Posted in: Disc Reviews by Jeremy Butler on February 14th, 2020
This movie truly took me by surprise; I was expecting another vapid romantic comedy tale without any original thoughts or concepts, but actress Emma Watson showed that she had something else in mind for this story that she penned herself. Based on the popular song by Wham! (yes, the exclamation point was necessary), Last Christmas follows the story of a girl who goes in the opposite direction of a new lease on life following a confrontation of her own mortality, and it takes a handsome stranger to help her see and appreciate the gift that she has been given. I know that it is not one hundred percent original, but it isn’t a premise that has been beaten to death, and there are some elements that keep it fresh. The manner in which the story unfolds is unique, and there is a twist that that took me by surprise. Not only did it take me by surprise, it utterly devastated my wife, who become a little bitter afterwards. Despite the effect the twist had on her, she couldn’t deny that this film starring Emilia Clarke and Henry Golding was very enjoyable. Writer/Actor Emma Watson also rounds out the cast as Clarke’s mother from the old country.
Posted in: No Huddle Reviews by Gino Sassani on February 13th, 2020
The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake). While there were certainly a few romantic undercurrents, the romance never came to fruition. Miss Kitty was a prostitute on the radio and was likely one here as well, but CBS chose to underplay that aspect of her character as a “saloon girl”. Finally Dillon’s faithful sidekick deputy was Chester (Weaver). Chester often found himself in trouble and was the naïve son figure to Dillon.
Posted in: Disc Reviews by Michael Durr on February 12th, 2020
A common thread in fairy tales and stories of long ago is for there to be a perfect female that is amazingly romanced by a not-so perfect male. In fact, he is usually average, clueless, and clumsy beyond belief. During the narrative, we realize that the female is only perfect on the outside and is somehow flawed on the inside. In the end, they live happily ever after. The story changes sometimes in details, genders, and other minor pieces of information, but is overall the same in theme. Today, we explore White Snake, which is a prequel to the Chinese fable, Legend of the White Snake. Let's take a look.
Posted in: Disc Reviews by Brent Lorentson on February 11th, 2020
It would seem like audiences are suffering from a bit of Stephen King fatigue, as 2019 saw three theatrical releases of his films and each of them seemed to under-perform at the box office. Pet Sematary was a lackluster adaptation, and It Chapter 2 was fun, but still disappointing when considering how good the first was, and then there was Doctor Sleep, the long awaited sequel (depending who you ask) to The Shining. When it comes to The Shining, I’m a fan of both King’s book but also of Stanley Kubrick’s take on the material. King has always had his problems with the Kubrick version due to the many liberties taken with the material, and many people tend to forget how personal that story was for King and how it dealt with his own personal struggles with alcohol and addiction. Because of all this, I believe it’s why the announcement of Doctor Sleep as a book and eventually a film was so shocking and even polarizing for some. When I read the book, it was a fun and unexpected journey that eventually leads back to the Overlook, but most enjoyable was the journey on getting there as King created a sequel that delved more into what “the shining” is rather than simply return to a haunted hotel. So how was the film, and how does the director’s cut differ from the theatrical cut?
Posted in: Disc Reviews by Brent Lorentson on February 11th, 2020
John Cena is following in the footsteps of many wrestlers making the transition to be film actors. Previously we’ve seen him in Bumblebee and in the comedy Blockers. It’s a good move to attempt to show he’s more than a just wrestler with beefy muscles, but comedy is a tough nut to crack even for the seasoned veterans. With Playing With Fire, we get to see Cena in the role of a smokejumper who leads his team of ragtag misfits into fires by leaping out of helicopters and into the middle of the blaze. Unfortunately, having “Uptown Funk” by Bruno Mars does nothing but take away all the tension of the scene despite all the heroics and danger on display. But really, the opening simply sets the tone for what’s ahead in this film, and it is not necessarily a good thing. When the story gets back to the station, most of the smoke-jumping crew is bailing on Jake Carson (Cena) so they can go fight fires with another crew. This basically leaves Carson with Mark (Keegan-Michael Key), Rodrigo (John Leguizamo), and Axe (Tyler Mane).
