Posted in: No Huddle Reviews by Dan Holland on June 14th, 2017
Weddings: outside of the picture-perfect day that is typically presented in television and movies, most of us understand the untold anxiety placed upon a bride and groom when families and friends amalgamate. Granted, some films depict this phenomenon accurately, but never solely focused on said anxieties properly. The Wedding Party is an independent feature written and directed by Thane Economou, and it showcases these anxieties up front and films them brilliantly, as the entire film is shot in one continuous take.
The story revolves around the complexities and confusion among the members of Paul and Margene’s wedding party. Paul constantly disappears throughout the night, Margene’s sister downs seven Xanax, Paul’s half-brother can’t let go of the bride’s ring, and the ones left over are whirling in a storm of anger and sex. However, two of the party members, Jim and Alex, come to represent the true “main characters” of the film. When Margene’s sister doses out of her duties as the wedding planner, Alex must take over, recruiting Jim to help. As the night progresses, the two reignite the crush they had in high school and navigate through their own anxieties and doubts.
Posted in: Disc Reviews by J C on June 14th, 2017
“Black…all important movies start with a black screen…”
I completely understand if you’re Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan’s landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.’ budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014’s blockbuster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.
Posted in: No Huddle Reviews by Gino Sassani on June 11th, 2017
Catholic priests are used to hearing confessions, but for one particular pastor in Chicago, the usual confessions about using the Lord's name in vain or stealing a couple of paperclips from the office just weren't exciting enough. Father Dowling loved reading mystery books, and it appears to have sharpened his own powers of observation and deduction. As luck would have it, crimes and mysteries would simply fall into his lap. With the help of Sister Stephanie, better known as Sister Steve, he would step away from his pastoral duties to track down clues that were elusive to the Chicago Police Department. You might just say he was the answer to their prayers. All the while he would attempt to keep the financially strapped Saint Michael's parish on solid footing.
Tom Bosley was the perfect choice to play the lead character here. America had already adopted him as the television father of an entire generation with his role as Richie Cunningham's father on the hit series Happy Days. He has a quiet and soothing demeanor that is quite suited to a man of the cloth. He had such a gentle way about him that he actually reminded me somewhat of my own childhood pastor and friend. The cast also included the granddaughter of famed 1950's television couple Ozzie and Harriet Nelson and the daughter of their teen-idol singer son Ricky Nelson. Tracy Nelson adds the more manic pep counterpoint to Bosley's more easygoing nature. Sister Steve was once a street-wise juvenile delinquent until Father Dowling turned her life around and she became a nun. She was often found rushing headlong into dangerous situations and appeared to be able to score jobs at crucial businesses without any effort or interview. The Father and Sister persona also allowed them to gain the trust of those holding information they might need. Like Columbo, they made a career out of being underestimated.
Posted in: No Huddle Reviews by Brent Lorentson on June 9th, 2017
When it comes to Dr. Hunter S. Thompson, I view the man as an American legend and the ambassador of the sixties and the seventies. He was the voice for those who were misfits to society, and he was a nightmare for the establishment. Many people watched Fear and Loathing and Las Vegas and formed their opinion of him, thinking he was just a drug-consuming madman who somehow managed to get a gig as a writer for Rolling Stone magazine. Though there are glimpses of truth in this character, it was more a fictional creation named Raul Duke that Thompson created to tell his narrative. Where the Buffalo Roam I had hoped would be a film much closer to the real-life Thompson, but instead it seems to be more about the character of Duke as well. Shout Factory has dusted off this title from 1980 and delivers a gem with Bill Murray staring as Hunter S. Thompson. How is the film? Where does it take us? Hop into the back seat,and we’ll go on this weird journey together.
As the film opens, we meet Thompson as he is hard at work trying to meet a deadline with his latest article. With his trademark cigarette holder clinched between his teeth, he pours himself a glass of Wild Turkey and begins to scream manically, shooting his pistol around the room. The film wastes no time getting us into the head space of Thompson as we watch him work out some of his issues while talking with his dog as well as an effigy of President Nixon. Clearly he’s a man tormented by personal demons as well as numerous substances that are legal as well as many that are not.
Posted in: Disc Reviews by J C on June 8th, 2017
“Who could ever learn to love a beast?”
Although it’s not quite a tale as old as time, people around the world have been enchanted by the story of “Beauty and the Beast” for centuries. The French fairytale was first published in 1740 and has subsequently spawned everything from a classic 1946 big-screen romance to Ron Perlman. Still, the most popular iteration of this story is Disney’s beloved 1991 animated musical, which helped solidify the Mouse House’s cartoon revival and serves as the most direct inspiration for this dazzling live-action adaptation. Then again, the fact that this new version is essentially a pretty close copy of a copy takes some of the bloom off this particular rose.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2017
"Is it loud enough?"
