Mill Creek Entertainment

"Our Milky Way Galaxy is just one among billions of galaxies in the universe. In every way an ordinary galaxy. It's 100,000 light years across. There are hundreds of billions of stars here. Lost inside this huge swarm is one average-sized star. As stars go, it's quite unremarkable. Nevertheless, it's the most special place in all the cosmos. Orbiting this star is the only place we know in all the universe to harbor life."

Of course, that place is Earth, and while we can't say for certain, it is truly unlikely to be the only place in this vast universe or even this galaxy to contain life. We might one day have to rethink exactly what that term means one day. But for now, Earth is the only place we know that supports life.

IMAX films are the perfect source material to show off the capabilities of the UHD Blu-ray/4K format. Most of the films we watch in theaters today have been shot around 2.8 K and mastered at just 2K. A 35mm film actually shot on film has a native resolution of 4K. The IMAX film format uses 65mm and 70mm film that increases its native resolution well beyond our 4K televisions and players. They are relatively short and have a ton of bandwidth to deliver the best possible image and audio. Shout Factory discovered this as soon as the format was launched, and Upcomingdiscs was there to check them out. Now there's a new player in the IMAX UHD business, and it's Mill Creek Entertainment. They get it, and so now you can expect a few of those gems coming your way from Mill Creek. The first one that I've had a chance to see is Journey To The South Pacific, and it's sweet.

“Oh, he’s better than good…he’s a Crumb!”

Our parents always told us that we shouldn’t have too much Candy. The late comedy legend John Candy spent most of the 1980s either playing a scene-stealing sidekick (Splash, Spaceballs) or sharing top billing with fellow funnymen like Steve Martin (Planes, Trains & Automobiles) and Dan Aykroyd (The Great Outdoors). In 1989, Candy released four films and graduated to solo leading man status. One of those movies was Who’s Harry Crumb? a kooky caper that hasn’t aged very well but still serves as a showcase for Candy’s talents.

Harry Crumb (Candy) is the bumbling black sheep in a long line of private investigators who established a successful agency in Los Angeles. Eliot Draisen (Jeffrey Jones) is the slimy current head of the agency who assigns Harry to a case involving the kidnapping of multi-millionaire P.J. Dowling’s (Barry Corbin) favorite daughter. Why would Eliot assign an inept private eye like Harry to such a high-profile case?

So this was not one of Nalyce’s favorite films to watch, but she was a trooper and watched it till the end. Benji Off the Leash is a digitally remastered telling of the 2004 film. To its credit, the story surprising holds up. Even more to its credit, my daughter was actually able to follow the story. I mean, I had to explain certain parts, like who was Benji? And explain the profession of dog breeding, a profession she automatically decided was a bad job given that to her eyes it broke up puppy families. However, once we cleared that hurdle, we were able to continue the movie. Full disclosure, my knowledge of Benji beforehand was nonexistent. I mean, I knew the name, but not the significance. Fortunately for me, there is a decent opener so that I could catch up.

You can’t call your TV show Masters of Sex and not expect to elicit a few chuckles. (You also can’t be surprised if people go looking for it on Skinemax Cinemax rather than Showtime.) But placing its titillating title aside, Masters of Sex turned out to be an engaging, often-excellent, and low-key adventurous period drama for four seasons. The show shined brightest when it was conveying the thrill of discovery and exploration. (Also, it turns out there was a fair amount of sex.)

“We take a look back at the films that helped shape, change, and innovate the world of documentary.”

Between the rise of streaming services like Netflix and the growing number of nonfiction films making noise at the box office, documentaries have never been hotter…or more accessible. At the very least, they certainly don’t feel like the cinematic equivalent of eating your vegetables anymore. As a result, this feels the perfect time for Mill Creek to release the first two seasons of IFC’s obsessively hilarious comedy series Documentary Now!

When it comes to films about man vs. nature, we typically see films where they are defending themselves in the wild where weather and predators are the biggest dangers they have to face. (The Grey and The Revenant are the titles that first come to mind.)  In the new release Flora, writer/director Sasha Louis Vukovic is here to show us that there is more to fear than wolves and bears, but how deadly pollen can be.  Somewhere I can imagine M. Night Shyamalan is happy to see that someone else has tackled this subject since his disastrous film The Happening made a whimper at the box office years ago.  Fortunately for Vukovic, he didn’t make the same mistakes and instead has crafted a film that is perhaps one of the more realistic horror scenarios that has come out in some time.

Everybody has their own group of favorite comics. I got plenty of classics that I always love to watch like Robin Williams, Richard Pryor, George Carlin, and so forth. But we all have that one comic that we do not readily talk about in open groups or even with family. However late at night, maybe a drink in, and when nobody is looking (at least your wife anyway) we turn on and laugh our posterior off with. For me, that’s Bobcat Goldthwait. The movie is of course, Shakes the Clown.

When certain stories become public domain, you just have to expect that there will be a lot of people creating their own “unique” versions of the same tale all in the name of making a few bucks.  When it comes to adaptations of Mary Shelly’s Frankenstein, I think we can all agree every attempt to tell the story has not been in the name of preserving the art.  What I do find surprising: despite all the attempts to bring the story to the screen, there still isn’t a version that I can say is a perfect retelling of the tale, though each may have its pros, for the most part it just never seems to translate well.

Don't you ever get tired of vanilla?”

There's a special breed of '80s movie that appears hopelessly dated on the surface yet remains impulsively watchable. (Insert your own, “So you mean *every* '80s movie?!” joke.) The Legend of Billie Jean — with its hilarious-in-hindsight fashion and Pat Benatar theme song — certainly fits the “trapped in the '80s” bill. However, the 1985 film — now making its Blu-ray debut courtesy of Mill Creek Entertainment — still manages to entertain by tapping into the timeless spirit of teenage rebellion.