Posted in: No Huddle Reviews by Gino Sassani on June 7th, 2017
Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo; apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math, and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers…
Don Eppes (Morrow) is a decorated officer in charge of a unit of the local field office of the FBI. His brother Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough, these guys call on Charlie. The FBI office is also manned, or womaned as the case may, be by Agent Megan Reeves (Farr), who is the profiler of the group, Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has Professor Larry Feinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.
Posted in: No Huddle Reviews by Jeremy Butler on June 7th, 2017
A New York city homicide detective is haunted by the night when her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night, she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other. The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.
The “Beast” of this series is one of the most troubling elements. Instead of a monster (or anything remotely beastly) we have a man who was transformed by a super soldier serum that makes him have super strength and super senses when made mad. As you can already tell, this show is really trying to be a combination of Captain America and The Incredible Hulk. When the Beast goes into mad mode, the only physical change is he gets just slightly uglier…just…slightly. For anyone who recalls the vampire transformations in the Buffy and Angel series….it’s less than that.
Posted in: No Huddle Reviews by Dan Holland on June 5th, 2017
Voodoo Black Exorcist (Vudú sangriento), is a bizarre choice to distribute once more in high definition. Some of the imagery in the film is most certainly impressive; however, it doesn’t quite make up for the poor dubbing, editing, and nonsensical story. The film is about ninety minutes long, and realistically, it only demanded my attention for about ten of those minutes before I sank into boredom. Perhaps my greatest disappointment was that it wasn’t really a movie I could have fun with: it was not laughably bad. So where I would normally put some effort into poking fun, I ended up remaining abnormally critical of this old horror film.
Voodoo Priest Guedé Nibo (Aldo Sambrell), is revived accidentally on a cruise ship. As he wanders the ship in the shadows, he is haunted by images of his past: the killers of his lover, the ritual that got him mummified in the first place. Soon he becomes enthralled with the beautiful Sylvia (Eva León) who is the spitting image of his deceased lover, Kenya (Eva León in black face). Nibo continues his path of destruction and, oddly enough, persuasion, to finally reunite with his late lover.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2017
"I always know who you are. It's just that sometimes I don't recognize you."
Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short. But it's Jackman who has come to personify the wirily Cannuck. He's appeared, if only briefly, in each of the X-Men films except for one and two less-than-stellar Wolverine films. It all comes to a rather fitting close with one of the best Marvel-character films to date. Logan is pure comic book film noir and an emotional ride from start to finish.
Posted in: Disc Reviews by Brent Lorentson on May 25th, 2017
While I’m not usually a fan of gimmicks involved in trying to get my attention to see a movie, I’ll happily take an anthology of a found-footage film, simply because the odds of me finding something I like in the anthology are greater. VHS 2 is personally my favorite anthology film out there; even though it suffers from having to be a found-footage anthology, it at least delivers several unique perspectives and stories. I find it hard to believe a horror fan out there can’t enjoy the film. With XX the anthology presents us with a unique proposition when it comes to horror, four tales that are all crafted and presented by women. A rather unintentional taboo notion when you consider horror has been a boys’ club for many years, but we are in a new era, and with this anthology this is the business card that is here to show us what they got.
I’m a little sad to see that the Soska sisters (American Mary) didn’t have a part in this, simply because they seem to be on the front lines of the women-in-horror movement, but nevertheless the entrants in XX are respectable heavy-hitters.
Posted in: No Huddle Reviews by Brent Lorentson on May 23rd, 2017
It’s not often that a show can come along that impresses me with its talent in front of and behind the camera; then when the show premieres, it is just bad for a couple of episodes and then manages to bounce back. There are just so many options that if you don’t come out swinging, your show is going to be passed up for something else. I still feel like we’re in the Golden Age of television despite some of the best series in the past decade having already been retired from the airwaves (Breaking Bad is sorely missed despite Better Call Saul). There is still so much out there that sometimes good stuff gets overlooked, and it’s not till DVD rolls around that you can discover a show, and that is the case for the new series Ice.
I love a good crime series, and when Ice became available as a title to check out at Upcomingdiscs, well, I felt the need to jump on it. When you have heavy hitters like Donald Sutherland and Ray Winstone headlining the cover and then throw in the vastly underrated Jeremy Sisto, I got even more excited for the possibilities. Then throw in director Antoine Fuqua (Training Day) directing the pilot, and seriously, what can go wrong?
Posted in: No Huddle Reviews by Gino Sassani on May 18th, 2017
"Just give us those good old songs."
Last year Eagle Vision released four discs that were collectively known as The Frank Sinatra Collection. But when a man's been singing for nearly 70 years, you can't hold a career like that on just four discs. There was always going to have to be more. The more arrived in the shape of three more DVD's brimming with Sinatra vintage shows. But that still wasn't going to be enough. Now there are two more discs that bring us the classic Frank Sinatra Timex specials. This was a series of four specials that aired in 1959/1960. Each had a theme that carried through the broadcast hour.
Posted in: Disc Reviews by J C on May 18th, 2017
“Sometimes...if there's too many white people, I get nervous.”
Some of the very best horror films/psychological thrillers succeed by taking a relatable source of anxiety and cranking it to 11. For example, The Exorcist can be viewed as the worst-case scenario for anyone suffering a crisis of faith, while The Shining taps into the madness of being cooped up with your family for too long. Get Out works because it uses the nerve-wracking experience of meeting your significant other's parents for the first time as a jumping-off point to tell a subversive, insightful, and entertaining story that mashes together Guess Who's Coming to Dinner and The Stepford Wives.
Posted in: Disc Reviews by Brent Lorentson on May 18th, 2017
With its original release in 2009, DC and Warner Bros have set up the release of Wonder Woman the animated film to help ramp up excitement for the live-action release of the new Wonder Woman film that is set to hit the big screen in a matter of weeks. For some of those readers who may think animated film means it’s just for kids, what WB and DC have done together with the animation department I wish managed to translate to their live-action releases. The DC/WB animated films in my opinion are phenomenal and honestly have set a high bar for me, because these translations have just been superior to the live-action films, and most come in short of the 90-minute mark. Wonder Woman follows in line with the previous successful animated films, and I had a blast with this title; it’s the kind of film as a kid I would have loved to see on the big screen, and it’s something adults and parents I feel will also join in on the fun.
This is an origin tale (don’t roll your eyes just yet), but everyone involved knows their audience and that they can’t waste too much time on backstory. The film opens up with the Amazons at war with Ares, the God of War, and all his minions. This introduction to Ares and just how powerful a force he is reminded me of LOTR: Fellowship of the Ring when we see Sauron just decimate the humans in battle. There is a moment when the Amazons have defeated Ares, and before they can kill him Zeus steps in to save his son. To spare his son’s life, Zeus makes Ares a prisoner of the Amazons where he is expected be held in their care for eternity.
Posted in: Disc Reviews by J C on May 17th, 2017
“Look, as lousy as the marriage is, the divorce is going to be much, much worse.”
The subject of divorce isn't exactly a laugh riot in real life, so the makers of HBO's comedy series tracking the dissolution of a decade-long marriage had their work cut out for them. Divorce (not surprisingly) takes a darkly comic approach to the hostile material; the problem is the show seemingly forgot about the part where we're supposed to want to spend time with these people every week. The series also marks the HBO return of star/executive producer Sarah Jessica Parker...call this new show No Sex in the Suburbs.