Disc Reviews

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is?

What I want to go ahead and get out of the way is, if you’re hoping for spoilers, there will be none, other than to say if you are expecting a big-budget extravaganza filled with monsters destroying cities, this is not that film.  Don’t waste your money on the big IMAX presentation, because you will feel cheated.  Instead, what 10 Cloverfield Lane delivers is something more intimate than I would have expected, and it takes the thriller genre back to its basics.

Ed Asner's character Lou Grant started life on the Mary Tyler Moore Show. The sit-com lasted seven seasons, taking a large stash of Emmy awards during its run. It also competed with All In The Family as a heavy-hitter in spinoffs. Rhoda and Phyllis each had a respectable run also in the sit-com world. But the most amazing spinoff and the most successful wasn't another sit-com at all. It was an hour-long drama that took us inside the workings of a major L.A. newspaper, The Los Angeles Tribune. There Lou Grant, fired from his television station gig in Minneapolis, lands on the doorstep of his good friend Charlie Hume (Adams), who happens to be the paper's managing editor. The job's his, and the drama ran for five seasons.

Today it might be a little difficult to imagine how a show like this could work. Newspapers are struggling and delivering their news in ways that did not even exist in 1977. But there was no consumer internet and no cable news stations. Newspapers were actually the main source of daily news to most Americans. There were no bloggers, and everyone wasn't carrying around a telephone in their pockets to instantly report and video-record what was happening in the world. The nation was still recovering from the Nixon Watergate scandal that had been revealed by two newspaper reporters at The Washington Post. For a little while, newspaper reporters were kind of heroes of the age. Lou Grant manage to take advantage of all of this with the help of wonderful characters and some solid stories often ripped from the real headlines of the day.

In 1979, Ridley Scott taught us that in space no one can hear you scream. More than 35 years after Alien established him as a top directorial talent, Scott has slightly amended that statement to read “in space no one can hear you…blast disco music and binge watch Happy Days.” These lighthearted coping mechanisms — used here to deal with a truly horrifying and hopeless situation — are strong indicators of what you’re in for with The Martian, which is both brainier and much funnier than your average space epic. Now the sci-fi blockbuster returns to home video with an Extended Edition.

“Mark Watney is dead.”

The premise here is dirt simple. They've taken the buddy cop idea and found a way to work in the forensics science fad and deliver a procedural with a few twists. The show is based on a series of mystery novels by Tess Gerritsen, who introduced us to Jane Rizzoli & Maura Isles in 2001. Angie Harmon plays Detective Rizzoli. She's wanted to be a cop all of her life and is living the dream, working with a special unit out of Boston PD. Her best friend in life happens to be Dr. Maura Isles, who is the Chief Medical Examiner for the unit and is played by Sasha Alexander. These are the kind of friends who finish each other's sentences and share a lot of history together. That's not to say they are at all alike.

Jane Rizzoli comes from a family of cops. She's more of a playboy who likes to mix it up with the guys. She's got a temper and a love for the simple things. She's a good detective because she's like a bulldog when she's on a case. She doesn't worry about the niceties, and she's loyal to a fault.

With the success of the Teen Wolf series, it comes as no surprise that MTV would not just capitalize on creating another genre series to the channel, but also tap into the success of a young adult book series. It seems like a no-brainer. Tackling the book series of The Shannara Chronicles was a big risk for the network, with a large cast and a lot of effects, but most importantly, this may be the most dramatic shift the network has had in appealing to a demographic.  Really, let’s take a moment and realize how the network that once appealed to the audience that praised the exploits of The Jersey Shore is now attempting to appeal to a geekier and, let’s face it, a smarter audience. It’s a true sign of the times and how things have changed, and it’s a change for the better.

The Shannara Chronicles takes place on Earth, many years after the planet suffered through some cataclysmic event.  The world, or at least as far as I can tell, America, is now known as The Four Lands.  When the series opens up we are introduced to Amberle (Poppy Drayton), who is an Elf princess, but has been secretly in training for a contest that will determine an elite group called The Chosen, who are basically the protectors of her people.  As it would turn out, she does succeed, but it’s at a cost.  Her people worship a magical tree called the Elcrys that gives power and protects the people, unfortunately the tree is dying, and Amberle may be its only hope for survival.