What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum? I count myself in that group. While I was not a very dedicated Who fan, I had an appreciation for the musicianship. There were still songs like Pinball Wizard and Behind Blue Eyes that I would embrace as if they were my own anthems in those days. It would be hard to deny that The Who is one of the most successful rock bands in history. Part of the original British Invasion of the 1960’s, there are few such acts that are even still around, let alone able to fill the huge stadiums and halls of Rock’s yesteryears. Their songs have become anthems, and their antics have become legend. The band wrote the soundtrack for an entire generation, and proudly touted the fact in aptly named song, My Generation. Banned from all Holiday Inns at one time for their well publicized trashing of rooms, they weren’t any easier on their own instruments. Smashing their instruments and amps on stage became a staple, for a while, of the whole Who experience. They’ve inspired a legion of superstars, and now after more than 40 years of rocking, they soldier on.
Posted in: No Huddle Reviews by Jeremy Butler on June 7th, 2017
“Time-traveling terrorist, what’s scary about that?”
I’d say there is a lot scary about that. Fortunately, the character that said it was being sarcastic. Can you imagine, how do you battle an enemy that already knows what is going to happen? Prisoner X is a psychological thriller, which attempts to solve this question when a terrorist from the future and the Central Intelligence Agency’s top agent match wits to prevent a dystopian future.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2017
"Good morning, young prince."
The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.
Posted in: No Huddle Reviews by Gino Sassani on June 7th, 2017
After five seasons I don't really think of Major Crimes as a spin-off from The Closer. It has gone on to establish itself as a much better show than its former version ever was. We have become very comfortable with most of these characters, and the series isn't really looking over its shoulder anymore, if it ever did. This is one of those shows that's just easy to watch. There might not be anything groundbreaking going on here, but it feels like that old worn shirt that you love to wear because it just feels good having it on. That's the kind of thing that can go on for many years, and Major Crimes doesn't appear at all to be slowing down. It's become an anchor for TNT, and I don't see that changing any time soon.
The focus of the show remains exactly the same. Each week the Major Crimes Unit solves particularly high-profile crimes. Commander Taylor (Gossett) is the Deputy Chief and serves mostly in the role of budget bean counter and skeptic. Captain Sharon Raydor, played by Independence Day's Mary McDonnell, is the leader of the team. The character had appeared several times in The Closer as head of the Internal Affairs Unit. Once considered the enemy, she's now in charge of the unit.
Posted in: No Huddle Reviews by Gino Sassani on June 7th, 2017
Who says no one likes a guy who’s negative all he time? Becker has got to be one of the most cynical, grumpy, and negative characters to grace our sit-com screens. He’s a guy you probably love to hate, and he’s also hilarious. Ted Danson spent over a decade behind the bar at Cheers and could have easily called it a career. You know, stop while you’re ahead. Instead he climbed right back into the television saddle and reemerged as Dr. Becker. This time he played a medical doctor who hates everything and everyone around him. Refusing to display that little bit of a heart we all know he has, Becker spends most of his life complaining about everything. Never before has it been so much fun to watch a guy moan and groan for twenty minutes at a time. Fortunately for him, Becker is truly a dedicated doctor, and while he’s likely to complain about it the whole time, he’ll go to any extreme to help a patient.
The secret to Becker’s genius is characters. Like Cheers before it, Becker is populated with wonderfully distinctive characters played by actors carefully cast for the roles. To start with there’s his office nurse, Margaret, played skillfully by Hattie Winston. Margaret runs things for Becker in his doctor’s office. She’s pretty much his mother and the brains behind the outfit. She’s one of those straight-talking ladies who don’t take any guff, and that means not even from Becker. The office assistant is Linda, played by Saw star Shawnee Smith. Linda’s used to getting by on her looks, which is fortunate because she naive and a little short on the intelligence front. How she got the job and holds it is anyone’s guess, but her blundering makes for some classic comedy. Becker spends much of his off time at a Café owned by Reggie. Reggie is portrayed by Star Trek: Deep Space Nine’s resident Trill, Terry Farrell. There’s a hint of a romantic interest here. Reggie is more interested talking about her own pitiful social life than serving her customers. Jake, played by Alex Desert, is blind, and interestingly enough runs a newsstand out of Reggie’s Café. He’s pretty much Becker’s best friend and often foil. A frequent patron of the Café is sleaze Bob, played by Saverio Guerra. He’s got the hots for Reggie and just about any other woman who meets his criteria (breathing) even though he’s married to an unseen wife. Bob always refers to himself in the third person and is clearly the most entertaining support character on the show. He was a recurring character up to year three where he was finally upgraded to regular. I can’t imagine the Becker universe without him.