Posted in: Disc Reviews by Gino Sassani on August 7th, 2015
"There can be no murder in paradise."
That was the stand of the Soviet Union's ruling party during the Cold War. They believed that murder was a capitalist crime. So what happens when a serial killer is killing young boys up and down the railway? That's the premise of Lionsgate's Child 44. It's based on the Tom Rob Smith novel which is part of a trilogy based on the character Leo Demidov. The story itself was based on an actual Soviet Union serial killer named Andrei Chikatilo, who is suspected of killing over 50 children in the 1970's. To set the story apart from other "true crime" entries, the facts were fictionalized and moved deeper into the Cold War era of the 1950's and a post-war Soviet Union at the peak of its power and world influence. It was their own "great experiment", and it was considered fatal to admit to the world that such base crimes and instincts existed in such a utopia.
Posted in: Disc Reviews by J C on August 4th, 2015
“Who would ever suspect a kid?”
When I glanced at the Blu-ray cover for Barely Lethal — with its groan-worthy pun of a title, girl power, and generous splashes of hot pink — I didn’t really expect it to be my thing. (Ok, fine…groan-worthy puns are *totally* my thing.) So while I may not be the intended audience for this independent action/comedy, I have to admit its charms snuck up on me the same way one of the film’s disarming young killers might catch a target by surprise.
Posted in: Disc Reviews by Gino Sassani on July 23rd, 2015
"You wanna see something cool?"
If you're old enough to remember audio tape, you might be old enough to remember Memorex. If you remember Memorex, you should recall their popular slogan: "Is it live or is it Memorex?". Of course, the idea was that the tape quality was so good you couldn't distinguish it from the real thing. What if robotics and artificial intelligence reached that same plateau? The point where you could not tell the difference between an actual human being and an artificial one. The threshold is determined by something called a Turing test. And that's exactly what writer/director Alex Garland presents you the audience with in Ex Machina. The question is, did it pass?
Posted in: Disc Reviews by J C on July 13th, 2015
“I wanna tell you something. I've been a bad man...I've been a very bad man most of my life. So, I decided I want to do one thing in my life. One good thing in my life before I die.”
Those words are spoken by elite contract killer John Alexander at the start of Absolution, a straight-to-DVD offering that is largely cobbled together from the spare parts of other junky action flicks. The film stars Steven Seagal, who was a very bad man on-screen during his early '90s heyday. John wants to do one good thing before his time is up; coincidentally, all I want is for Seagal to make one action movie that at least comes close to recapturing the spark that made him a star. Absolution is not that film.
Posted in: Disc Reviews by J C on July 7th, 2015
Maggie is a slow zombie movie. You might assume I'm describing where this film falls on the fast zombie vs. slow zombie spectrum. (For the record, the monsters in Maggie do move at a decidedly deliberate pace.) However, the deliberate pace also applies to the way first-time director Henry Hobson unfurls his story in this bleak zombie drama. Everybody in this film — including a playing-against-type Arnold Schwarzenegger — shuffles and lumbers their way through their lives, whether or not they've been infected with a lethal virus. In other words, this is pretty much the last thing you'd expect from a movie that has both Schwarzenegger and zombies...and that's a big reason of why I dig it.
The action picks up a few months after the worldwide outbreak of the Necroambulist virus. I find this to be a curious and interesting time to check in on a global catastrophe. (Think 28 Weeks Later.) Most films either dramatize this sort outbreak as it's happening and our heroes try to prevent it, or they are post-apocalyptic stories that don't begin until well after the world has been laid to waste. As a result, Maggie can probably be best described as “mid-apocalyptic.”
Posted in: Disc Reviews by Gino Sassani on July 6th, 2015
"During the long, dark period of the Great Wars, an elite class of soldier rose from battle. Their unbreakable code was simple: possess a noble heart of courage, right conduct, and absolute devotion to one's master. From out of those years of bloodshed an empire would emerge. Its power would assimilate persons of every color, creed, and faith. This uncontested rule eroded the traditions of the great knights... but not for all."
Last Knights is an ambitious direct-to-video production. It sports a rather elite class of actors headed by Morgan Freeman, who adds a ton of gravitas to any role he plays. The sets and computer-generated extensions provide the film a rather stirring environment in which to tell an epic tale that owes more than a little to the classic Ronin 47 story. The snow-driven locations in the Czech Republic provide that final sweet element that takes this film far above the usual kinds of films we find in the direct-to-video market.
Posted in: Disc Reviews by J C on June 29th, 2015
It honestly took me a while to get over the opening shot of The Forger. The shot itself is rather unremarkable: it's a simple close-up of star John Travolta sitting in a small room by himself and staring straight ahead. But between his ridiculously obvious wig and the waxy texture of his face — the actor now looks like he's wearing a Michael Myers-style “John Travolta” mask — I knew it was going to be pretty difficult to take him seriously, no matter who or what was playing. It's a shame because there's actually a pretty decent family drama to be found within The Forger.
Turns out Travolta is playing Ray Cutter, a Boston-based, world-class art forger who has 10 months remaining on a five-year prison sentence. With the light at the end of the tunnel in sight, Ray suddenly decides 10 months is too long to wait, so he makes a deal with local crime boss Keegan (Anson Mount) to pay off a judge and get out of prison early. In exchange, Keegan forces Ray to forge Claude Monet's “Woman with a Parasol”, steal the real thing from a local museum, and replace it with the forgery. So why would Ray indebt himself to a volatile mobster instead of merely serving out the rest of his sentence?
Posted in: Disc Reviews by J C on June 17th, 2015
I’m hard pressed to think of a movie star who is better at playing rich a-holes than Michael Douglas. He’s played a Murderous Rich A-Hole, a Rich A-Hole Who Gets Put In His Place, and a Self-Destructive Rich A-Hole, to name just a few. And that’s not even counting his Oscar-winning turn as Gordon “Greed is Good” Gekko, the Definitive Rich A-Hole. It’s tempting to tidily sum up Beyond the Reach as “Gekko’s Got a Gun.” Unfortunately, what starts out as a picturesque two-hander becomes more preposterous as it goes along before completely flying off the rails in the final act.
The larger-than-life corporate shark Douglas plays this time around is named John Madec. He hires a young, talented, brokenhearted guide named Ben (Jeremy Irvine) for a hunting expedition in the Mojave Desert. Director Jean-Baptiste Leonetti and screenwriter Stephen Susco let us know Madec is a jackass before we even lay eyes on him; as Ben walks into the local sheriff’s office to meet Madec, we see his monstrous Mercedes truck taking up three parking spaces outside.
Posted in: Disc Reviews by J C on June 11th, 2015
“That’s your job as The DUFF…Designated Ugly Fat Friend.”
Let’s just get this out of the way right at the top. The idea that Mae Whitman — or any other actress cast as the lead in a mainstream Hollywood movie — is “Ugly” and “Fat” is absurd. (Not to mention entirely subjective.) So it’s tempting to dismiss The DUFF as the latest bit of evidence that there’s no truth in advertising. But then you’d be missing out on a charming teen comedy that grabs the snarky underdog baton previously held by the likes of Mean Girls and Easy A.
Posted in: Disc Reviews by J C on May 27th, 2015
“Welcome to Cut Bank, MT. coldest spot in the nation.”
When you make a darkly comic crime thriller that centers around a bunch of bumbling schemers and a single, righteous cop — and then you name that movie after a frigid, real-life city in the northern part of the U.S. — the comparisons to Fargo are simply impossible to ignore. Thankfully, Cut Bank is buoyed by its own dry, lively cast of characters who are brought to life by a nimble set of performers.
