Posted in: Disc Reviews by M. W. Phillips on December 6th, 2012
“You think this can last? There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.”
In the spirit of full disclosure, let me state that my favorite comic book hero is Batman. As a child, even before the sixties TV show premiered, I loved the tale of Batman. It is a story of a child who overcomes the fear and destruction of his childhood and becomes stronger because of it. He grows into an extraordinary man and, in spite of having no super powers, created a legend out of himself by becoming an icon for justice. Bruce Wayne channeled his lust for vengeance into mastering his intellect, detective skills, science and technology, physical prowess, martial arts skills, an indomitable will, fear, and intimidation skills to fight his continuous war on crime. He may have inherited almost limitless wealth, but he didn’t let it make him soft; instead he converted the riches into a crime-fighting asset. His behavior may have been borderline psychotic, but he lived by an impossibly strict, but simple, set of rules… no guns, no killing, no glory, but most of all, zero tolerance for crime.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2012
"The ancients spoke of it. It is the heart of this fierce land. It is carried in the wind. Born of our legends, and when we are put to the test, it is the one thing that we must always be."
Readers of this site already know that I have a particular fondness for most of the films that have come from Pixar. The studio pretty much invented the computer-animated feature film, and they've been setting the bar higher with each new release. I've always thought it was rather fitting that the studio ended up as part of Disney. After all, it was the Mouse House that invented the animated feature to begin with. It all has a certain poetic destiny feel for me. Pixar is still leading the cutting edge. My favorite to date has been Monsters, Inc., and I am eagerly waiting for the Monsters University prequel, which is now only a year away. In the meantime, the powers that be over at Pixar have tossed us yet another original story: Brave.
Posted in: Disc Reviews by Michael Durr on November 13th, 2012
As a moviegoer, I love my share of epics. The bigger the storyline, the bigger the world, the more I probably enjoy it. Oh, it has to be sci fi/fantasy related too. Fantasy worlds in particular are often amazing since the creator is making it up from scratch. Today, we visit the world Aradius, a land where a very special mineral plays a very important part in the story. The story you ask? The story of Hirokin, the Last Samurai. Let’s explore, shall we?
Let’s start with a little back story. Humans came to the planet of Aradius to trade for Aradium. This special mineral allowed massive metal objects the ability to float. Well as with any precious mineral, it was soon depleted and most of the humans left. However, the planet of Aradius was left with its kinfolk succumbing to disease, refuse and infertility. The Arid people (who we could tell the difference from humans from the veins in the palm of their hands) were ruled by humans who wanted them wiped from the planet.
Posted in: Disc Reviews by Jeremy Butler on November 12th, 2012
“Every man’s got his dark side”
This is the most fitting quote to describe the exploration of Fire with Fire. My intrigue began with the film’s title, I just love that title. Nowadays most film titles have been reduced to using the name of one of the characters or including “the” in the title; it’s refreshing to have a title that encompasses the overall plot of the film. TV director and reputable stunt coordinator David Barrett takes the director seat for his first feature film (a quick IMDB search would tell you that this step was long overdue), and given the all-star cast he managed to put together, he couldn’t have picked a better film to start with.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2012
"Long story short, I want to reshape my navel, and allowance won't cover it."
Long story short is precisely the words I would use to describe Excision. You see, it started out as a short subject film and writer/director Richard Bates, Jr. decided to make it his first feature film. That was his first mistake. While I have never seen the short film that inspired this feature, I get the strong feeling that this was better served in that format.
Posted in: Disc Reviews by M. W. Phillips on October 17th, 2012
“What cannot be disputed is your imagination is the inspiration of a horrendous crime.”
The Raven may not be a turkey, but it doesn’t really soar either. Director James McTeigue (V for Vendetta) attempts to fashion a historical fiction around the mysterious final five days of Edgar Allen Poe’s life. A notorious drunk and opium addict, Poe (John Cusack) careens through 19th century Baltimore dead broke, bitter from years of writer’s block, and harassed by the locals for being a blustering has-been. Due to a distinct lack of social sympathy, he can’t even borrow money for a single drink, which forces him into an involuntary sobriety. At the same time, a rash of murders inspired from the pages of his darkest fiction terrorize the city, and he is called in by Detective Fields (Luke Evans) to assist in the investigation.
