halloween, he always presents it in a way that I feel is grounded in reality.  Perhaps it’s also because I live in Florida, and there are some small towns that you don’t want to break down in at night for fear of crossing some crazed backwoods types.  To put it out there, I was a fan of Rob Zombie before he was putting out movies, and I have all of his albums; he’s just a guy who does stuff that I really dig.  That being said, I can be objective in saying his films have been a bit all over the place, but Lords of Salem was a piece of work that I simply loved, and I felt it showed a lot of growth from his previous films and worked well as a slow burn.