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We'll get hit again...and it's going to be a bigger monster.”

The character who utters these words in San Andreas is referring to an impending earthquake that could literally rip California apart. But he could just as easily be talking about the summer movie season, when audiences who have just been rocked by a catastrophic quake have to deal with something called “Indominus Rex” a mere two weeks later. San Andreas almost certainly won't end up as the biggest bully on the Hollywood block, but it's a big, dumb, fun disaster flick the whole family can enjoy.

I grew up on the horror comics of the 1970's. Eerie and Creepy were two of my favorites. My father would buy them and pass them down to me when he finished reading them. They were black and white so that they could take advantage of a loophole in the Comics Code and often featured lurid and gory stories of horror and depravity. Probably not the most appropriate reading for a young boy, but I ate them up. Before those comics there were the EC horror comics from Bill Gaines in the 1950's. Titles like Tales From The Crypt and The Vault Of Horror called out to readers with gory and hideous covers. But it didn't really start there. It all goes back to 19th century England and the publication of weekly pamphlets that featured the same kind of ghoulish entertainment for the masses. They were called “penny dreadfuls”, describing the price and the material they contained. That tradition has evolved over the last century or so, and television has taken the place of that kind of literature. It was only a matter of time before that 19th century tradition would be reborn as a Showtime series called, appropriately enough, Penny Dreadful.

The series has used three popular horror novels as its foundation. You'll find characters and situations from Bram Stoker's Dracula, Mary Shelley's Frankenstein, and Oscar Wilde's The Picture Of Dorian Gray. John Logan, who brought us the thrilling Roman adventure Gladiator, takes these basic works of literature and weaves a complicated story that sprinkles in a few other horror elements to bring us something deliciously new. He whips them together in a period piece that is thick with atmosphere. He populates them with incredibly animated characters played by actors that are, for the most part, quite solid in their roles. We were introduced to them in the first season, but we hadn't been given that season to review. So let me give you a rundown of the characters you'll encounter.

“They’re hee-eere”

That instantly-iconic horror movie line — delivered in a cheery, chilling, sing-songy voice by the late Heather O’Rourke — signaled the arrival of malevolent spirits in 1982’s Poltergeist. In 2015, “they’re hee-eere” could just as easily refer to the latest glut of horror remakes. (Thankfully, there’s still at least one *sacred* cow.) That list now includes a new version of Poltergeist, which features some solid thrills and (for better and for worse) sticks pretty closely to the original.

"Listen, my friend. This is going to be very hard to comprehend, but none of what you are seeing is real."

Of course it's not real. It's not really that hard to comprehend at all. This is an animated show, after all. And the figures look like cut-out pieces of construction paper. Of course, we're talking about South Park. What is hard to comprehend, however, is that we're talking about the 18th season of South Park. Few television shows last this long, and only The Simpsons has been around longer when it comes to scripted animated shows running today. That's rare air, indeed.

The last decade hasn’t been too kind to Al Pacino. The man is only one of our greatest living actors, but he’s mostly been stuck appearing in forgettable tripe (88 Minutes) or out-and-out atrocities (Jack and Jill) for the last 10 years. So it’s easy to overlook the fact that Pacino is quietly doing really good work again. I say “quietly” because the actor has recently eschewed the “hoo-ah!” tics that turned him into a caricature. This affecting, engaged, and more subdued version of Pacino can be seen in Danny Collins, and he is also front-and-center in Manglehorn, a whimsical, uneven drama that is grounded by its star’s strong work.

Pacino plays A.J. Manglehorn, a shabby, solitary locksmith whose biggest personal connection is with his beloved cat Fanny. As we watch Manglehorn shuffle through each day — which includes hopping in his rickety van to help clients who have locked themselves out of various places — his life starts to come into focus.

“Man, they killed my brother…you think I’m gonna let that slide?”

Even if you haven’t sat through a ton of revenge-minded pulp, you won't be surprised to hear the answer to the above question is a resounding, “No!” The good(ish) news is that Chain of Command manages to stand out from a pretty crowded straight-to-DVD action pack. The disastrous news is that this laughably bad, shoddily-made debacle is likely to stick in your memory for all the wrong reasons.

