Genre

The sci-fi horror thriller Morgan turns brutal when a scientific experiment goes awry, turning a lab into a blood-fest. Now on Blu-ray and DVD in a combo pack that includes an HD download, the film has all the trappings for a nighttime couples’ shocker. You will not want to see this one alone, especially if you want to get the best out of your video choice. So turn the lights down, get the popcorn ready, maybe your favorite beverage, and expect the unexpected. Lee Weathers (Kate Mara), the Risk Manager of SynSect, a genetics research company, arrives at a secluded lab surrounded by a forest following a reported incident of violence.  She’s there to check out the company’s newest L-series modified human organism labeled Morgan (Anya Taylor-Joy) who attacked Dr. Kathy Grieff (Jennifer Jason Leigh).

Getting to the bottom of the problem that caused Morgan to crack, Weathers realizes that the employees at the lab are sympathetic to their humanoid project. They call her a member of their family and have looked after her since a baby. Not in agreement with the staff, Weathers is determined to take the case into her own hands.

In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember.  Sure, we had all the negative talk about Ghostbusters, but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway.  Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around.  I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film?  I’ve held off on writing this, because I’ve struggled with the direction I wished to take to write it.  There’s the comic fan in me that has so much to say, then there is the more critical side, and usually I fall somewhere in between. Then I decided the hell with it, I’m just going to come at this full-film-geek.  My reasoning: it seems 90% of critics out there have forgotten how to have fun at the movies, and it’s a shame, because I know at some point all of them were film lovers, but at some point they decided to turn their noses up at the trashy and the cool popcorn flicks.  So strap yourself in, and let me give you the real rundown on the film.

After the events of Man of Steel and Dawn of Justice, a government official, Amanda Waller (Viola Davis) has a plan to get a team of the world’s most dangerous villains to fight the battles the government may find too dangerous to openly confront.  Among these villains are “meta-humans” who have special gifts that can be used as weapons against the “Supermans” of the world.  It’s a dangerous prospect, but as she is pitching this idea, you can’t help but agree with where she is coming from.  This leads us to our roll call to our soon-to-be anti-heroes.

In 1959 when Ben-Hur came out, it was a massive undertaking that nearly closed the gates for MGM after nearly bankrupting the studio.  It was a huge risk in producing such a large-scale epic that fortunately paid off and became one of the studio’s cornerstone successes.  The story of Judah Ben-Hur and his fall from being a prince, to becoming a slave, to eventually becoming a hero to the people in the arena is such a familiar story that it’s hard to not feel you’ve seen this before without even entering the theater.  In some parts I look at Gladiator and see somewhat the same film, only being set in a separate time and place.  But really, the story of betrayal at the highest levels, and seeing great figures fall only to pull themselves up again is a theme Hollywood seems to relish, and it seems to attract many viewers in the process.  Now it seems Hollywood is desperate for remakes, and I figure someone felt it was time to once again dust off the story of Ben-Hur, only this time throw in all the CGI gimmicks at the director’s disposal; after all, $100 million isn’t the investment it used to be for a film.  But to paraphrase the great Ian Malcom from Jurassic Park, perhaps the producers were so preoccupied with thinking if they could remake the film they didn’t stop to think whether they should. 

Jack Huston (Boardwalk Empire) is the newest star to tackle the role of the Jewish Prince Judah Ben-Hur.  This is the kind of casting that has me a little excited, because right now he’s just an actor on the rise, and having him front in center on a grand epic is something that could help make Huston a breakout star.  He’s a departure from previous incarnations, but in a good way; he gives more range than what we’ve seen before, yet sadly doesn’t have that commanding presence that Charlton Heston was able to bring to the role. But Huston manages to give his character charm as we see him in love with Esther (Nazanin Boniadi), a servant girl in the palace.  But the crux of the story is around the friendship/brotherly bond between Judah and Messala (Toby Kebbell), a Roman soldier who grew up as an adopted child with Judah.

Word of advice: don't take up a sentimental attitude over the poor.”

That bit of wisdom is offered by Henry Wilcox, the scheming, obliviously shameless wealthy capitalist in Howards End. The 1992 Merchant-Ivory film — which gets a spiffy, 25th Anniversary Blu-ray release courtesy of Cohen Media Group — is based on an E.M. Forster novel that was published in 1910. However, Henry's philosophy towards the less fortunate members of society strikes a chord more than 100 years since the character made his debut. And that's just one reason Howards End is worth another look as we prepare to turn the calendar to 2017.

relatively out of the spotlight as she has worked on making her cable network channel, OWN, a success.  While I wouldn’t ever say I was a fan of Oprah’s work on the screen, I could appreciate what she did in The Color Purple and Beloved. This being said, I have to admit I was a bit reluctant to take a title that at first glance seemed to be a show that would be heavy-handed with its subject matter centered around the church.  Despite my concerns, I’m glad I picked up this title, because despite how it handles some very familiar topics, it’s presented in a manner that not only feels fresh but is truly an engrossing show that manages to suck the viewer in and kept me wanting to see what would happen next.

Grace Greenleaf (Merle Dandridge) returns to her Memphis home with her daughter, Sophia (Desiree Ross), to pay her final respects to her sister who has passed on.  Grace returns home but is hardly greeted with open arms.  The Greenleaf name is one that has a far reach, due to the fact that Bishop James Greenleaf (Keith David) runs Calvary, a large mega-church that has thousands of followers, with several members of the family taking on large roles in the day-to-day functioning of the church.  The Greenleaf family (at least a good portion of them), all seem to live together under one roof, in a mansion that is situated upon a large, picturesque piece of property.  The show wastes no time in setting up all the drama that unfolds behind the walls of the mansion and inside the church.

It was rumored from the very beginning that George Miller was considering a black & white format for the film. There are box office risks associated with such a brave choice. We're hearing some of the same thoughts coming out of the Logan shoot. The nice thing about the sophistication of home video today is that there is now an outlet for those kinds of artistic choices, and this is a pretty solid example of it. It's hoped more of these kinds of alternate ideas can make it to home video giving filmmakers the chance to unleash things that might just be too risky at the box office. You still get the original film as part of of this combo so you're not giving anything up.

It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?

Moviegoers tend to have better memories than amnesiac assassins, but I think it’s fair to say we’ve mostly put The Bourne Legacy out of our minds. Universal’s underwhelming, halfhearted attempt to spin off one of its more lucrative franchises all but guaranteed the eventual return of original star Matt Damon and two-time director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum). The duo has re-teamed for the entertaining yet inessential Jason Bourne, which — for better and worse — will feel extremely familiar for fans of the trilogy.

I remember…I remember everything.”

"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as the Hunger Games."

Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Jeremy Butler takes us on the final part of that journey with The Hunger Games: The Mockingjay Part 2 (2015).

The most remarkable thing about Looking might have been how thoroughly unremarkable it was. The HBO dramedy — which followed the love lives of three gay friends in San Francisco — sidestepped any sort of headline-grabbing sensationalism. However, Looking was often low-key to the point that it bypassed being funny or particularly entertaining. The latter point was a bigger issue early on since the show's naturalistic tone made Looking more engrossing as the series progressed and deepened its roster of characters. You can see for yourself how the show got better as it went along now that HBO has released the entire Looking saga — two seasons and a movie — in one handy Blu-ray set.

I don't know if either of us are very good at being who we think we are.”

"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."

Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Gino Sassani takes us on the next part of that journey with The Hunger Games The Mockingjay Part 1 (2014).