2.35:1 Widescreen

Knight Errant

Posted in Disc Reviews by David Annandale on May 27th, 2005

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Synopsis

Jimmy Wang Yu is trying to scrape together the cash for his sister’s eye operation, but hekeeps getting involved in fights, and the need to pay fines and whatnot is actually pushing thefamily towards bankruptcy. Meanwhile, in Japan, a ferocious grandmother has been training herthree grandsons their entire life to be killing machines intent on taking revenge on the man sheblames for her wartime suicides of her daughter and son-in-law. That man is Jimmy’s father. Thestage is …
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Fascination

Posted in Disc Reviews by Archive Authors on May 27th, 2005

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Fascination is a potboiler without a pot. It loosely follows the plot of Hamlet. Adam Garcia plays Scott Doherty, a spoiled young artiste who sulks more than Anakin Skywalker. Scott’s father dies (played by James Naughton) under mysterious circumstances, and his wife (played by the “still a hotty” Jacqueline Bisset”) returns from a cruise with a new beau (Stuart Wilson). Scott smells something fishy, and with the help of a new stepsister/lover (Alice Evans), he tries to get to the bottom of this crime. So…
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H

Posted in Disc Reviews by Archive Authors on May 25th, 2005

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East Meets West

I don’t know a great deal about Korean cinema, but I imagine that H must have been a milestone in the Korean film industry – a distinctly Korean interpretation of a Western tradition. H is a dark psychological murder mystery, thriller, and suspense film, best compared to The Silence of the Lambs, or Kiss the Girls – not what one expects from the other side of the Pacific. There’s no martial arts to be found, and no running through trees, and pseudo-mystical mum…
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White Noise

Posted in Disc Reviews by Gino Sassani on May 24th, 2005

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White Noise borrows much from the successful cycle of modern horror films. There is a tremendous likeness to both The Ring and FearDotCom. The use of a television screen for eerie f/x and a few shocks reminds us of the former, while the torture of the kidnapped victim in industrial and dank surroundings is taken right out of the latter. White Noise has some wonderfully disturbing moments. The atmosphere is rank with just enough possibility to be truly scary at times. Michael Keaton adds that element of respectability and believability which carries a weak script much farther than it deserves. I should also point out that the cinematography is simply brilliant.
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The Day After Tomorrow

Posted in Disc Reviews by David Annandale on May 23rd, 2005

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As is the trend for today, this is the Special Edition re-release of The Day After Tomorrow tagged as the All-Access Collector’s Edition. As much of this set is the same as the original release, pieces of this review will be taken from our prior review of The Day After Tomorrow.

Storms both freakish and intense devastate the planet. Climatologist Dennis Quaid realizes that the world is on the brink of a sudden new ice age.
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Kinsey

Posted in Disc Reviews by Archive Authors on May 21st, 2005

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Kinsey, starring Liam Neeson, is a film that seems more relevant today. Albert Kinsey, known to his students as Prok, had to fight societal conservatism to get his work published and recognized. The movie is part biography/part sociological study. The director/writer Bill Condon traces Kinsey’s life from early childhood to older age. The flaws of the film are a matter of narrative clarity: in two hours, Condon tries to pack too much in. However, Kinsey sports a strong cast, which makes the two hou…
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Aviator, The

Posted in Disc Reviews by Archive Authors on May 21st, 2005

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There’s nothing like a big Hollywood epic. And Martin Scorsese is the man to deliver. The Aviator is a tantalizing blend of Old Hollywood and modern filmmaking panache. The movie tells the story of Howard Hughes. He rose to fame as a Hollywood producer and aviator extraordinaire. Eventually, Hughes descended into a crippling OCD affliction. The movie gives us a taste of the tragedy to come, but doesn’t dwell on it. The Aviator is a thrilling ride into the world of a complicated man.

The…
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What the Bleep Do We Know!?

Posted in Disc Reviews by Gino Sassani on May 11th, 2005

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What the Bleep Do We Know!? appears to be a New Age film without actually saying the words “New” or “Age.” Consider this, the film, produced by Captured Light & Lord of the Wind Films, is about “a life-changing journey with Amanda (Marlee Matlin, Children of a Lesser “God), a divorced photographer who tumbles down a metaphysical rabbit hole.”

