Posted in: No Huddle Reviews by J C on July 4th, 2012
Have found footage films jumped the shark? (If the answer is yes, someone's going to have to hunt down the beast that ate the shark-jumping cameraman so we can retrieve the tape and see exactly what happened.) Though the genre dates all the way back to 1980's Cannibal Holocaust, it saw a spike with 1999's Blair Witch Project and has become the horror delivery vehicle du jour thanks to recent hits like The Devil Inside and the Paranormal Activity films. To be fair, The American Dream doesn't completely qualify as a found footage film — as far as I can tell, no one finds the protagonist's camera — but the movie is a sign that the genre may have already seen its best days.
Like Cloverfield, Chronicle and Project X, The American Dream proves that horror films haven't completely cornered the found footage market. Luis (Jamil Walker Smith) and Ronald (Malcolm Goodwin) are lifelong friends and newly-enlisted Marines who are about to ship off to Afghanistan. Luis is an aspiring filmmaker who idolizes Spike Lee (Smith also directed the film under the moniker J. Smith), so he decides to document his and Ronald's last few days with their families and friends before they leave.
Posted in: Disc Reviews by J C on July 3rd, 2012
Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.
Julia Roberts headlines this version as a wicked Queen who is fond of lavish parties and elaborate gowns, but rules over a frigid, destitute kingdom following the disappearance of the popular king she married. Snow White (Lily Collins), on the cusp of her 18th birthday, is the king's daughter and the rightful heir to the throne. After the jealous Queen tries to have Snow White murdered, the exiled princess enlists the help of a noble prince (Armie Hammer) and seven outcast dwarves to take back her kingdom.
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2012
"Squeal like a pig..."
It's one of those lines that you know even if you've never seen Deliverance. The line and film have entered our pop culture and have been referenced in hundreds of films that followed. Along with the iconic rendition of Dueling Banjos, taken from the traditional piece Feuding Banjos, well... you might feel like you've seen the film even if you haven't. Deliverance is a film about Americana that has itself become a large part of Americana. Most of us have found ourselves in a situation where we start hearing those familiar notes in the back of our heads. The truth is, they just don't make them like this anymore.
Posted in: No Huddle Reviews by Archive Authors on July 3rd, 2012
The opening scene of Black Limousine is highly dramatic and highly deceptive. We open on a space station beginning to explode and disintegrate in orbit as a female astronaut tries to revive a seemingly dead male crew member. The music swells as the explosions beginning to trigger and expand. The credits roll. We see David Arquette sitting in a crowded theater watching the screen. He then lingers outside the theater looking at a movie poster and trailing his fingers across the words “Music by Jack McKenzie”. His fingers snap away and he walks off morosely. That is a very effective way to introduce the story and the character. He was a big shot, and yet his car is vaguely shabby with a small dent on the side door.
The next scene is his interview at the limousine service, which mentions that he was involved in a fatal accident that was another driver’s fault. Clearly this a man who needs to get his life back on track. He’s got a daughter that he shares custody for as he tries to regain the talent and notoriety he had before.
Posted in: Disc Reviews by J C on June 30th, 2012
"Now, if you're unfortunate right now and don't have any weed, I'm sorry. But please stop this movie right now — it just won't work if you can't watch this without no weed."
Did I mention that this disclaimer at the start of Mac & Devin Go to High School comes from a profane talking joint named Slow Burn (voiced by rapper Mystikal)? Anyway, I can't say I wasn't warned.
Posted in: Disc Reviews by M. W. Phillips on June 29th, 2012
“Sometimes things happen in life that turn everybody silent. So silent that nobody dares to talk about it anymore. To no one. Not even themselves.”