I don't enjoy writing negative reviews. It's a struggle when the film experience was joyless and then to have to go back and relive that. I also don't enjoy reading reviews by other critics that get everything completely wrong. It's even worse when almost all the critics get it wrong. Even worse than that is when I see critics dumping on a film that's actually good, but that's a story for a different day. How can I say Spy is so bad? Because I had to sit through the movie. I can get some enjoyment out of even the worst movies, and that's true here, but I would not recommend it to unsuspecting viewers.I do imagine a lot of people will enjoy the movie despite themselves if they are paying for babysitters, etc. Again, I do think every movie has some entertainment value. I will try to find it in the new movie Spy. The first good thing I can say is that Spy is a chick flick that lets chicks save the day. They don't look great doing it, but they save the day. That's one of the problems. Almost no one looks good in this film.

The film has a great cast. Melissa McCarthy is the big star, but she shares billing with Jason Statham, Jude Law, and Rose Byrne. You can also throw in sturdy supporting players like Allison Janney and Bobby Cannavale. There are plenty more, but those are the names. I will say that the person who comes off the best is Rose Byrne. She plays a super-bitch super-villain who you truly believe doesn't like anyone. She dispatches people with the unpleasant venom of someone who doesn't like the service she is receiving at a restaurant. Jason Statham has the thankless job of making fun of himself. He seems game, but he doesn't really pull it off. He gets some of the funniest material but almost flubs most of his lines with his mush-mouth delivery. Jude Law gets the part of the perfect James Bond-type spy, but you get the hint of embarrassment in his facial mannerisms like he's trying too hard to spoof the trope.

"My name is Ichabod Crane. In 1781 I died on the battlefield, but I was saved by a mysterious spell cast upon me by my wife Katrina. Now I've been reawakened 250 years later in a land I no longer recognize. And fate has led me to Miss Abigail Mills., a young police lieutenant. Investigating baffling mysteries, our real mission is in danger, and the apocalypse may be upon us, our destinies entwined."

Fans of the tale The Legend Of Sleepy Hollow will recall that Ichabod came to encounter the headless horseman in one of the first American horror tales ever written. Irving was a contemporary of our founding fathers, including another Washington who happened to play a big part in a little skirmish with the Brits that came to be known as the American Revolution here and the Great Colonial Rebellion over there. Thanks to the new series Sleepy Hollow, we discover that the British weren't the only ones we were fighting. It's a story of independence we hadn't heard before. It's a fresh take on an old idea that dates back to Kolchak: The Night Stalker. The second season is out on Blu-ray now, and I recommend you check it out. Just don't mix it up with that American history text. We history teachers frown on that kind of thing, you know.

"To understand what I'm about to tell you, you need to do something first. You need to believe in the impossible. Can you do that? Good. Because all of us, we have forgotten what miracles look like. Maybe because they haven't made much of an appearance lately. Our lives have become ordinary. But there is someone out there who is truly extraordinary." 

It's become so much easier to believe in the impossible in recent years. The guys over at Marvel have created an amazing theatrical universe where we escape into the comic book world of heroes at least a couple times a week. DC hasn't managed to wow us in our theater seats so much recently. What they have been able to do is deliver hours of wonderful escapism television every week. That's where the DC miracles are happening, first on Arrow and now Gotham and... The Flash. This is the decade when comic book pages truly come to life before our very eyes.

"My name is Oliver Queen; after five years in hell, I have come home with only one goal, to save my city. Now others have joined my crusade. To them, I'm Oliver Queen. To the rest of Starling City, I'm someone else. I am something else."

That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally shed the name and reputation of the Hood or Vigilante. He vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City. In season 3 that job will get a lot harder to do while still keeping his vow. You can say that things get a lot more personal and that season 3 of The Arrow is all about family. And, you can bet that not everyone is getting out alive. Those who remain will be forever changed. That much is certain.