Now, that premise sounds interesting enough, you’re unsure where Amanda will wind up or how she’ll get there. But read on…”Her mind-bending voyage throug…
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Best of Everything, The

Posted in Disc Reviews by David Annandale on May 6th, 2005

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Synopsis

The setting is a top New York publishing house, and our central characters are three womenbeginning their careers at the bottom of the secretarial ladder. Hope Lange is the smart one witha will, who might make a first-class editor. Diane Baker is the naive innocent, doomed to bepreyed on. Suzy Parker wants to dump the office pool for acting, and she begins a difficultrelationship with theatre director Louis Jourdan. Meanwhile, there is tyrannical editor JoanCrawford (whose …
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National Treasure

Posted in Disc Reviews by Archive Authors on May 6th, 2005

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There are a lot of dumb movies out there. But there’s a good kind of dumb and a bad kind of dumb. National Treasure falls into the good dumb category. Nicholas Cage plays Ben Gates, a treasure hunter, an archaeologist I’m really not sure. But his mission is to steal the Declaration of Independence in order to prevent the “bad” archaeologists from taking it. Make sense? There are hidden clues, apparently, in this document which lead to hidden treasure. A treasure Gates’ grandfather (played by Christophe…
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Merchant of Venice, The

Posted in Disc Reviews by David Annandale on May 5th, 2005

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Synopsis

Antonio (Jeremy Irons), silently in love with his friend Bassanio (Joseph Fiennes) acts asguarantor for a loan Bassanio needs in order to woo the beautiful Portia (Lynn Collins). Theyborrow the sum from Shylock (Al Pacino) who demands, should Antonio default, a pound offlesh (literally). Bassanio’s adventures in love are successful, but Antonio’s ships founder, andShylock, distressed over his daughter’s elopement and incessant anti-Semitism he hasexperienced, demands his te…
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Life Aquatic with Steve Zissou, The

Posted in Disc Reviews by Archive Authors on May 4th, 2005

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Wes Anderson has been a breath of fresh air since he hit the Hollywood scene in 1996 with his first feature length film Bottle Rocket. Since then, Anderson has continued to stretch the imagination of film-goers with fabulous films such Rushmore (1998), The Royal Tenenbaums (2001), and now with The Life Aquatic with Steve Zissou (2004). Anderson’s films are not for every joe-schmo film fan; his work could even be described as an acquired taste. But from a creative and visual perspective,…
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Steve McQueen Collection

Posted in Disc Reviews by David Annandale on May 1st, 2005

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Synopsis

This is an interesting collection, with two of the films being among the most famous SteveMcQueen was ever involved with, and the other two being noticeably less high profile. TheMagnificent Seven (1960) is one of the last and greatest of the straightforward westerns,before the deconstruction of the genre at the hands of Sergio Leone and Sam Peckinpah, andeven here the death of the west is foregrounded theme, with Yul Brynner, McQueen, JamesCoburn, Charles Bronson an…
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Frank Sinatra Collection

Posted in Disc Reviews by David Annandale on April 27th, 2005

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Synopsis

Directed by Gordon (Them!) Douglas, these three crime thrillers have Frank Sinatra doing his best hard boiled as he unravels complicated (and not always entirely comprehensible) mysteries.

Tony Rome (1967) has Sinatra in Miami Beach as the titular PI, a former cop who still has plenty of connections. A simple task — returning a drunk young woman to her rich father — leads to a web of murder and blackmail as all sorts of interested parties chasing around, beating up …
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Blade: Trinity

Posted in Disc Reviews by Archive Authors on April 25th, 2005

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Blade: Trinity caught a lot of flack from most critics, and even the movie going public as per the box office returns (only grossing $52 million domestically). When I went to see this film in the theatre, half of my party was extremely disappointed with the flick. The other half, including myself, thought the film was quite entertaining. I must admit, this film does not come close to the original Blade, but I did find it a little bit more entertaining the Blade 2.

The biggest change…
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Elektra

Posted in Disc Reviews by Gino Sassani on April 24th, 2005

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Elektra was pretty much a failure at the box office, bringing in just over half of its production cost. Add to this the raised expectations of comic characters in the movies and it’s a safe bet Elektra won’t return anytime soon. Although this was not a great film by any standards, it’s a shame it tanked so badly. I missed the film in its theatrical run, and I was actually expecting a far worse film.

Garner is quite good in the role; I thought she brought a ton of emotion to a difficult character.
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Enduring Love

Posted in Disc Reviews by Archive Authors on April 24th, 2005

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Enduring Love claims to be a psychological thriller, but comes across as more of a drama then a thriller. The story moves along quite slowly and the overall tone of the film is somewhat dry. The story does take a few interesting turns, and does keep you guessing at times, the story was not suspenseful enough to keep my eyes peeled to the screen for the span of the film.

