Posted in: Disc Reviews by Gino Sassani on November 28th, 2012
"I promise you the secrets of the universe, nothing more..."
It's been an astonishing 15 years since Will Smith and Tommy Lee Jones first teamed up as Agents J and K respectively for the intergalactic police force Men In Black. The film was like a breath of fresh air. It combined top-flight science fiction fantasy with whimsical humor. It was a hit at the box office, and like most wonderfully original hits it was quickly followed by a sequel that had almost none of the cleverness and freshness of the original film. The film was so unmemorable that I sat with other critics getting ready to see Men In Black 3 and none of us could actually remember what the second film was even about. Years went by and most of us put the franchise in our rearview mirror.
Posted in: Disc Reviews by J C on November 28th, 2012
"In 1920 they passed the prohibition act making the sale of alcohol illegal. Well... at least it was supposed to be."
I know what you’re thinking, and I was also incredibly disappointed to learn this film was not a biopic of Xena: Warrior Princess actress Lucy Lawless. (This hypothetical film would obviously star the ageless Kiwi, because the actress still looks incredible.) Fortunately, Lawless makes up for its startling lack of Lawless by being one of the better films I’ve seen this year.
Posted in: Disc Reviews by Gino Sassani on November 16th, 2012
"So no one told you life was gonna be this way. Your job's a joke, you're broke, your love life's D O A. It's like you're always stuck in second gear. When it hasn't been your day, your week ,your month or even your year. But I'll be there for you..."
And for ten years and 236 episodes, they were there for you. It was part of NBC's famous Must See TV Thursday Night. The show has been a perennial Top 10 placeholder in the Nielsen ratings. Who would have ever imagined that a show about six twenty-something (now thirty-something) friends would cause such a commotion? The show has thrived on a very simplistic premise – a group of six friends hanging out together in New York City and more or less enjoying themselves. The setup immediately connected with Gen X’ers and spread like wildfire. The rest, as they say, is history.
Posted in: Disc Reviews by Brent Lorentson on November 16th, 2012
To be a cannibal or not to be? That seems to be the question we will all have to ask ourselves if we ever go on to live in a post-apocalyptic society. Sure it’s in the name of survival, but can things really get so bad that one day I could be huddled up with a group of survivors and everyone wondering whose the next to keel over and if there are any special recipes someone would like to try out? Remember it’s all in the name of survival, and in the words of Andrew Zimmern, “If it looks good, eat it!”
The Day isn’t just a movie about cannibals; in fact they are simply in the background for the story of five survivors trying to make it day to day in a cruel, unforgiving landscape. It’s never made clear what has happened to the world our survivors live in, but it’s understood that a large portion of society is dead, and those that remain can do nothing more than prepare themselves for the inevitable. These survivalist movies need to be bleak and depressing, because let’s face it, when the world has managed to reach the point of creating a near extinction of the human race, having hope is a bit naïve. And that seems to be what the film makers understood when creating The Day.
Posted in: Disc Reviews by Archive Authors on November 15th, 2012
"Nice Greek girls are supposed to do three things: marry Greek boys, make Greek babies, and feed everyone until the day we die."
If ever a movie could be negatively affected by monstrous box office numbers, it’s My Big Fat Greek Wedding. When a five-million-dollar film rides a tsunami of critical buzz and excellent word-of-mouth past the two hundred million dollar box office gross (finally ending somewhere over $230 million), it’s impossible to see it for the first time completely free of expectation. Perhaps this was my mistake, because I went into my first viewing of the king of sleeper hits excited to a super-duper romantic comedy. …I’m not sure exactly what I was hoping for. Was it a hearty helping of belly laughs? This film offers sparse and modest chuckles at best. Perhaps it was some sort of originality within its predictable story arc. Instead, this is a by-the-numbers romcom with by-the-numbers romcom characters. Maybe I was hoping for a film that could at least approach capturing the profundity of love, or the reality of struggles with culturally divergent family values. Whatever it was, I felt pretty unfulfilled by the time it was all over, even though I found the movie reasonably enjoyable.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2012
"The ancients spoke of it. It is the heart of this fierce land. It is carried in the wind. Born of our legends, and when we are put to the test, it is the one thing that we must always be."
Readers of this site already know that I have a particular fondness for most of the films that have come from Pixar. The studio pretty much invented the computer-animated feature film, and they've been setting the bar higher with each new release. I've always thought it was rather fitting that the studio ended up as part of Disney. After all, it was the Mouse House that invented the animated feature to begin with. It all has a certain poetic destiny feel for me. Pixar is still leading the cutting edge. My favorite to date has been Monsters, Inc., and I am eagerly waiting for the Monsters University prequel, which is now only a year away. In the meantime, the powers that be over at Pixar have tossed us yet another original story: Brave.
Posted in: Disc Reviews by J C on November 13th, 2012
People make fun of us Floridians for a variety of reasons. (Some of them don’t even involve our performance in presidential elections.) One of the most popular ways out-of-staters in the northern part of the country — as well as our Canadian readers — mock us is by chuckling whenever we dash to our closets and dust off our winter wear as soon as the weather dips below 60 degrees. So I can’t even imagine how we’d handle a full-blown Snowmageddon!
Snowmageddon is the latest disaster — in every sense of the word — courtesy of SyFy Original films, which has already brightened countless Saturday nights with tastefully-titled flicks like Stonehenge Apocalypse, Piranhaconda and Snipers vs. Vipers. (Have fun figuring out which one of those I made up. No Googling allowed!)
Posted in: Disc Reviews by Jeremy Butler on November 12th, 2012
“Every man’s got his dark side”
This is the most fitting quote to describe the exploration of Fire with Fire. My intrigue began with the film’s title, I just love that title. Nowadays most film titles have been reduced to using the name of one of the characters or including “the” in the title; it’s refreshing to have a title that encompasses the overall plot of the film. TV director and reputable stunt coordinator David Barrett takes the director seat for his first feature film (a quick IMDB search would tell you that this step was long overdue), and given the all-star cast he managed to put together, he couldn’t have picked a better film to start with.
Posted in: Disc Reviews by J C on November 10th, 2012
After watching Tyler Perry’s Awkward Attempt at Action Stardom less than a month ago, it was oddly comforting to see the multi-media superstar back in his wheelhouse. Don’t get me wrong: I like to see a performer expand his horizons. It’s just that Perry looks infinitely more comfortable in his signature character’s wig and muumuu than tracking down a serial killer and grimly saying things like “I will meet his soul at the gates of hell before I let him take a person that I love from me.”
So it’s no surprise to see the actor/writer/director’s latest in-house production truly comes to life whenever Perry throws on heavy makeup or an outrageous costume. Unfortunately, the rest of Tyler Perry’s Madea’s Witness Protection isn't very good.
Posted in: Disc Reviews by J C on November 4th, 2012
“Quirky, messy women whose problems only make them endearing are not real.”
On the surface, Ruby Sparks could be mistaken for the Manic Pixie Dream Girl biopic no one asked for. In case you’re not familiar with this particular cinematic archetype, MPDG derisively describes any unabashedly artsy, quirky young female character that inevitably brightens the life of a brooding, young male protagonist. However, the quote at the start of this review only hints at the fact that this whimsical romantic comedy isn’t afraid to stare down the ugly side of relationships.
