Disc Reviews

Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction.  Is there anyone, really, who doesn’t recognize Stewie? After all, he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats.  Where The Flintstones, then later The Simpsons, were at one time the dominating animated family on television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family. In this collection of 20 episodes, the creative force, Seth Macfarlane, and his team continue to deliver the laughs along with their twisted moral messages. In today’s culture, it seems like it is harder and harder to be a comedian and manage to not offend anyone, and for the first time I feel the show is restraining itself too much, and it’s hurting the product.  Family Guy has always been a show that was self-aware and would break the fourth wall, so it was not a big surprise when a character mentions how they’ve eased up on their jokes against the gay community.  Is this a move brought on because Disney now is writing the checks for those involved, or is this decision made by the writing team?  I want to believe this was a choice made by the writers where they felt they could still be funny without offending a group of people, but I kind of doubt it.  The appeal of Family Guy is that it’s a cartoon; it’s not a show that you should take seriously, though at times they do inject some nice social commentary.  Besides, after 17 seasons you would think viewers would know what they are getting into when watching the show, and if it offended them too much, they could easily change the channel.

I understand not every season can be great; even a bad episode of Family Guy can manage to be more entertaining than a show about celebrities dressed as rejected Muppet characters.  But … I was a bit disappointed with this season.  Starting off with “Married With Cancer”, where Brian thinks he meets the woman of his dreams who is dying with cancer only to find out her treatments have worked and she’s not dying after they are married.  It’s a fun idea as we see Brian go through his bouts of regret, but really, the jokes just didn’t seem to hit their mark.  Sure, I may have chuckled, but they really milked the slightest bit of humor of “cancer farts” to the point where it just got annoying.  Later in the season there is an episode “You Can’t Handle the Booth!”, and while I do appreciate the unique perspective, I feel this is one that missed its mark, but I still feel it has potential.  Basically they took an episode of Family Guy and had the Family Guy characters come in and do a commentary for the episode; here the humor is in what you hear and not so much what you are watching.  As someone who enjoys commentaries, there were elements I liked about this, but for the casual viewer I’d imagine this episode would be a chore to enjoy. It’s a smart move that the DVD has a version of the episode without the commentary.

They don’t trust one another, but they need one another. One is idealistic and believes in the letter of the law, as well as the principle of there being no shortcuts to justice. The other is disillusioned, immoral, and corrupt, albeit effective and well-connected. Aldis Hodge, who has been having a good run since the end of Leverage back in 2012, and the well-established Kevin Bacon have great chemistry in City on a Hill. Their chemistry is the best thing to come out of the series that can at times become convoluted with all the subplots occurring in every episode. Loosely based on the events of the “Boston Miracle,” (also known as Operation Ceasefire), a police initiative implemented back in 1996 aimed at youth gun violence as a large scale problem, these two join forces to catch a group of armored truck robbers who are not afraid to kill to get what they want. Rounding out the cast are Jonathan Tucker, Mark O’Brien, Jill Hennessy, Sarah Shani, and many more. The show tends to meander and get bogged down with the additional storylines involving the supporting cast, but each episode provides a great interaction between Hodge and Bacon that makes the meandering worth enduring.

Hodge plays idealistic Assistant District Attorney Decourcy Ward. He is a straight-laced individual with aspirations of ascending beyond the District Attorney’s office; however, his unwillingness to compromise his morals does not earn him any friends and has on one than one occasion cost him. Speaking of not earning friends, this is where Ward is introduced to Jackie Rohr, a corrupt but connected FBI agent. When Ward won’t go easy on Rohr’s confidential informant, these two are put at odds, causing Rohr to get creative in order to get what he wants, embarrassing Ward in the process. Meanwhile a group of robbers attempt to heist an armored vehicle. The job doesn’t go as planned, and one of robbers’ faces is exposed to the guards. Concerned about being caught, the group is forced to kill the guards to avoid witnesses.

"Get ready for six hours of cartoons."

Try around six days if you can binge them all. We're talking about 300 hours of Simpsons cartoons in the can. The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon? The Simpsons have not only dominated the pop culture; they have placed everything else into context with their show. Like Doonesbury, it could be said that the only thing worse than being made fun of on The Simpsons is not being made fun of on The Simpsons. With that said, you’ll understand my warm feelings and appreciation for this show.

Well, I’m not fully sure how to put my experience with Killerman into words, but I will give it my best shot. The feeling that comes to mind is confused. It just seem to be a lot of different things thrown at me at once. Liam Hemsworth is introduced as Moe Diamond, a small-time money launderer partnering with the nephew of a powerful crime boss; the nephew chaffs under the thumb of his uncle, and it is very clear that he is the less intelligent one of the partnership. Moe is level-headed and appears to have an elegant system in place for laundering money through his jewelry business. The nephew, who goes by the name Skunk, played by Emery Cohen, is clearing only involved because of his connection to his uncle. Needless to say, I imagine you can see where this is going, I mean, we have only seen it dozens of times in other movies, but I’ll go ahead and repeat it for posterity: the uncle gives the boys the opportunity at a big-time score; the pair get wind of a too-good-to-be-true drug dealing opportunity, and decide to use the uncle’s cash to front the deal. As expected the deal really does turn out to be too good to be true, leading Moe and Skunk to be on the run from a dirty cop when they escape the deal with both the cash and the money. To the film’s credit, this is the extent of the movie’s predictability, as matters take an unexpected turn.

While escaping their pursuers, the pair has a very bad accident, resulting in Moe developing amnesia. I know I said predictive stuff was over, but this aspect does have an interesting twist. Normally, when presenting this kind of plot, the rest of the film is spent delving into the protagonist attempting to solve the mystery of who he really is. Killerman deviates from that trend, because we have a buddy to explain to Moe exactly who he is. That aside, he still goes through the expected emotions of confusion attached to a self-identity crisis. Though his circumstance is quite tragic, I was never able to form any kind of investment into this character. He was just too unhinged for me. He was initially interesting; he was clever and clearly had some loyal friends, but there was always something about his personality that was shrouded in mystery.