One thing I can say about this film is that the story is different than anything that I have seen before. It touches upon some od…
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Suspect Zero

Posted in Disc Reviews by Archive Authors on April 21st, 2005

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The Film

Suspect Zero follows the contradictory teacher/student relationship between serial killer Benjamin O’Ryan (Ben Kingsley) and FBI Agent-in-Pursuit Tom Mackelway (Aaron Eckhart, sporting as much chin as Bruce Campbell). O’Ryan is a tormented refugee of a government program to tap psychic powers for military intelligence, and Mackelway is a borderline-rogue agent, tormented by visions and headaches. Without letting slip any spoilers, the movie sees O’Ryan draw their paths together in pur…
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Star Trek: First Contact

Posted in Disc Reviews by Gino Sassani on April 14th, 2005

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Star Trek: First Contact is light-years ahead of any other Next Generation film. There is virtually every characteristic that makes good Star Trek present here. James Cromwell as Cochrane provides the best comedy relief on Star Trek since the tribbles. The Borg infiltration reminds us of the first Alien film with its shadows and cramped airshaft scenes. The action is ramped up several notches from previous films. The basic crew seems to have found its feature legs and is more comfortable as a unit.

House of Flying Daggers

Posted in Disc Reviews by Gino Sassani on April 13th, 2005

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While House of Flying Daggers may be easy to pigeonhole as a movie similar to Zhang Yimou’s own Hero or even Ang Lee’s Crouching Tiger, Hidden Dragon, the only thing you could say about all three is that they have an impressive level of stuntwork that also, features the acting skills of Zhang Ziyi. But where Lee’s work is more story based around three characters’ feelings for one another, and Hero had some great stuntwork set against some breathtaking cinematography, House of Flying Dag…
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Ocean’s Twelve

Posted in Disc Reviews by Archive Authors on April 10th, 2005

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The who’s who of Hollywood have assembled once again in this sequel to the highly successful film Ocean’s Eleven. This time around the cast are equally great and extremely entertaining to watch, but the film seems to lack the same strong storyline that it predecessor carried with it.

This time around, the story takes place a few years after the Bellagio heist. A leading European thief known as The Nightfox, consumed with being the best thief in the world, derives a plan to take out Ocean and his te…
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Apollo 13

Posted in Disc Reviews by Gino Sassani on April 6th, 2005

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What kid growing up in the 60’s and 70’s wasn’t totally and completely captivated by the moon landings? We were equally on the edge of our seats when, for a brief moment in time, it appeared we were going to lose our first men in space. Seldom can a film be successful when the audience has most of the story’s details burned into the core of their memory. After all, we know how this one comes out. Still, the film manages to create the intense tension and anticipation as if we were experiencing it all for the first time.
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Amityville Horror Collection, The

Posted in Disc Reviews by David Annandale on April 4th, 2005

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Synopsis

The Amityville Horror (1979) remains one of the most successful haunted house movies ever. Based on a supposedly true story (emphasis on “supposedly”), the film sees George and Kathy Lutz (James Brolin and Margot Kidder) buy their dream home, only to be driven out by supernatural events (little girl makes friends with demonic piggie, blood runs from the walls, and so on). In scenes that have so little to do with the rest of the action they might almost belong to a separate movie, Rod …
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Crimson Rivers – Angels of the Apocalypse

Posted in Disc Reviews by David Annandale on April 2nd, 2005

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Synopsis

A monk is found walled up alive in an eccentric monastery, and Inspector Niemans (JeanReno) is on the case. Murders multiply around the country, connecting the cases worked on byNiemans and a young hotshot (Benoit Magimel, whose role is very similar to the one played byVincent Cassell in the original). The victims are all deeply religious, were all disciples of asurvivor who bears a more-than-passing resemblance to Jesus, and have the names andprofessions of the Disciples. They mur…
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Notebook, The

Posted in Disc Reviews by David Annandale on March 31st, 2005

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Synopsis

In the present, in a nursing home, we meet two residents: James Garner and Gena Rowlands.She is afflicted with Alzheimer’s, and cannot remember her past. He reads to her from anotebook, telling the tale (which is their story) of two young people (Ryan Gosling and RacelMcAdams) who meet, fall in love, but are driven apart by class prejudice (she’s upper class, he’sworking class). He never gives up on her, and the story charts more heartbreaking reunions andtravails.

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