Posted in: Disc Reviews by Gino Sassani on October 20th, 2021
"Scared yet? You should be."
There have been a ton of changes in the Arrowverse that started in 2012 with the CW premier of Arrow. It told the story of Oliver Queen, The Green Arrow. Other shows and heroes were added along the way that included time-traveling heroes of The Legends Of Tomorrow, Supergirl, Black Lightning, Stargirl, and most recently Batwoman and Superman and Lois. But the best of these Arrowverse shows has always been and continues to be The Flash. But a lot has changed since then. The mothership, Arrow, has been gone for two years. Supergirl ended last season along with Black Lightning, and Legends Of Tomorrow appears to be fading fast in just plain silliness. Too bad DC doesn't own the rights to Howard The Duck. He'd fit right in. Of the new shows, Stargirl shows a lot of promise with a pretty solid ensemble. Batwoman, for so many reasons, is a complete mess, and Superman & Lois looks to be the most promising future of the Arrowverse.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2021
"There's a war coming to Gotham, and now there's no Batwoman stop it."
Well ... that's halfway true. After just one season in the cape and cowl, Ruby Rose rather abruptly quit the show. That's a pretty big red flag when you lose your titular star and character after just one season. For many shows that might have been the end of the road. Not true for Batwoman. They had several choices. They could have recast the part and just pretend it's the same character with a new look. They could have killed the character off and found a new one to replace her. Of course, with the multiverse now closed down, the most likely option of replacing her with another Earth's Kate Kane might have been the best option.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2021
"I must admit I didn't think much of Andy first time I laid eyes on him; looked like a stiff breeze would blow him over. That was my first impression of the man."
Our first, middle, and last impression of writer Stephen King has always been one thing. He's considered the King of the Modern Horror Novel. Pretty much everything he has ever written has found its way to the small or large screen and often with various versions over the years. The problem is that King is such a visceral writer, and his novels tend to be so long that it's very difficult and damn near impossible to translate a good King story for television or the box office. No matter how hard some of the best filmmakers have tried, an alarming number of King's written masterpieces have fallen flat at the box office.
Posted in: Disc Reviews by Gino Sassani on September 18th, 2021
When Justice League hit the box office in 2017 it was met by relatively good box office numbers but not warmly received overall. It was a troubled shoot. During production Zack Snyder had to leave the director's chair when his daughter Autumn passed away. When you consider how hard the folks at DC have been chasing the Marvel Cinematic Universe, it was no surprise that they brought in Joss Whedon to pick up the pieces and finish the film. Whedon, of course, directed the first Avengers film for Marvel, which turned into the perfect example of how to bring a diverse group of heroes together for a film. Whedon was also the king of the ensemble cast from his early days on Buffy The Vampire Slayer and later Firefly. The first problem was that Whedon and Snyder have very polar opposite styles. Snyder rules with tons of angst, darkness and brooding characters.
Posted in: Disc Reviews by Jeremy Butler on September 9th, 2021
It would seem that the animated film and the 2021 live-action film suffer from the same issue: more time is dedicated to setting up the tournament than the actual tournament itself. I suppose I should take solace in the fact that the two are consistent; however, I’m afraid that is not the case for me. I would have much preferred that proper time be allocated to what is supposed to be the main plot of the film. The whole point of this franchise is to show champions fighting to protect the Earth realm, but it would seem that more time is shown depicting the underhandedness that the other realms attempt to use in order to secure Earth realm by other means. If that was the case, hell, why even have a tournament, if our fate is going to be decided through other measures. OK, that is my little rant about the film, but in truth, it is not a great film, but I wouldn’t go so far as to categorize it as terrible one. There are a few things to enjoy about it. Want to know more? Keep reading.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2021
Every decade or so sees the popularity of a Broadway stage show become something of a cultural phenomenon. When I was young, Cats and Annie were the big-event shows. Over the years it's been Andrew Lloyd Webber’s Phantom Of The Opera, and more recently, Rent. In these last few years the stage champ has been Hamilton, written by Lin-Manuel Miranda. To say that it has been one of the more popular shows in the last few years would be an understatement. Based very loosely on the historical life of Alexander Hamilton, it is still currently the hardest ticket to get in New York City. Lost in the excitement and fame over Hamilton is that Miranda has had another rather large success with In The Heights. The play was selected best musical in 2003. While it never did come close to the success of Hamilton, it was also once a hard ticket to obtain. Just one year after Hamilton made it to the big screen, In The Heights will get its chance to offer moviegoers something to help bring them back to the cinemas.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2021
What James Wan did with The Conjuring (2013) was something I don’t think anyone expected, he didn’t just deliver a haunted house film that’s genuinely scary as well as being a technical achievement, but also he kicked off a successful franchise that’s now seven films deep with no signs of stopping. I’ll admit when it comes to the stories about Ed and Lorraine Warren I have a bit of a bias. I’m a sucker for just about any and every paranormal show out there, and I’ve read numerous books about the Warrens and their case files. Everything from the “true” story behind the Amityville house, the “real” Annabelle, to some of the not-so-famous cases (at least the ones we haven’t seen a movie about). Whether you believe in the paranormal or feel the Warrens were nothing more than skilled hoaxers, the stories behind their cases are the stuff that will always make for a great campfire story, and as it’s been proven, some successful and entertaining films.
Posted in: Disc Reviews by Brent Lorentson on July 25th, 2021
It continues to amaze me how well Warner Brothers does with their DC products in the television universe but manage to execute so poorly with their films. Despite being a bit formulaic, the CW DC shows are still a blast to watch but it’s the more adult oriented shows Titans, Doom Patrol and Swamp Thing that have left me most impressed. Now they have released Pennyworth for the Starz Network, despite the confidence I have in the other shows I went into this one with cautious optimism. The biggest question that bothered me was do we need another series that delves into the Batman universe? Gotham recently wrapped up, there’s a Batwoman series, Joker was only 2 years ago and a new Batman film coming next year, not to forget all the other incarnations of the Dark Knight. What had me interested though is the notion of finally getting to see Alfred Pennyworth as the former SAS officer in his prime and the chance to see how he became entangled with the Wayne family. Was the series a letdown or yet another success for the DC television universe?
Posted in: Disc Reviews by Jeremy Butler on July 21st, 2021
"Throughout history, different cultures all over the world reference a great tournament of champions. That dragon marking, I think it's an invitation to fight for something known as Mortal Kombat."
While I do rate this adaptation of the popular video game better than its incarnations that came before it in the 90s, I still wouldn’t categorize it as a great movie. It’s a bit too short on explanation to reach that level. It starts off promising with a showdown battle between the two most popular characters of the game, played by Joe Taslim (Sub-Zero) and Hiroyuki Sanada (Scorpion). The fight is everything that I expected it to be; well-orchestrated with the right amount of bloodshed. However, as the story goes on, the quality of the storytelling takes a hit as the film takes the position that the audience is already well-versed in the backstory of the film.
Posted in: Disc Reviews by Brent Lorentson on July 6th, 2021
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials, I wasn’t all that thrilled. I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I might have had in different circumstances. I was definitely pessimistic about watching the , but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons, and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series. Season 2’s can be a make-or-break for a lot of shows. Expectations have been made by the audience, and sometimes things just fall apart, but sometimes there is the rare occasion where Season 2 manages to only get better. I’m happy to say in the case of His Dark Materials, things definitely improve.
