Lionsgate / Maple Pictures

When you first look at the title for this entry in After Dark’s 4th annual 8 Films To Die For, you probably have summed up images of a dank and foreboding cemetery where unspeakable horrors rise from their resting places to torment the, albeit temporarily, living. This is definitely a little bit of a case of false advertising and the misleading use of a title. These Graves are sisters, Megan (Grant) and Abby (Murray), to be exact. They’re the kind of sisters that do everything together. You know the type. They almost speak in a secret language and appear to be soul mates. But Megan is a bit more outgoing and has gotten herself a job in New York, far away from the sisters’
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“There are no multiple choices.”

It’s about time that someone did a good job of making a horror movie version of Revenge Of The Nerds. This is the first movie for director Joey Stewart. He’s done a lot of second unit stuff, mostly for television in the past. It’s like the third effort for writer Jason Kabolati, but together I think they just might be on to something here. The Final plays on both our desire for a good blood and guts horror movie and our satisfaction of seeing those picked-on socially awkward kids get the upper hand on their bullies
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Maybe the problem is that I just don’t get British. I’d like to think I’m just as hip as the rest of you out there, but I’m just not so sure. I mean, I love Monty Python to death, but just could never get Benny Hill. I’m a huge Doctor Who fan from a long time ago, but some of the British science fiction movies and mini-series I’ve seen of late mostly just leave me scratching my head. It’s like everyone in the world is in on this great funny joke and I’m the only one who doesn’t get it. I hate feeling that way, but that’s exactly what The Reeds left me feeling before it was all over.
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“The story of a man in a mountain climbing accident who cut his own friends off the rope to save himself. Convicted of second degree manslaughter, that’s compelling stuff.”

Well… technically he took a plea bargain. This is actually pretty frightening stuff in the very real world that we live in. It’s a moral question that each of us would like to believe they would make a certain way. But, the truth is, one can never really be sure. It’s a circumstance that no one wants to actually find out what they would do. But, it does pose a very interesting question, doesn’t it?
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“In December 2005 a tragic accident began a series of extraordinary events that thrust a grieving family and the small Victorian town of Ararat into the media spotlight. This film is a record of those events.”

How many movies over the last 10 years have started with that line? It scares me right from the jump, but not in a good way, when I realize I’m about to watch another “found footage” or “real event” film.
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“Maybe I’m not being clear enough. Maybe I need to be honest with you and tell you what I want. I want your soul to open up for me.”

Clive Barker’s name has been synonymous with horror for quite a long time. Along with Steven King, there is likely not another name out there that has been responsible for so much written terror. His stories have sold hundreds of millions of copies and inspired many films and television projects. He’s been called the modern Edgar Allan Poe, and when you witness something so frightening at its very base as Dread happens to be, it isn’t hard to understand how he came by that kind of a reputation.
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The flesh-eating plague from the first film is still spreading and turning teens into gurgling vomitarioms of puss and blood. This film takes place a few short seconds after the first one as we see the original hero explode onto the front of a school bus right before the title sprawls across the screen, which then leads to a cute animation explaining how the tainted water has been bottled and shipped to a high school in a neighbouring town. From there we have a slight love-triangle story that is peripheral to the fountains of gore that fill the screen.
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