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The Intern tackles a pretty important issue. Age gaps are the elephant in the room that no one wants to acknowledge. The issue is confusing to address, because a lot of people don’t even know what age group they belong to or don’t care. But the differences are very real, and they cause enormous alienation and division. Baby Boomers and Millennials are two examples which are represented here by Robert De Niro and Anne Hathaway, who has a daughter starting the first grade, so another age group is represented. To be clearer, Baby Boomers are born between 1946 to 1964, Generation X 1965 to 1980, Generation Y/Millennial 1981 to 2000 and Generation Z/Boomlets after 2001.

Everest is an existential film. It could be one of the most beautiful travelogues you've ever seen, but it is far more than that. Its beauty and majesty are perfectly enhanced by 3D, but the true significance has to do with the mysteries of the soul. What drives men to do things that they have no business doing? What makes them climb a mountain whose summit is at the height that 747 jets fly? The old answer that is always used is, “Because it's there”. Obviously, the reasons run much deeper. There is a void in many people that they can only fill by doing the impossible. They look for accomplishments and knowledge that will hopefully give life meaning

In our experience, almost everything ends in death.”

Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.

In 2012 Sinister had its release and horror fans seemed to be divided on the film.  For me, I dug the mythology of Bughuul, an evil spirit who appears in 8mm family films that seem to always end in some new gruesome way.  He’s a character the horror genre needs, as I see him as a silent hybrid of Jigsaw (from the Saw franchise) and Freddy Krueger (from the Nightmare on Elm Street franchise), where he’s a killer who gives us unique kills in some unsettling locations.  Now with the release of Sinister 2, do the filmmakers step up their game and deliver us more from the possible new icon of horror?  Sort of; just not how I would have expected it.

Yak: The Giant King is a 2012 animated offering from Thailand. It is based on Ramakien, the country’s version of a famous Hindu epic poem. Neither of those facts is readily apparent in the packaging and presentation of The Giant King, an American adaptation that was recently released on DVD. On the one hand, it helps explain why the dialogue here hardly ever matches the characters’ lip movements. But knowing that this crude, chintzy offering is actually based on something rather substantial makes it even more of a letdown.

Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1.

"I'm under some medication for a medical condition so I may not be seeing this correctly. But I'm pretty sure I might be seeing some of your students possibly eating Mr. Peterson. Again it could be the medication." 

Cooties starts out with the grossest sequence in the entire film. You might not want to start this film if you're eating, particularly if you're eating chicken nuggets. Ben Franklin once warned us that there were two things one should never see made: laws and sausages. He might just as well have been talking chicken nuggets.

"The techniques change, the victims change but it's still a question, "How do these things happen? How are they institutionalized?" 

“I was just following orders.” It was the plea heard by too many of the Nazi war criminals during their trials following World War II. It wasn't enough to spare them the consequences of their actions, of course. Six million people were exterminated, experimented on, or tortured. The excuse just didn't hold water. But was it at all valid? Could an otherwise "good" person be turned into something evil just because someone in authority told them to do it? Just how far would an average human being go toward hurting another person whom they have no provocation to hurt just because they are told to do so?

I just have this sick feeling that something awful is going to happen.”

I pride myself on being able to keep a reasonably open mind when I pick up a new title to review. But sometimes I can’t help but judge a crappy movie book by its cover. That was actually the case with Kill Game, featuring an androgynous Michael Myers-lookalike brandishing a bloody knife on its cover. I was fully prepared to roll my eyes through this movie, which also nods to Saw, I Know What You Did Last Summer, and The Big Chill (a little). Much to my surprise, I found myself kinda-sorta getting into this twisty, nasty, low-budget slasher.

"A good family business is not the same as a good family." 

You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight: this Showtime series looked to be something very special... and it has gotten better... perhaps a lot better.