Who knew there was a hormone mafia in Flanders (not Homer Simpson’s neighbor, but Flanders is part of Belgium, but unique with its own dialect and culture)? Evidently, shady criminals sell illegal experimental hormones to farmers so they can fatten up their livestock. In Bullhead these are brooding crooks that sit and talk about their problems a lot and seem to resent cows a great deal. The one with the biggest problems happens to be the biggest man among them, Jacky Vanmarsenille (Matthias Schoenaerts) Jacky is a mess of steroids and muscles. He internalizes and represses is anger so much that you can practically hear the time bomb counting down when he breathes.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2012
"The law was made by rich white people. Our job isn't to follow the law. Our job is to make the law."
TNT brings us a different kind of legal drama with the first season of Franklin & Bash. These are a couple of young lawyers who don't let the courtroom rules get in the way of helping out their client. They've gotten themselves quite a reputation, and it's finally paying off.
Posted in: No Huddle Reviews by J C on June 26th, 2012
The notion that nice guys finish last — or that girls tend to gravitate toward bad boys — isn't exactly the most original idea in the world. There have been many cinematic examples that both support (The Last American Virgin) and debunk (Bridget Jones's Diary) this theory. The Jerk Theory — a totally formulaic, surprisingly watchable "teen" comedy where most of the actors are pushing 30 — wants to be the movie that proves not every girl in the world wants a bad boy. Instead, the movie inadvertently makes the point that every girl in the world (except maybe one) wants a bad boy.
It's no more Mr. Nice Guy for Adam (Josh Henderson) after his girlfriend dumps him in favor of their school's resident jerky jock. We meet Adam after he's already re-invented himself as the kind of popular lothario who will barely stop his car to allow his date to get in and puts on impromptu rock concerts at his high school. Adam successfully counsels fellow nice guys in the ways of jackassery, but begins to reconsider his philosophy when his charms fail to work on Molly (Jenna Dewan-Tatum), who has sworn off jerks after recently breaking up with one. Will Adam's jerky veneer give way in time for Molly to see what a genuinely nice guy he is? Will there be contrived misunderstandings before a final-act declaration of love? (This is a romantic comedy — what do you think?!)
Posted in: Disc Reviews by Gino Sassani on June 26th, 2012
"In ancient times the world was ruled by gods and monsters...And now the time of the gods is ending."
It appears that Greek mythology has become the fodder for a ton of movies of late. From young adult films to the hardcore action movies, audiences are getting their fill of the familiar gods and beasts from mythology lore. Some are calling it a trend or hot phase, like vampires and robots. Whatever it is, it isn’t a phase, and it isn’t merely passing through.
Posted in: No Huddle Reviews by Gino Sassani on June 26th, 2012
In 2004 DOG the Bounty Hunter first took to the airwaves. On the surface it looked like yet another one of those reality cop shows where camera guys followed the men in blue as they took down the bad guys. Dog wasn't a cop; in fact he'd spent a part of his life on the other side of the law. Still, he was decked out in a Kevlar vest with a badge hanging from a chain around his neck. The cameras followed him around as he kicked in doors and stalked his criminal prey. But this isn't really quite your typical reality cop show. These guys aren't cops. They're bounty hunters. It's a family business that provides bail bonds to get the bad guys out of jail and has the muscle to track them down if they decide to skip their court appearances. This Dog doesn't get stuck holding the bag for nobody.
The Chapman family lives mostly in Hawaii. They do spend a lot of time at a second home in Colorado, where Dog is originally from. But it doesn't really matter what the location might be. The job is always the same. The team is strictly a family affair. Dog (Duane) Chapman is "Big Daddy" and the driving force behind the operation. Beth is Dog's wife and runs the business side of the operation. That doesn't mean that she's not right there on the hunt offering logistic support. Dog's right-hand man is his brother Tim. They have been partners for decades. Then there are Dog's two sons Leland and Duane Lee. This is the core group. They operate out of two SUVs as they track and take down the fugitives. The youngest member of the team is Dog's daughter Baby Lyssa. She's a small and shy girl, but she gets in her share of licks every now and again. There is also Dog's nephew Justin, who has a spotty record of commitment to the group.
