Posted in: Disc Reviews by Gino Sassani on October 17th, 2012
"Do you want me to give it to you straight?"
When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore? What could they possibly add to make us want to come back for more?
Posted in: Disc Reviews by Brent Lorentson on October 17th, 2012
When I first learned that Adam Green (director of Hatchet and Frozen) would be creating a show to air on Fear Net, this seemed like a slice of heaven to me. I love horror, and with the exception of The Walking Dead and American Horror Story there just hasn’t been much to watch from the genre. So when I discovered that Green was going to be actually developing a sit-com instead, it would be fair to say I was more than a little disappointed by this news. But then I was given a glimmer of hope when I heard it would be about a pair of struggling horror filmmakers. As a film graduate and a lover of horror, this instantly became something relatable to me.
The first season for Holliston consists of only six episodes and is a bit of a mixed bag for me. As I mentioned above, it’s about two friends, Adam (Adam Green) and Joe (Joe Lynch) who film bad local TV commercials as well as share hosting duties on their cable horror show. The two are working at getting a trailer made to help get funding for their first big feature Shinpads. The guys are simply looking for that big break that will get them out of their home town of Holliston and get their movies up on the big screen. Every episode is filled with horror references, which fans of the genre should enjoy, but don’t be mistaken, this isn’t horror at all. In fact the show has a lot of heart in both the romantic as well as the bromantic form.
Posted in: No Huddle Reviews by Brent Lorentson on October 16th, 2012
This is a film that’s been floating around for some time but under the title The Forgotten Ones. A simple title change isn’t going to help this film. The worst part of this train wreck is that it had every chance to be a really good film. I wish the blame could only go to one person, but there are issues with the illogical script, the direction, the camera work, the editing, and even the sound. The only things that helped make this film even bearable to watch was the cast (who didn’t have much to work with) and the makeup effects for the creatures was impressive (considering the budget). When we first meet the group of friends, everyone is meeting up at the marina, ready to set sail for a three day tour out in the open water. Liz (Jewel Staite, Firefly) is helplessly in love with Peter (Justin Baldoni) despite the fact he’s lied and cheated on her in the past. He seems to have changed his ways and committed to Liz, but still she can never be too sure. Also along for the three-day voyage is Ira, an overweight buffoon who somehow is wealthy enough to score Lauren, the stereotypical gold-digger. Thankfully, to balance out this awkward double date there is another deckhand along for the cruise, Jake, who just so happened to date Lauren at one point in time. Yeah, the movie at first plays out like a bad episode of (insert random tween-friendly show on the CW), but don’t worry, it manages to shift gears and get worse.
After the boat crashes into some rocks, everyone on board ends up washing up onto shore. With their radio they call in for a rescue, but with the coordinates they give from the GPS there is no land anywhere near where they claim to be. Things get stranger for the group as Liz begins to see things in the surrounding jungle. It would appear the survivors washed up onto the shore that is something of a mix from Dr. Monroe and Lost, only not nearly as interesting.
Posted in: Disc Reviews by Archive Authors on October 16th, 2012
“Greed is Good.”
No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street. Bud Fox (Charlie Sheen) is a small-time stockbroker, making cold calls to businessmen who won’t give him the time of day. His father, Carl (Martin Sheen), is a hardworking airline mechanic for a fledgling airline and is worried about the path his son is headed down when big-time investment broker Gordon Gekko (Michael Douglas) takes Bud under his wing. At first, Bud loves the money, the women, and the power that Gekko gives him. But when Bud involves his father in one of his investment schemes, he sees Gekko for the greedy slimeball he really is, and starts to see the error of his previous ways.
Posted in: No Huddle Reviews by Jeremy Butler on October 16th, 2012
Started off rocky but pulled it together in the end. That’s my assessment of Suddenly Single, the latest play from established playwright David E. Talbert. Plays are a difficult field to be successful in, as an actor as well as a director; much more challenging than making a film. With a film, thousands if not millions of dollars are spent creating several different detailed environments to better illustrated the fictional world in which the characters live. With a play however, you get one set, and you have to tell an entire story within the confines of that one set.