Posted in: Disc Reviews by Jeremy Butler on February 7th, 2020
“You'll die right here. On a frozen, blood-soaked battlefield, the moans of a generation of young men in your ears, dying in agony around you, for a lost cause. For a vile and wicked idea! For the sin of slavery! Can you hear them? God don't mean people to own people, Gideon!”
Harriet Tubman, born Araminta Ross, is a staple of black history. Her deeds have been told and retold in history books for generations as one of the most successful conductors of the Underground Railroad, a network of anti-slavery activists and safehouses. Aside from her contributions to history, I knew very little about her individual history; that is a failing of mine. I’m not sure that an autobiographical film is the best avenue to correct this failing, given the propensity for things to be altered and sensationalize in order to draw crowds. However, even a sensationalized film has to have some basis in fact. Therefore, I am glad that this film made it into my queue, as it gave me a better understanding of Tubman’s accomplishment than I had previously. Bad Times at El Royale’s Cynthia Erivo takes on the monumental task of representing the historical figure on the silver screen, joined by Leslie Odom Jr. and Janelle Monae.
Posted in: Disc Reviews by Michael Durr on February 6th, 2020
One of my main pet peeves in my life are the people who seem to hang on a celebrity's every word, or worse, a reluctant celebrity who gets pushed into the limelight because of a heroic deed or misdeed. I have little desire to be famous (except to be published and recognized as a writer), but if I were, I am pretty sure I would labelled as a recluse and shun the public eye constantly. Today, we explore Summer Days with Coo, a tale about a Kappa who is found by a boy after centuries of being fossilized. Then suddenly he gets thrust into the limelight with some unfavorable results. Let us see what this one has to offer.
Posted in: Disc Reviews by Brent Lorentson on February 6th, 2020
I’ve gotten used to the cinematic disasters Bruce Willis has attached himself to over the past few years. I’ll admit, I was surprised to see him in Motherless Brooklyn, and after his impressive performance in Glass, I had hoped he was going to attempt to get himself in to some higher caliber films. Willis has stayed in shape, especially for an action icon who is getting up there in his years, and he still manages to have a presence when he appears on screen. Sure, I get that we can’t expect him to keep throwing himself out of exploding buildings and having elaborate fight scenes. In a perfect world, I’d love to see him be able to revisit the role of Joe Hallenbeck in a The Last Boy Scout sequel. Heck, while staying on the nostalgia train, I’d be on board with a Hudson Hawk sequel over some of these direct-to-video films he’s been doing. Getting back to Trauma Center, we have a new direct-to-video action film that features Willis attempting to save a young girl’s life who happened to be at the wrong place at the wrong time. Is the film worth checking out, or is it one you should simply pull the plug on and avoid?
Posted in: Disc Reviews by Jeremy Butler on February 1st, 2020
“They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family.”
That is for those who read my Addams Family double feature post regarding the Addams Family theme song. Of course that is merely the first verse of the song. Have no fear, as the animated film features the full version. It must be kismet, as I had the privilege of reviewing the animated film so soon after reviewing the double feature, though I suspect that this was by design. Though this cartoon does not fit the traditional view of what a horror film is, I would argue that the subject matter is more than enough to grant it entry. Featuring a lighter tone than its subject material, this incarnation is an enjoyable experience that can be shared with the whole family, which was my experience as I was able to bring my daughter to the film with me, and I’m happy to say it got her stamp of approval.
Posted in: Disc Reviews by John Delia on February 1st, 2020
During the 1950’s, being a private investigator wasn’t always a safe and sure way to make a living. But it was a popular way to make some cash for returning soldiers or ex-police officers. During these times things were beginning to modernize, and the world was becoming more dependent on advancement in the skyline. With these changes, corruption and deceit became more evident, and private investigators became more popular. When Frank Minna’s (Bruce Willis) agency gets a chance to make some real money, things begin to get ugly fast. In his crew there is Lionel Essrog (Edward Norton), an orphan with Tourette's syndrome that Frank took under his wing when Lionel was 13; they have been friends ever since. Then there is Tony Vermonte (Bobby Cannavale), Gilbert Coney (Ethan Suplee), and Danny Fantl (Dallas Roberts). Frank has known these guys for many years and trusts them with helping to investigate the cases for his company.
