Posted in: Disc Reviews by Brent Lorentson on March 20th, 2014
Remember the first film that kept you awake at night? The film that had you keeping the light on, when every strange noise you heard was that of some monster you were all but certain was lurking in the darkness waiting for your eyes to finally close? For me it was that thrill that got me excited about horror films, where every Saturday I’d watch Creature Feature, and in the evening I’d channel-surf till I found some horror film to keep me up into the late hours of the night. Texas Chainsaw Massacre, The Exorcist, The Beyond and many others were the films that I would grow up and hold up on a pedestal as the modern classics of horror. As I watch the new wave of horror coming out, sure, there are plenty of titles that are really fun, but the films that leave a mark, the ones we’ll be talking about 10 to 20 years from now, where are they?
Here Comes the Devil is one of those films.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2014
"Beautiful. Powerful. Dangerous. Cold. Ice has a magic that can't be controlled."
Like the very best that Disney has offered over the decades, Frozen has its roots in a very old classic fairy tale. Walt himself was interested in doing the Hans Christian Andersen story The Ice Queen immediately following Snow White And The Seven Dwarves. The film was given a production number along with some brief notes. Nothing else remains of the idea, and no one knows exactly what Walt intended or why the story was put on hold. The same thing had happened to another Andersen classic, The Little Mermaid, which took 40 years to finally go from Walt's original investigations to the Disney classic film it is today.
Posted in: No Huddle Reviews by Brent Lorentson on March 19th, 2014
Growing up, several of my favorite films were created by Tom Holland; in my eyes this guy is a legend. He’s responsible for writing and directing Child’s Play and Fright Night, two 80’s classics that most know about, but he also penned Psycho 2, which I know I’m in the minority but I actually like more than Hitchcock’s. But Holland also wrote this other film Cloak and Dagger with Henry Thomas and Dabney Coleman that was released in 1984, and this was just one of several movies I would watch over and over again to the point I’m sure it drove my parents bonkers. What’s with the trip down memory lane? Well, I just want to establish how much I do respect Holland and the work he’s done, because some of his films are responsible for the film geek that I am today. And it’s because of this when I had the opportunity to review Tom Holland’s web series Twisted Tales, I jumped on it.
The web series has a basic enough concept. Each episode is a short film that is introduced by Tom Holland; all nine episodes are directed by him, but he only gets credit for writing seven of them. The episodes originally aired on Fear Net which is also responsible for bringing the project to life. In concept this is great idea, but in the execution of some of these they not only fall short but are simply bad. Budget lends a hand to what hurts the overall look of the project, but as I moved through the episodes I couldn’t help but feel that most of these shorts were simply based on ideas thrown out or just never fully developed.
Posted in: Disc Reviews by Brent Lorentson on March 18th, 2014
OK, in case you didn’t know this about me, I’m a sucker for South Korean action cinema. Sure, the 90’s were ruled by Hong Kong, but for about a decade South Korea has been killing it by putting out some of the most visually stunning action films in years. For a quick crash course in how simply bad-ass and epic their cinema is, I highly recommend checking out The Chaser and A Bittersweet Life. With Commitment we get a new entry in the spy genre that hasn’t been explored stateside.
Myung-hoon (Choi Seung-Hyun, a Korean pop star also known as T.O.P) and his sister are stuck in a North Korean labor camp after their father is killed in South Korea working as a spy. Myung-hoon is offered a chance to protect his sister and stay alive, only it requires him to go into training as a spy and travel into South Korea and await word for his mission.
Posted in: No Huddle Reviews by Gino Sassani on March 18th, 2014
Until recently DirecTV's Audience Network was a home for critically acclaimed shows that somehow lost their feet on another network. It started with Friday Night Lights and more recently with Damages. So DirecTV was no stranger to original series production. Now for the very first time the satellite carrier and network have developed their own television series. Rogue would be the first show on the network not to have played somewhere else first. The effort is a collaboration with eOne and Greenhouse Entertainment. From the first 10 episodes of the first season, you can bet it's a pretty wild ride and a relatively strong start.
Grace Travis (Newton) is an undercover cop for the San Jose Police Department, on loan from the Oakland Police Department. She is deep undercover and has managed to get quite close to kingpin Jimmy Laszlo (Csokas).When her son is killed in an apparent random drive-by shooting she is devastated and pulled from her cover and put on leave. That is until she discovers there might be a link between Laszlo's organization and her son's killing. Someone within Jimmy's crew is trying to take him out, and a bullet comparison ties his traitor with her son's death. Without permission she goes back under. When her cover is blown she ends up striking a deal with Jimmy to find the person that both of them want. It's a tricky accommodation that will send ripples through her family and work colleagues.