Play productions of this day and age are also hampered by a rigid and predictable storyline that many must follow; A good individual is wronged by someone, usually a loved one, and suddenly down on their luck. The person wallows in self-pity briefly but usually with the help of friends or family, gains a clear perspective on their former life and realizes that it wasn’t as perfect as it had seemed. Eventually, this person rises above their circumstance and overcomes adversity and the story comes full circle with the person that wronged them usually suffering some karmic payback of some kind .That’s the storyline but in recent years, it has become less about the story and more about the journey. Much of that in no small portion is owed to the newly crowned king of playwrights, Tyler Perry. The downside to that is many new plays run the risk of instantly being compared to Perry’s work, many of which simply not being up to the task. David E. Talbert however, is.
Posted in: No Huddle Reviews by Jeremy Butler on October 16th, 2012
“This movie will be a cult classic.” –Kevin Hart
That’s the quote on the front of the Budz House DVD cover. Well, I never thought I’d see the day that I’d be willing to disagree with Kevin Hart, but here it is. I was hoping that my first official review for this site would be a positive one, but sadly that is not the case. I try to go into every movie without expectations; however, when I picked up Budz House I couldn’t stop myself. I’ve seen Wesley Jonathan in other projects, most notably the basketball drama, Crossover, where he gave a rock-solid performance. Faison Love has a reputation for gracing films with his special brand of comedy. However, when it comes to Budz House, I found very little to make it worth the time spent watching it.
Posted in: Disc Reviews by William O'Donnell on October 15th, 2012
There have been numerous DVD releases of Spongebob episodes that are linked together by a theme. Holidays are obvious choices and Halloween is an inevitable choice for any series that has multiple seasons under their belt. As expected as it may be, that does not dampen the loony fun that comes along with Sponebob.
Spongebob Squarepants is the children's show that seems geared more for the college-age crowd than toddlers. This is not a revelation in cartoons, but I feel like this particular DVD set emphasizes this fact about Spongebob more than previous DVD releases of this show. The zaniness translates to all ages (just as it has from Tex Avery right through Ren & Stimpy) but this particular assembly of episodes displays some unnerving imagery that younger viewers may not be able to appreciate as much as older ones. Yes, there are subtle jokes spliced in that kid's will not catch (such as Spongebob's best friend Patrick explaining that looking at clouds helps to calm his “inner demons”), which is perfectl harmless, but it might be a bit much for someone just entering grade school to see Spongebob's eyes melt before bursting into a pile of spiders or being infested with the ghosts of snakes. Such imagery, to me, is a testament to how little concern this show for being stricly for youngsters, and how much it wants to be lapped up by that media hungry 14-30 crowd.
Posted in: Disc Reviews by J C on October 13th, 2012
Ever wonder what a martial arts epic directed by Baz “Moulin Rouge” Luhrmann would look like? Me neither. But that’s pretty much what we get with Legendary Amazons, (loosely) based on the exploits of the Yang family during the Song Dynasty. The story has an intriguing hook — the men of the Yang clan are massacred in battle, leaving their women to throw on armor and take to the battlefield — but is ultimately bogged down by its cartoonish tone and embarrassingly bad production values.
For the cartoonish tone, we can probably thank/blame producer Jackie Chan since the Hong Kong superstar has crafted a wildly successful career out of injecting comedy into the martial arts genre. (Legendary Amazons even has Chan’s signature bloopers during the end credits; although the actress who fell off a horse and hit the ground hard didn’t seem to be laughing.)
Posted in: Disc Reviews by J C on October 13th, 2012
“I thought this was a family show.”
“Well, it depends on your family.”
Posted in: Disc Reviews by Gino Sassani on October 11th, 2012
"Every ambition has a dark side."
And that includes the world of the cable television series. The world of cable series has brought us some of the most ambitious and compelling television shows we've ever seen. There's no censor board to answer to, so that means the shows have the freedom to expand into visual areas that have long been taboo on network shows. Nudity, sexuality, language, and even violence are often huge parts of these kinds of shows. Because there isn't really a ratings pressure, the shows can also cater to more specialized audiences. Of course, it's not completely true there are no ratings issues. For these networks it's getting the carriers to distribute their networks, and for some it's signing up premium members. There's little doubt that HBO did enjoy subscriptions completely tied to having The Sopranos. But that kind of programming is no longer rare. It no longer shocks us with its novelty, and the standards for quality have been established at a high level. When you watch a cable show, you don't just expect R material. You expect film-quality production values on the small screen. You also expect quality writing and compelling drama. In the case of Starz new Magic City, you'll have to settle for 2 out of 3. You get the edgy R material and outstanding production values. Unfortunately, the series misses more than it connects on the compelling drama front.
