Disc Reviews

“Ugh. How many times do I have to explain this to you? If you see the neighbor's house getting broken into, it's probably Karl high out of his mind thinking he's locked out of our house.”

When it comes to office based slacker comedies, Mike Judge’s Office Space still sets the gold standard. Workaholics wishes it could be as quotable and timeless as Office Space, but settles for goofy, instantly forgettable juvenile ramblings suitable for a stoner’s short term memory. Much like the boy’s prank of choice, involving a dollar bill wrapped around poop, Workaholics looks good on the surface, but is pretty much the same old crap underneath.

When you look through the list of accolades that writer, director, and producer David E. Talbert has received, you can’t help but be a little impressed with the playwright who is working his way to the big screen.  Once you win an award that labels you best playwright, there is a certain standard that you should be held to with the works that follow, and if I were to simply judge his talent based upon how A Fool and His Money turned out, well, best playwright wouldn’t be a label I’d be throwing around.

There is a lot to like about the first half of this production; though the down-on-their luck family may feel a bit stereo typical, it’s hard to not relate to this family that is struggling, especially in today’s economic climate.  The father is working hard to keep a roof over his family’s head and steer his children in the right direction so they can have a better life than he does.  But no matter how hard he tries, it just never seems to be enough.  To help make ends meet their son has been skipping out on school to work, but this has caused his grades to slip which means he’ll have to quit the job to focus more on school.  The daughter though is seeing a guy that that the mother disapproves of, but her father seems to be okay with him because he believes the guy is taking good care of his little girl, but of course the mother sees the boyfriend for what he really is but just can’t seem to change her daughter’s mind.  Already we have plenty of drama, when the father loses his job and the bills are already piled so high that his marriage is at a breaking point.

When the History channel isn’t busy churning out reality shows, they manage to indulge the history enthusiasts with a fresh new documentary to tide us over.  Granted I’m an obsessed fan of Swamp People and Brad Meltzer’s: Decoded, but what gets me most excited is when they bring out a new documentary.  (I’m a history geek in case you haven’t figured it out.) So when I got the chance to check out Titanic at 100: Mystery Solved, I happily put this in my DVD player.

After the success of James Cameron’s Titanic the world was flooded with several TV movies and documentaries that told the story of what happened the morning of April 15th 1912 in the Atlantic, so I will spare you the details.

One look at the DVD case for Life Without Principle and you would get the impression that this would be your average run-of-the-mill Hong Kong action film.  This couldn’t be any more misleading.  I understand the companies need to make money, and the easiest way to do this is to make up some cover art with guns, fire, and a masked many with money flung in the air seems the way to go, but in the process it does this film and the audience a disservice.  So please, if you are expecting an action-packed bullet-ridden spectacle I apologize, but you need to look elsewhere.  But for those willing to sit back and watch a solid thriller about greed and corruption you are in for a treat.

Director Johnnie To is as much a staple to Hong Kong cinema as Martin Scorsese is to American cinema.  For those unfamiliar with To’s work I would recommend checking out some of his better known titles like Election, PTU, and Vengeance to see some great modern Hong Kong cinema that action fans will have a lot of fun with.   He’s a filmmaker that has a broad cinematic canvas that gives each of his films a unique style, but somehow while watching it you know you’re watching  a To film.

"Do you want me to give it to you straight?"

When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore? What could they possibly add to make us want to come back for more?

"Make no mistake. Blood will be spilled. Lives will be lost. Fortunes will be made. Men will be ruined. There will be betrayal and scandal and perfidy of epic proportions."

With a statement like that, how can you not want to check out AMC's newest drama series Hell On Wheels? I've been told the title sounds like it's about motorcycle gangs, and I couldn't agree more. The term refers to the mobile tent city that housed the workers on the Union Pacific Railroad and the support entourage the camp attracted. It was a virtual tent city that had all of the essentials: a church, bar, and whorehouse. It was just after the Civil War, and the American government believed that a railroad connecting the East and West coasts was just the kind of project the country needed to pull back together and heal still-festering wounds. As one of the filmmakers accurately points out, this was the Apollo moon project of the day. Long believed impossible by the brightest engineers of the day, the railroad would cut the time it took to go from coast to coast from six months to just under seven days. It was a truly remarkable feat, and it carried with it more than a fair dosage of corruption and blood. Now AMC has brought those days from 1865 back to our television screen with an ambitious and smartly produced series. It's a must see.

“When I saw you, I believed it was a sign… that something new can come into this world.”

John Carter first appeared in Edgar Rice Burroughs’ Barsoom magazine serial nearly a century ago in 1912. The science fiction pioneering Carter stories captured the imagination of masses and inspired countless authors and directors. For example, George Lucas himself has stated there would be no Star Wars without John Carter of Mars. It took nearly a century to get it to screen and in time countless others have mined the series for inspiration. The result is a massive “been there done that” experience.

A successful writing team, who also happen to be a married couple, are the creators of an award-winning show in the UK that has just completed after four seasons. An American network wishes to create a US version of the show. The couple are flown to LA, put up in a lavish mansion and are introduced to the Hollywood method of creating television...and it nearly destroys them.

Even before they arrive in LA, this pair begins sinking in a quagmire of big-time Hollywood lies and bluffs that drive them to losing their lead actor, a respected, elderly British man, in exchange for Matt LeBlanc, converting their program from the story of a headmaster at a boarding school to that of a handsome hockey coach who is chasing after a sexy librarian, and generally sacrificing all they hold dear (both creative and personally) in order to survive the shoot of a single pilot episode (which, by the way, seems to be the most arduous and lengthy studio shoot I have ever witnessed...it lasts the entire season of Episodes!).

"I'm yelling for society, for everybody! It's not just me!"

That's Larry David chastising a dog walker who didn't bring along a bag to clean up after her pooch, but that statement also tidily summarizes the premise of Curb Your Enthusiasm. After 11 years, seven seasons and 70 episodes of over-analyzing and kvetching — and after pulling off an incredibly well-received Seinfeld reunion in season 7 — a small part of me wondered if David had anything left to complain about heading into season 8. I should've known better.

"Blacks are mentally inferior, by nature subservient, and cowards in the face of danger. They are therefore unfit for combat." - U.S. Army War College Study 1925

Obviously, there's another story to be told here. George Lucas says that he's been wanting to tell this story for over 20 years. It's a story that has often been told in both film and documentary form. In none of those cases has the movie been made into the kind of spectacle film that we find in Red Tails. Lucas gives the legendary air group the Saving Private Ryan treatment, and we get to see these World War II heroes in flight like we've never seen before.