Posted in: Disc Reviews by Gino Sassani on October 17th, 2012
"In space no one can hear you scream."
It was the tagline that brought us by the droves into our neighborhood cinemas in 1979 to see one of Ridley Scott's two classic science fiction adventures. Alien was one of the scariest science fiction films we've ever seen. It wasn't just the wonderfully organic H.R. Giger designs that had us on the edge of our seats. Scott delivered a claustrophobic nightmare that caged us with this remarkable killing machine. Much the same feeling I had recently trapped in a minivan with a large spider on the prowl. It was an instant classic and holds up just as well today. It was, of course, followed by one worthy sequel and another two that I choose to pretend never happened. More recently, the franchise was paired with the Predator universe for another two films, the second of which was actually a pretty good film. Still it has been with bated breath that many of us were waiting for Ridley Scott to return to these classic roots and scare us all over again. The result of that 30 + year wait is Prometheus.
Posted in: Disc Reviews by Archive Authors on October 11th, 2012
Among the more unjustly ignored performances was Jack Nicholson’s turn as union boss Jimmy Hoffa in Hoffa. Fox finally decided to put out the Danny DeVito-directed, David Mamet-written film on DVD. Mamet’s script seems to romanticize Hoffa, portraying him as more of a union man, as one who was forced to make deals that could compromise his integrity, but he overlooks his integrity in order to help benefit the American working man. The story is told in the point of view of Hoffa aide Bobby (DeVito), a fictitious character whose flashbacks are used to help us see how Hoffa perhaps should be viewed, as opposed to the punchline in some jokes we may make now.
As is usually the case with Mamet’s screenplay, the dialog is well-written and engrossing, and Nicholson’s portrayal of Hoffa is both powerful and persuasive. You see him with a prosthetic nose and hairpiece, along with a couple of dental devices that get the look of Hoffa down to a T. In DeVito, a longtime real-life friend, one who knows his ins and outs, Nicholson pulls out all the stops. Recent Nicholson performances seem to glide along on a gentle stride, using the occasional (and very effective) use of his noteworthy eyes. But in Hoffa, he’s a guy who is clearly more animated, as the role dictates, and it’s a much more dynamic performance than you’re used to seeing. Is Hoffa historically accurate? Probably not, and God knows there are more informed people who will tell you so. However, DeVito does manage to use the time period where Jimmy feuded openly with Robert Kennedy to great effect, using the congressional hearings as an interesting start of a plot device that helps provide an interesting hypothetical on Hoffa’s possible Mafia ties. With an outstanding supporting cast including Robert Prosky (Hill Street Blues), the late JT Walsh (Sling Blade), Armand Assante (Q & A) and a very young John C. Reilly (Chicago), the movie’s overall impact is very clearly felt.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2012
"800,000 children are reported missing each year in the USA. Most are found within a few days. 1000 children disappear without leaving a trace."
After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan. It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience. He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project. There was a time he was attached to do a remake of Hellraiser. Usually the thought of remaking such a classic would send me into an outrage, but if there was ever a director who could handle the material, I believed he’d be the perfect choice. Sadly the production fell apart, and his follow-up became The Tall Man.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2012
One of the first rules I’ve set for myself when writing reviews that I’ve managed my best to follow has been to avoid bringing up politics and religion. After all, this is a site dedicated to cinema, but sometimes these topics are injected into the films we review, and like it or not it’s something I was bound to encounter at some point. To simply spit it out, October Baby is a movie the tackles the subject of abortion and delivers a very pro-life message. So for those of you who are very passionate about this topic, I mention this not to offend or start a debate but simply give a disclaimer.
When we first meet Hannah (newcomer Rachel Hendrix) it is just before curtain call, and she is nervously going through her lines. She’s the star of the play, and it’s opening night. All the seats are full, most notably by her parents and her friends, so of course it’s fair to say she has a case of the jitters. But as the curtains rise, something is wrong as Hannah collapses on stage. After numerous tests and it is discovered it’s not just the stress of the show that got to her, but that she is sick and it is due to some complications surrounding her “birth”.
