Posted in: Disc Reviews by J C on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
The plot of Tomorrow You’re Gone — based on the novel “Boot Tracks” by Matthew F. Jones, who also wrote the screenplay — is straightforward enough. We meet Charlie Rankin (Stephen Dorff) just as he’s about to be released from prison. He receives an encoded letter from Billy “The Buddha” Pettigrew (Willem Dafoe), Charlie’s former jail-house mentor. The hidden message orders Charlie to carry out a hit, and Charlie agrees because he feels indebted to The Buddha. On his way to do the job, Charlie meets Florence (Michelle Monaghan) a flirty oddball/former porn star, and the two form an uneasy bond. After the hit doesn’t go as planned, Charlie has to dodge an unhappy Buddha. (He also spends an inordinate amount of time dodging Florence’s sexual advances because...actually, it’s not really clear why he keeps rejecting this woman who is throwing herself at him. It flies in the face of everything we know about movie ex-cons.)
Posted in: No Huddle Reviews by Jeremy Butler on May 9th, 2013
“Season of the equinox, the witch besets her kill; one last soul, the town to know taken against their will.”
I’m not the type that scares easy, and I’m not overly superstitious. But when it comes to urban legends, I know there are a few things I never intend to do: I never intend to say “Bloody Mary” three times in the bathroom mirror, I never intend to mix Pop Rocks and Coke, and, if there is a legend about a witch that will come after you if you break one of windows of her house, guess what? I won’t be picking up a rock. Mind you, this is less about fear and more about having no desire to deal with the consequences if I’m wrong. If only the teens of The Wicked shared my views.
Posted in: No Huddle Reviews by Jonathan Foster on May 9th, 2013
“Texas Territory. In 1821 it was known as ‘Téxas’, and its inhabitants were known as ‘Texicans’. This is the story of their fight for freedom. This is the story of Texas.”
Texas. Just the name of our nation’s second-largest state evokes images of cowboys, gunfights, scenic vistas, and much more. Few states have the combination of history, natural beauty and colorful characters that Texas does. These factors have provided a wealth of stories, and James A. Michener’s Texas (based off Michener’s best-selling novel) recounts one of the most tumultuous times in the state’s history.
Posted in: Disc Reviews by Michael Durr on May 8th, 2013
After a four-month hiatus, I have been called to assignment, a very special assignment indeed. Thankfully, the message did not self-destruct after five seconds. However, the message did have demands and required negotiation tactics. That is when I called in the SRU Unit from the show Flashpoint and they burst onto the scene. While they are handling a memo that has a notebook at gunpoint, they left me with a copy of Season Five of Flashpoint to review. Let’s take a look.
Season Five of Flashpoint in U.S. terms are the first eleven episodes under the ION Television banner (though the dvd package is still put out by Paramount/CBS). In Canada, these are the last eleven episodes of season four. The last thirteen episodes of the series will hopefully be in a Season Six package later this year (and Canada will have it as Season Five). Got it? Good.
Posted in: No Huddle Reviews by Brent Lorentson on May 8th, 2013
“If you have a tender soul, brace yourself.”
Sometimes I’ll get a stand-up comedy DVD and wonder how to write the review differently from other stand-up routines because there was simply little-to-no difference between the acts. Everyone just about knows — or should know — the basic formula. A guy walks out on stage and, for 45 minutes to an hour, delivers self-deprecating humor with the goal of receiving a few laughs. But then there are the comedians like Bo Burnham and Jeff Dunham, who at least try to bring something new to the stage by using music or puppets. In the case of Kristen Schaal, the mold continues to break as she delivers a stand-up performance unlike any other. This isn’t to say she delivers a perfectly amazing set, but it was refreshing to see something outside the formula of the standard routine.
Posted in: No Huddle Reviews by Archive Authors on May 8th, 2013
I should start by saying I just re-watched the 1939 version of Wuthering Heights with Laurence Olivier and Merle Oberon on Turner Classic Movies, and I fell in love all over again. Olivier was never more magnetic, naturalistic and appealing than he was as Heathcliff. I have watched it many times and Wuthering Heights has been done many times. There have been recent versions with Ralph Fiennes and Tom Hardy (The Dark Knight Rises, Inception). This is not one of those versions.
This version is by the adventurous — some would say radical — filmmaker Andrea Arnold. When she first started making films as a director, Arnold made shorts and won an Oscar for a film called Wasp. Both of her first two feature films — Red Road and Fish Tank — won the Jury prize at Cannes. She is a big believer in the Dogme 95 style founded by Lars von Trier, but only as a general philosophy. She does not adhere specifically to all the rules of that movement. Arnold does use the hand-held camera almost exclusively, which gives all of her films — including this one — a documentary feel. There is no music in her version of Wuthering Heights, except for those moments that are generated by the characters in the scenes (though there is a Mumford and Sons song at the end), and the film uses mostly untrained “actors.” It also hopes to shake things up by having the Heathcliff character be black.
Posted in: No Huddle Reviews by Brent Lorentson on May 8th, 2013
There has always been something about anime, as well as role playing card games like Pokémon and Kaijudo, that I’ve never quite been able to understand the draw towards them. When my friends talk about these games — with their booster packs and leveling up — all I can do is smile, nod my head, and pretend I have the slightest inkling at what they are talking about. Surely I can’t be alone on this. So when it came time to settle in and give Kaijudo: Rise of the Duel Masters a spin, I was reluctant; I hoped, perhaps, I could gain some insight into what some of my friends were talking about.
Before I go any further, I should mention the Dragon Strike DVD is only a five-episode arc and is not a reflection of the show or an entire season. The story arc, I’m guessing, takes place a while after the characters and the two worlds that exist have been established. So it did take me some time to just figure out what was even going on. But with that in mind, I wanted more by the time I was through the third episode.
Posted in: Disc Reviews by J C on May 6th, 2013
“This is America’s war as never seen before…”
When you consider the countless documentaries, miniseries and feature films dedicated to the Second World War, you’d think the defining conflict of the 20th century has been covered from every possible angle. And you’d be wrong! History has taken to the skies with WWII From Space, a two-hour special that originally aired on the cable network in December and promised to bring viewers an unprecedented, extraterrestrial perspective of the war.
Posted in: No Huddle Reviews by Gino Sassani on May 2nd, 2013
"You call this plain clothes?"
Few shows in television history have the kind of storied history that you'll find with Cagney & Lacey. The show's own story would make for compelling television drama in its own right. It didn't end with simply trying to get on the air. The trials continued through three cancellations and an unprecedented recasting of a lead...twice. It's no small miracle that the show made it at all, let alone lasting for six years and a total of over 130 episodes and television movies.
Posted in: No Huddle Reviews by Brent Lorentson on May 2nd, 2013