Warner Bros.

"Did that just happen?" 

I have to confess that I entered The Judge expecting a different kind of film than I actually saw. After seeing the trailer, I was reminded of some of the classic courtroom dramas I'd seen over the years, from 12 Angry Men through ...And Justice For All. On the ride to the screening I found my mind was swimming with the "closing arguments" Al Pacino delivered in ...And Justice For All and was trying to image how Robert Downey, Jr. was going to try to top that.

"Since the beginning of civilization, dolls have been beloved by children, cherished by collectors and used in religious rites as conduits for good and evil."

The Conjuring was one of the best horror movies to come along in years. Why? Because it was a good scare with a story that didn't totally insult our intelligence or leave us scratching our heads too many times. The movie also dealt with its own red herring of sorts in a possessed doll kept under wraps by that film's hero couple.

Everybody's sad or angry or lying or cheating.”

That seems to be the state of the four adult Altman children even before they are thrust back together following the death of the family patriarch. This Is Where I Leave You has all the makings of a great dysfunctional dramedy. It has a terrific cast and is based on the very popular book by Jonathan Tropper, who wrote the screenplay. Yet the movie comes up well short of delivering on its promise. Despite some strong acting, a handful of funny beats, and a passing similarity to another ensemble movie where characters who were formerly close are brought back together by a funeral, this movie is less Big Chill and more “Big Shrill.”

Breaking news: anyone who goes to see movie called Into the Storm is probably more interested in “the Storm than they are in any of the people running away from it. The good news is the film understands this, to an extent, and clocks in at a slender 89 minutes. Of course, the titular Storm doesn’t appear for every one of those 89 minutes. This is very bad news because Into the Storm is populated with characters and storylines that are both forgettable and irritating. It’s basically Twister with somewhat better effects, but much less interesting people.

“You sell 100 million records, and see how you handle it.”

If you’ve ever seen an episode of Behind the Music — or followed popular culture at all in the previous century — then you probably know artists tend to not handle that level of success very well. However, the rise and (inevitable) fall of the original Four Seasons lineup is unique for a number reasons. Unfortunately, very few of those reasons are captured in Jersey Boys, Clint Eastwood’s oddly lifeless, workmanlike adaptation of the joyous, wildly popular Broadway musical.

Everyone on TV has nicer clothes and a bigger home than you do. And I’m not just talking about fictional doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. Need proof? The 2 Broke Girls in CBS’s hit sitcom have an apartment that is literally big enough to fit a horse. (Hi, Chestnut.) Season 3 brings a new pet (Ep. 3/“And the Kitty Kitty Spank Spank”) and briefly threatens to remove Max and Caroline from their home (Ep. 22/“And the New Lease on Life”). I don't think I'm giving anything away by saying things work out in the end. By now, the show's crass predictability has become oddly comforting.

"What I am about to tell you sounds crazy. But you have to listen to me. Your very lives depend on it. You see, this isn't the first time."

No, this isn't the first time. Tom Cruise seems to be making a habit of these science fiction action movies of late. There was Oblivion and War Of The Worlds, and quite frankly Edge Of Tomorrow looked to be pretty much more of the same. But there's a huge difference between this film and the previous two. Edge Of Tomorrow is actually good. What looks on the surface to be just Groundhog Day with futuristic toys turns out to be a redemption story that I actually never saw coming.

"Prisoners of the ARC, hear me now. You've been given a second chance, and as your Chancellor, it is my hope that you see this as not just a chance for you, but a chance for all of us, indeed for mankind itself. We have no idea what is waiting for you down there. If the odds of survival were better, we would've sent others. Frankly, we're sending you because your crimes have made you expendable."

It's 97 years ago and nuclear holocaust has made life on Earth unlivable... at least that's what most people believed.

Politics, backstabbing, murder...just another day at French court.”

The creators of Reign — the CW's campy, compulsively-watchable adaptation of the Mary, Queen of Scots saga — seem to be perfectly aware of their audience. I don't think I'm talking out of school when I say no one turns to the CW — home of DC heroes, vampires, and other Supernatural beings — for gritty realism or historical accuracy. So it really shouldn't be a surprise to find the monarch's life has been turned into a handsome, soapy, frequently ridiculous drama that will nevertheless make European History teachers around the world facepalm in unison.

In case you’ve been hiding beneath a rock the past few years, The Big Bang Theory isn’t just a hit TV show, but instead it’s a show that has ingrained itself into pop culture.  You can go out to most major retailers and find shirts with “Bazinga”, and I’m willing to bet at least one of your Facebook friends has posted a GIF on their feed about the show.  It’s a show I told myself I wouldn’t get caught up in because I was so sure it was nothing more than a fad.