Disc Reviews

This is a film that’s been floating around for some time but under the title The Forgotten Ones.  A simple title change isn’t going to help this film.  The worst part of this train wreck is that it had every chance to be a really good film.  I wish the blame could only go to one person, but there are issues with the illogical script, the direction, the camera work, the editing, and even the sound.  The only things that helped make this film even bearable to watch was the cast (who didn’t have much to work with) and the makeup effects for the creatures was impressive (considering the budget).

“Greed is Good.”

No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street. Bud Fox (Charlie Sheen) is a small-time stockbroker, making cold calls to businessmen who won’t give him the time of day.

Started off rocky but pulled it together in the end. That’s my assessment of Suddenly Single, the latest play from established playwright David E. Talbert. Plays are a difficult field to be successful in, as an actor as well as a director; much more challenging than making a film. With a film, thousands if not millions of dollars are spent creating several different detailed environments to better illustrated the fictional world in which the characters live. With a play however, you get one set, and you have to tell an entire story within the confines of that one set.

“This movie will be a cult classic.” –Kevin Hart

That’s the quote on the front of the Budz House DVD cover. Well, I never thought I’d see the day that I’d be willing to disagree with Kevin Hart, but here it is. I was hoping that my first official review for this site would be a positive one, but sadly that is not the case. I try to go into every movie without expectations; however, when I picked up Budz House I couldn’t stop myself. I’ve seen Wesley Jonathan in other projects, most notably the basketball drama, Crossover, where he gave a rock-solid performance.

There have been numerous DVD releases of Spongebob episodes that are linked together by a theme. Holidays are obvious choices and Halloween is an inevitable choice for any series that has multiple seasons under their belt. As expected as it may be, that does not dampen the loony fun that comes along with Sponebob.

Ever wonder what a martial arts epic directed by Baz “Moulin Rouge” Luhrmann would look like? Me neither. But that’s pretty much what we get with Legendary Amazons, (loosely) based on the exploits of the Yang family during the Song Dynasty. The story has an intriguing hook — the men of the Yang clan are massacred in battle, leaving their women to throw on armor and take to the battlefield — but is ultimately bogged down by its cartoonish tone and embarrassingly bad production values.

“I thought this was a family show.”

“Well, it depends on your family.”

Quick, who is the highest-grossing stand-up comic in America? Well, if you follow the live comedy scene — or you can’t help but notice you’re reading a review for one of his shows — you probably know the answer is Jeff Dunham. The man has single-handedly made ventriloquism cool again. (Pause.) Well he’s made it astoundingly lucrative, anyway.

"Every ambition has a dark side."

And that includes the world of the cable television series. The world of cable series has brought us some of the most ambitious and compelling television shows we've ever seen. There's no censor board to answer to, so that means the shows have the freedom to expand into visual areas that have long been taboo on network shows. Nudity, sexuality, language, and even violence are often huge parts of these kinds of shows. Because there isn't really a ratings pressure, the shows can also cater to more specialized audiences.

Among the more unjustly ignored performances was Jack Nicholson’s turn as union boss Jimmy Hoffa in Hoffa. Fox finally decided to put out the Danny DeVito-directed, David Mamet-written film on DVD. Mamet’s script seems to romanticize Hoffa, portraying him as more of a union man, as one who was forced to make deals that could compromise his integrity, but he overlooks his integrity in order to help benefit the American working man. The story is told in the point of view of Hoffa aide Bobby (DeVito), a fictitious character whose flashbacks are used to help us see how Hoffa perhaps should be viewed, as opposed to the punchline in some jokes we may make now.

Director Jennifer Lynch’s camera winds its way through a dingy house with tragically outdated décor during the opening moments of Chained. It’s almost as if the filmmaker is encouraging the audience to get nice and cozy with this depressing setting because we’re going to be spending a lot of time here.