"And then there's Maude."

In football, there's always a lot of talk about coaching trees. You know the idea. Some great mastermind who saw his assistants go on to have success of their own and who passed that lucky charm down to others for, perhaps, generations. All In The Family would be the television equivalent to a coach with a long tree. There were an incredible number of spinoffs that led to other spinoffs. Archie's neighbors The Jeffersons moved on up to the East Side and had their own several years of success. That show saw maid Florence have her spinoff from that show called Checking In. Meanwhile, Archie's daughter had her Gloria series, and after Edith's death, Archie settled into Archie Bunker's Place. Even the Bunker home had a spinoff called 704 Houser Street when a new family moved in.

I don’t know what kind of trouble he can get into in a day.”

At first glance, those words — spoken by a father in the midst of a particularly eventful weekend with his estranged son — sound like a filmmaker giving himself permission to put his characters in the most outrageous situations possible. But The Confirmation actually shines by keeping things simple. The movie is a low-key, thoroughly affecting story of a father and son forging an unexpected connection.

For the horror fans out there, I’m sure you’ve noticed that there have been a lot of horror anthologies being pumped out.  It’s a concept that I can appreciate, but even as a fan, enough is enough already.  It’s great to see talented people coming together to film a handful of short films, all with a collective theme, and seeing how the filmmakers use the platform to tell the story.  For me the VHS series is my favorite of the bunch; not every story will be everyone’s cup of tea, but there are at least one or two stories per DVD that people can enjoy.  When it comes to Monsterland, I feel this is a film that somewhat cheats the rules of a true anthology, because it’s really just a collection of short films made independently of one another that seem to have been purchased for this one release.  The problem isn’t with putting a bunch of short films together to release for one DVD release; instead what bothers me is that of all the short films that are out there, these are the ones that were picked.  Not all of them are bad, but for the amount of talented upcoming filmmakers out there, it’s hard for me to believe that this is the best that could be found for this release.

We are brought into the story as we see a movie theater that is under attack by monsters. Bodies and blood are everywhere, but one guy armed with only a baseball bat decides to stay and watch the movie that is playing; the movie just happens to be Monsterland.

"Roots: The Saga of an American Family literally blazed across this nation's screens."

In 1977 the entire country became Africans for eight consecutive nights. The name Kunta Kinte would become a household name. It was unprecedented on so many levels that even the ABC executives that made the decision to air it believed it was going to be a ratings disaster. The decision to run it on so many consecutive nights was made to avoid the ratings collapse from lasting more than a week. But by the time the final episode aired, Roots had become the most-watched television mini-series of all time. The final episode was the most-watched episode of television of all time. The mini-series record stands 40 years later. The episode record has been broken only twice since then. First it was the "Who shot JR" cliffhanger on Dallas, and eventually the final episode of M*A*S*H would take and continue to retain the record. If only those executives had known,  it would have been a sweeps event instead of the usually dead January slot in which it aired. It was one of the first examples of event television. Businesses closed early. Vegas shows were cancelled because everyone was in their hotel room watching Roots. Before it was over 130 million people saw at least part of the mini-series. At the time there were just under 200 million people alive in the country. The only question I have is what were the other 70 million people doing?

“Who you gonna call?”

By now everyone knows the answer. Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson are the Ghostbusters. As their ad proclaims, they’re ready to believe you. Ghostbusters was originally conceived by Aykroyd as a vehicle for John Belushi and himself. When Belushi died, reportedly from a drug overdose, the project sat on the shelf a few years. Harold Ramis would eventually team up with Aykroyd and finish the script. It’s been said that “Dying is easy. Comedy is hard.” Leave it to these …two knuckleheads to combine the two and create a phenomenon. Like pretty much anyone else, I’ve seen Ghostbusters many times in the last 20 years. And just like all of you, I’m still not tired of it. I am, however, done with the repetitive theme song.