Posted in: Disc Reviews by Michael Durr on May 16th, 2012
As one progresses as a reviewer, we come into contact with a wide variety of television shows. Some shows we even come to appreciate season after season. So, after I reviewed season 1 and 2 of Flashpoint, I was a little disappointed that I missed season 3. Later on, I would catch up obviously, but I was more than delighted to take on Season 4 when it came to my door. Thankfully, I was able to pick right up and continue to watch one of my very favorite shows of the last 5 years.
Since this site did not review Season 3, it is only fair that I recap the last few episodes before we break into the most recent string of episodes. The Other Lane saw Ed Lane’s brother Roy get caught up on the wrong side of the law. Jumping at Shadows saw a family under witness protection be exposed by corrupt police officers. Meanwhile, team leader Greg (played by Enrico Colantoni) gets to see his son Dean. Finally, Acceptable Risk puts the team under a microscope for spending too long on a killing spree.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2012
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Every day new discoveries are unlocking the mysterious, the mind-blowing, the deadly secrets of a place we call The Universe."
The History series has lasted for six seasons to date. The show uses modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series does take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show is narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: Disc Reviews by J C on May 15th, 2012
"...So when I walked into the hair cutting place, I was taking a leap. But I wasn't doing it for a guy — I was doing it for me."
Season 2 of Felicity features Keri Russell getting one of the most infamous haircuts in TV history. When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Posted in: Disc Reviews by Gino Sassani on May 10th, 2012
"My name is Charles Carmichael, and I have one final question for you. Have you ever had to subdue a Basque terrorist on a Swiss train? Or fight your way through the jungles of Southeast Asia? Or, take out an arms dealer with a penchant for murder and ice cream? Well... we have."
And, if you've been a fan of Chuck for the last five years, you know exactly what we're talking about here. And, for now, the ride has come to a close. Fear not, fans. This is quite a satisfying ending. And when you consider that by rights the show should have gone away after the second season, if you trust those guys at the Nielsen's, we've been given quite a lot of bonus time with Chuck.
Posted in: Disc Reviews by Gino Sassani on May 9th, 2012
This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version. Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The collection includes two Mike and two Joel episodes.
If there is a theme to the set it is that three of the four films are from Robert L. Lippert.
Posted in: Disc Reviews by J C on May 7th, 2012
When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Anyway, we're here to talk about season 1. Felicity Porter (Keri Russell, in her star-making performance) is a smart, responsible California teen who suddenly decides to follow high school crush Ben Covington (Scott Speedman) to college at the fictional University of New York, despite the fact that Ben barely seemed to be aware of her existence prior to a brief exchange at their graduation. Season 1 follows Felicity throughout her freshman year as she tries to establish her independence.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Meet the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly. He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling life-style. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread. I think they need to lay it to rest going into season 2.
Posted in: Disc Reviews by David Annandale on May 1st, 2012
Samantha Newly (Christina Applegate) was hit by a car, fell into a coma, and woke up with retrograde amnesia. She discovers that prior to her coma, she was a mean piece of work, and the show revolves around her reactions to what she discovers about her past, as well as the relationships she now has with friends (Melissa McCarthy – the good one – and Jennifer Esposito – the bad one, basically channeling Kim Cattrall), family, and ex-boyfriend (a generic Barry Watson). Season Two picks up with Samantha returning to her apartment, discovering she used to be able to dance, getting herself a new guy (again), and so on.
Christina Applegate is a talented comic performer. So is Kevin Dunn, who plays her father. The other people here might well be, too. But there's nothing they can do to salvage the hoary, predictable gags. Forced, painful, irritating, we can be glad that this second season is also the last one, but must shakes our heads in wonder that the show made it this far.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Say goodbye to the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly .He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling lifestyle. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread.
Posted in: Disc Reviews by J C on April 25th, 2012
"One must never let the public behind the scenes for they are easily disillusioned, and then they're angry with you for it is the illusion they love."
Sure, this quote is spoken by a very minor character and awkwardly shoehorned into the story, but it still makes its point. I realize it's almost impossible to imagine now, but there was a time we didn't have to capitalize the words "Real Housewives" and people were actually ashamed if they came off badly in front of a camera. HBO's Cinema Verite tells the behind-the-scenes story of the creation of An American Family, the PBS documentary widely considered to be the first reality television show.