Posted in: No Huddle Reviews by Brent Lorentson on March 18th, 2014
SyFy Channel is at it again, a film about the near end of the world. With the backlog of disaster films, you would imagine if there ever was an emergency and the world was on the cusp of massive destruction, thankfully there is a film out there to at least give us an outside-the-box theory of how to prevent the end. After all it’s not as though NASA or the numerous geniuses working in labs in front of computers or telescopes would have any idea about what to do. It’s always someone nestled in a small town no one has ever heard of, but this resident has the answers to everything. It’s with this kind of thinking and obsession with disaster films where End of the World wants its viewers. This isn’t a film that takes itself seriously, but it also is a far cry from being a parody.
Greg Grunberg (Alias and Heroes) plays Owen Stokes, a disaster-film-obsessed owner of a video store. It’s a small town, so it doesn’t seem as though Netflix or Red Box has made its corporate invasion quite yet. Selena (Caroline Cave) is Owen’s girlfriend and doesn’t seem too pleased that he’s forgotten her birthday or that he uses the birthdate of his favorite sci-fi writer Dr. Walter Brown to remind him. But before their argument can get too out of hand, a solar flare hits the Earth sending bursts of blue energy that destroy whatever it comes into contact with.
Posted in: Disc Reviews by J C on March 17th, 2014
“If something was to come your way, I mean something so irresistible that you just had to have it, do you think you could sacrifice everything for it and not regret it?”
When it comes to down-on-their-luck men in movies, that “something” could be any number of things. Oh, who am I kidding? It's pretty much always a woman or a large sum of money. In Swerve — a twisty Australian thriller that goes down a number of familiar roads — our hero is tempted by both.
Posted in: Disc Reviews by Michael Durr on March 16th, 2014
Jeff Dunham has always had a talent for making people laugh. His style of ventriloquism has found its way into millions of homes and probably a billion YouTube views. Of course these standup specials have translated into tons of merchandising potential such as lunchboxes, t-shirts, and even the puppets turned into cute and sometimes furry stuffed dolls. Well, with one of the most beloved characters, Achmed, they decided to do an animated special. Let us see how well it turned out.
Jeff Dunham and Achmed the Dead Terrorist (also voiced by Jeff) join us for a little introduction. Jeff asks Achmed who his favorite animated character is. Achmed sheepishly replies Tigger and also Eeyore. But certainly not Piglet, don't be ridiculous. Then Jeff tells Achmed that he can be an animated character too and to make a wish. Out pops Tinker Bubba (yes, that's Jeff too) who can make Achmed intoxicated, I mean animated. Achmed turns animated and that is how the show starts.
Posted in: Disc Reviews by Michael Durr on March 16th, 2014
It is true what they say, every time you think you are done, you get pulled back in. I had been working on cleaning up my house and trying by any means necessary to get it on the market (42 gallon trash bags are your friend). But the big boss of Upcomingdiscs.com asked if I would like to review the final season of Flashpoint. I looked at my movie spinner and saw nestled between the Flash (the short lived TV series) and Freakazoid Season 1(okay, I'm odd, I get it), the first 5 volumes of Flashpoint. At that point, it was pretty much a done deal.
At the end of the fifth season (or fifth volume if we are being technical), we had arrived at the episode Slow Burn. In this episode, the main story was that an arsonist was at large. The arsonist proceeds to take a fire chief hostage and eventually the criminal gets caught. However, that was certainly not the end of the story as the arsonist actually had a partner working at the fire station. This doesn't go very well as the fire chief takes the partner hostage and the SRU Unit has to negotiate a peaceful settlement.
Posted in: Disc Reviews by J C on March 14th, 2014
“One small fact: you are going to die. Despite every effort, no one lives forever.”
The Book Thief is narrated by Death, who opens the film with these sobering words. It is also set in Germany during the years leading up to World War II. On paper, the best-case scenario for this film appears to be “well-executed, watchable downer”, while the worst-case scenario is “do we really need *another* movie about WWII?!” But fans of Aussie author Markus Zusak’s 2005 best-seller know better. The Book Thief uses the silky specter of death to tell a beautifully affecting story that celebrates life.