Posted in: Disc Reviews by Brent Lorentson on June 29th, 2021
Long before super-hero films became the rage of American cinema, the Western was the original bread and butter that would draw in its audiences to flock to the silver screen. Hollywood cranked out so many Westerns I seriously doubt anyone knows just how many of these films were shot by the studios, not to mention the others that were re-cut with scenes inserted with new stock footage just to re-title a film and put it back out onto the screen. There are some directors that elevated the genre, John Ford, Howard Hawks, Clint Eastwood, Sam Peckinpah, and then there’s John Sturges who is mostly famous for helming The Magnificent Seven and The Great Escape. Sturges had a strong 30 year career directing and though he had a few misses when his films were good they were really good so when the offer came along to review one of his Westerns I hadn’t seen I was happy to jump aboard to review the Last Train From Gun Hill.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2021
Just in time for the first days of shooting on the next and final Indiana Jones film, Paramount cashes in on the renewed interest with the long-awaited, at least from this reviewer, release of the first four films in the Indiana Jones franchise on UHD Blu-ray in full ultra high definition complete with HDR and Dolby Vision. OK, I lied about the long-awaited four films. Most of us have long-awaited two out of the first four films, but Paramount gets that. That's why the original Blu-ray release and again the 4K release doesn't give you the option yet to just pick the two you want. If you want Raiders Of The Lost Ark and Last Crusade in 4K, you're stuck with the other two. I'll take that deal, and you should, too. Here's why.
Posted in: Disc Reviews by Brent Lorentson on June 18th, 2021
Ever since the release of Godzilla in 2014, just the possibility of this film has been highly anticipated. The last time we got to see these two titans go head to head, it was in the 1963 version of Kong vs, Godzilla. Sure, it has some value as a campy romp, but you’ll have a difficult time convincing anyone that it was actually a good movie. No matter what fans may think of the new Monsterverse that we’ve gotten, I feel what can be agreed upon is that each of the films has given us an impressive look at these monsters, not just in their design, but in their fights. While I’m pretty open about my affection for these titans and how happy I am to see them finally get their due beyond the man-in-suit films (which of course I still enjoy and adore), it’s still no surprise to me that the weakest parts have always been the human aspect of the films.
Posted in: Disc Reviews by Archive Authors on June 4th, 2021
By David Annandale
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines, and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself. I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished
Posted in: Disc Reviews by Michael Durr on June 1st, 2021
When I was in grade school, I remember reading High King, the fifth book in the Prydain Chronicles, as part of a reading assignment (since it was a Newbery Award winner). I also at some point watched Black Cauldron in my youth, but I'm pretty sure it was on a crummy VHS tape. Anyhow, many years later, with an old friend, I was gifted a treasured copy of Prydain Chronicles (all five books in a hardback format). Being much older, I took the time to read the entire hardback collection, and ever since then I've been tracking down related items including the Black Cauldron movie from Disney to revisit. It might not be the wonderful series of books, but it's still an excellent movie on its own accord. Let's explore the recent release from the Disney Movie Club.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2021
"I can see it now... Supernatural: The End. And the cover is just a grave stone that says 'Winchester'. Fans are gonna love it. Welcome to the end"
The brothers made an emotional announcement during the airing of the previous season that the 15th year would be the final season of the show. It's hard to believe that we'll soon know a television landscape without the Winchester brothers. It's the last show that goes back to the original WB Network that eventually lead to the current CW Network that has become more and more the home of the Warner Brothers-owned DC Comics television universe. But in the middle of speedsters, archers, aliens, and time travelers, there was always room for the Winchesters. It'll be a bit of a culture shock to have them gone.
Posted in: Disc Reviews by Michael Durr on May 28th, 2021
On December 15th, 1967 the Silver Bridge which connected Point Pleasant, West Virginia to Gallipolis, Ohio collapsed under the stress of rush hour traffic and killed forty six people. Later on, it was determined that the collapse was due to a small defect only .1 inches in a single eyebar in one of the suspension chains along with poor maintenance. However, sightings of the Mothman during that time period had citizens attribute this disaster to a far more sinister cause. That led to a book in 1975 by John Keel. Twenty seven years later, the film The Mothman Prophecies would be released based on these events. Let's take a look at the Imprint #39 release arriving on blu-ray.
Posted in: Disc Reviews by Archive Authors on May 25th, 2021
By John Ceballos
“She’s quite a common girl, very common indeed.”
Of course, we don’t need 50 years of hindsight — or more than 100 years, if you want to go all the way back to the original 1913 staging of George Bernard Shaw’s “Pygmalion” — to know that there’s nothing common about cockney flower girl Eliza Doolittle. And there’s nothing ordinary about 1964’s My Fair Lady, the beloved Oscar-winning musical that now gets an uncommonly (but appropriately) lavish ultra-high-resolution release. Chances are you know the story. But even if you don’t, its rags-to-riches DNA can be found in everything from Cinderella to Pretty Woman. In early 20th century London, Henry Higgins (Rex Harrison) is a brilliant and unbearably arrogant phonetics scholar who can spot a person’s place of origin simply by hearing them utter a few words. Higgins is fascinated by the English language
Posted in: Disc Reviews by Gino Sassani on May 18th, 2021
It started in 2013 with Justice League: The Flashpoint Paradox. DC decided to follow the Marvel MCU model and release a series of DC property films in a 16-film phase that ended last year with Justice League Dark: Apokolips War. After 16 films with a couple of branch-offs, that phase/story has come to a close, and a new phase begins with Justice Society: World War II. The stories were pretty much based on the New 52 reboot of the DC comics universe. There have been some exceptional films in the series and a couple of duds. The animation styles varied and conformed to the type of story being told. With the release of Justice Society: World War II we enter a new phase, and so far the theme or source of the new films hasn't been revealed. We know the next two films will be based on the Batman: The Long Halloween comic. After that it appears the DC folks' lips are sealed. While that two-part adventure looks quite enticing, the new series of films opens with a very average entry.
Posted in: Disc Reviews by Gino Sassani on May 13th, 2021
After filming Cold Pursuit in 2019, Liam Neeson announced he was done with his flirtation with action films. They had opened a new genre to the actor starting with Taken and created a nice boost to his career as an unlikely action star. He said he had some reservations about the genre. It didn't help that he revealed at the same time that he once roamed the streets looking for a black man to kill over the rape of a friend. It looked like it wasn't just action films that were over for the actor. I honestly expected there to be more trouble than there was, given the current climate. Somehow he kind of got a pass after apologizing for the remark. But he wasn't being offered the kind of high drama roles he was expected. So in less than a year he was back as an action figure, and that appears to be something he won't really be quitting in a long time. I get it. I was about to attend my fourth Elton John farewell concert since the first one back in the early 70's. There's something about getting the bug deep in your bones that makes it hard to let go.
