Posted in: No Huddle Reviews by Jonathan Foster on March 29th, 2013
“People will always put themselves and money first.”
What do a yuppie business student, an escaped prisoner, and an enforcer for the Serbian mob have in common? They all want Easy Money, and the lives of these three very different men intersect in very unpredictable ways. Unfortunately, this Swedish crime film from director Daniél Espinosa (Safe House) is hard to follow for reasons that go beyond me not understanding a word they’re saying.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2013
"Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure."
These were strong words, and the man who spoke them was certainly a dominant figure in American history. He's been portrayed hundreds of times on film and television. Rarely have any of these efforts been able to capture the true essence of a great man. You can't blame the actors or the production teams. There are those tasks which some say just can't be done. Lincoln heard those arguments himself. I'm sure that Steven Spielberg must have been haunted by the same thoughts when he set out to do Lincoln. Fortunately, he found another remarkable man who was up to the task. Daniel Day-Lewis does get the Oscar for his performance as Abraham Lincoln. We might well believe that all men are created equal. It's a true enough axiom. That doesn't mean that all men process equal ability in all things. Just two and a half hours with Daniel Day-Lewis and you'll find the point well illustrated. The film also took an Oscar for its wonderful production design.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2013
“It’s been a long time getting from there to here.”
35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: No Huddle Reviews by Gino Sassani on March 27th, 2013
It's hard to believe that CBS didn't want The Carol Burnett Show. Not only didn't they want it, but they fought hard to keep it from ever happening. It was the result of a 5-year contract the actress had with the network. She had been a popular member of The Gary Moore Show, and they wanted to hold on to her services. So they made her an offer she just couldn't refuse. They gave her a not-so-standard 5-year contract that gave her the right to activate a special clause at any time in the five years. The clause gave her the right to produce her own variety show, and the network would be obligated to air at least 31 episodes of the show. Carol activated the clause with just one week remaining to do so.
The network called out the lawyers looking for loopholes that could get them out of the deal. They tried to intimidate her into believing that a variety show hosted by a woman was doomed to failure. They tried to bribe her with new perks and a sit-com of her own. Carol stood her ground, and with the help of her producer husband Joe Hamilton, they put together an ace writing staff and assembled a cast. CBS had no choice. They were forced to air the show. It was a costly duty. They only ended up with the number-one-rated variety show for over ten years.
Posted in: No Huddle Reviews by Brent Lorentson on March 27th, 2013
It seems that to survive in today’s world everyone has to be at least a little tech-savvy; even grandma has to learn how to text and download images if she cares to see her grandchildren. Unfortunately even stalking has evolved with the times; with social media more and more becoming the way we communicate, the days of peeping toms outside the bedroom window are gone and have moved on to webcam. To some degree I think this should bring a sigh of relief, but then again stalking seems to have gotten easier, allowing more anonymity, and this is what Cyberstalker attempts to delve into. Though the story boasts to be inspired by true events, the only truth here I believe is that at some point some woman was stalked by a man.
The story kicks off in 1999 when Aiden Ashley (Mischa Barton) has her home invaded by an unknown stalker. In the process both her mother and father are killed. The stalker manages to get away without leaving a single trace to his identity, only leaving Aiden behind to become a reclusive orphan. And by reclusive I mean she becomes a virtual shut-in with a variety of deadbolts on doors and alarms in place. Thirteen years later Aiden has become a neurotic artist who appears be afraid of doing anything that involves interaction beyond completing a transaction with the food delivery guy. All these years of therapy clearly have only helped her to develop two relationships, one with her therapist and the other with her art dealer, who has also taken up the role as a surrogate father.
Posted in: Disc Reviews by William O'Donnell on March 27th, 2013
Jersey Shore finally comes to an end. Of course, there are spinoffs and TV specials and TMZ reports and aaaarggh! We're never going to escape them are we?! This is an Uncensored version of the season so instead of 'beeps' we get to hear the versatility of the f-word and other assorted curse words that are flung across rooms and dance floors as these bronzed oddities continue their bitter stalemate against maturity and class.
(Much of what is about to be read is taken directly from my previous review of the last season of Jersey Shore because my feelings have not changed nor has my spite lost it's relevance):
Posted in: Disc Reviews by Jeremy Butler on March 26th, 2013
I tend to shy away from films that have come out before I was born. It’s not a rule, just a habit. The reason for that being because not being from the generation that movie was produced in, I fear that there will be a lot of cultural reference that I will be unfamiliar with and I will have to Wikipedia them all. I also feel that because I am from a different era I am not qualified to render a sound opinion of an older film, because I may judge it too harshly due to my growing up within a time of special effect advancement. Of course I am well aware that this aversion causes me to miss out on quality films like Raiders of the Lost Ark, Apocalypse Now, and as it turns out, Zulu Dawn. Thank goodness for this job for introducing me to films I wouldn’t normally see of my own volition.
Zulu Dawn is a war film covering the Battle of Isandlwana, the first major encounter in the Anglo-Zulu War between the British Empire and Zulu Kingdom in 1879. The film is told mainly from the perspective of the British soldiers and features Hollywood household names Burt Lancaster, Peter O’Toole, Simon Ward, and Bob Hoskins on that side. The film starts off with Lord Chelmsford (Burt Lancaster, Lawrence of Arabia), a commander of British forces stationed in South Africa who is eager for advancement, and Sir Henry Bartle Frere (John Mills, Ryan’s Daughter), the High Commissioner of South Africa issuing a ultimatum to King of the Zulu Empire, King Cetshwayo: dissolve his empire or face the British forces that were looking to expand the ever-growing industrial economy. The King refuses and rallies his people to prepare for war.
Posted in: No Huddle Reviews by Jeremy Butler on March 26th, 2013
“They cry, they plead, they beg, they piss themselves, they cry for their mothers. It gets embarrassing. I like to kill ‘em softly. From a distance.”
Brad Pitt demonstrates that very well during one of his execution scenes. Killing Them Softly is director Andrew Dominik’s adaptation of the 1974 novel, Cogan’s Trade by George V. Higgnins. This film is Dominik’s third go-around serving as both writer and director (the other two times being Chopper and The Assassination of Jesse James), and I must say that he seems at home with double the amount of work.
Posted in: Disc Reviews by J C on March 25th, 2013
The great, central joke of Veep — HBO’s sharp, profane political comedy — is that no self-respecting politician aspires to become the Vice President of the United States. (Just like no self-respecting kid dresses up as Robin for Halloween.) It’s no accident the POTUS is completely MIA from the show, leaving his second-in-command and her beleaguered staff to deal with the countless indignities of a job described on “The Making of Veep” featurette as “so close to being important.”
A 15-second graphic at the opening of each episode tidily summarizes the failed presidential bid by Senate rising star Selina Meyer (Julia Louis-Dreyfus) and her subsequent acceptance of the show’s titular position. Veep follows Meyer as she carries out her day-to-day duties with the help of a team that includes devoted chief of staff Amy Brookheimer (Anna Chlumsky), sloppy director of communications Mike McLintock (Matt Walsh), clingy personal aide Gary Walsh (Tony Hale) — who may not be willing to take a bullet for Meyer, but he’ll definitely take a sneeze — and no-nonsense personal assistant Sue Wilson (Sufe Bradshaw). The staff often has to deal with smug White House aide/VP liaison Jonah Ryan (Tim Simons), who mentions that he works in the White House every chance he gets. By the end of the first episode, the team has also acquired ruthless deputy director of communications Dan Egan (Reid Scott), who will suck up to (or date) whoever he needs to get ahead.
Posted in: Disc Reviews by Jonathan Foster on March 25th, 2013
It’s tradition. The night before a wedding, the groomsmen throw a party for the groom and the bridesmaids do the same for the bride. Usually, the bachelorette parties are tamer than their male counterparts. Unless, of course, the bride has the absolute worst bridesmaids in the history of weddings; like the ones Becky (Rebel Wilson, Pitch Perfect, Bridesmaids) chooses for her bridal party in Bachelorette.
When Becky asks Regan (Kirsten Dunst, the Spider-man trilogy) to be her maid of honor, Regan immediately calls her other two friends from high school: airhead Katie (Isla Fisher, Wedding Crashers, Rise of the Guardians) and sarcastic Gena (Lizzy Caplan, Cloverfield, TV’s The Class). Completely enraged that “Pig-Face” — Regan’s cruel high school nickname for Becky — is getting married before her, Regan flips out. Fast-forward to the day before the wedding. Katie and Gena have flown in for the rehearsal dinner determined to liven up the “boring” bachelorette party, with Katie hiring a male stripper and Gena toting a purse full of cocaine. When the drugs and the stripper ruin the party, Becky storms off. Left alone in the bridal suite with champagne and cocaine, the three friends decide to get drunk, high, and generally feel sorry for themselves.
