Posted in: Disc Reviews by J C on December 14th, 2018
“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”
To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class — are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.
Posted in: Contests by Gino Sassani on December 14th, 2018
Our buddies over at Walt Disney Home Entertainment Studios have put together a virtual jamboree of some of their coolest characters from Disney Junior. It's all in one place. Disney Junior Holiday delivers six 22 minute episodes from some of the most famous Disney Junior shows. You get Vampirina, Puppy Dog Pals, Mickey And The Roadster Racers and Mickey Mouse Club. They're sending over 2 copies of this fun gathering of characters on DVD to give away to a couple loyal Upcomingdiscs fans. There's even a few bonus shorts featuring Chip "n" Dale, and Minnie's Bow - Toons. And it's all going out to two lucky winners. Y because we love you!
Follow these directions to enter to win:
Posted in: Contests by Gino Sassani on December 13th, 2018
Our friends over at Film Movement have been bringing you some diverse and interesting films over the years. We have certainly told you about many during that time. Now they have launched a new way to deliver these films directly to their fans. Yes, this site is called Upcomingdiscs, and we generally deal with home video releases that you pop into your trusty player and enjoy. Film Movement has been a part of those DVD releases. But we don't just limit ourselves to discs. We bring you the latest films direct from the local multi-plex and even talk about some of the equipment to make your experience the best it can be. We don't often talk about streaming services, because they are generally bringing you the same kind of mass-consumption content. Let me introduce you to Film Movement Plus. These aren't the kinds of things you're likely to find anywhere else. With a library of 250 critically acclaimed independent films, they are growing with each month.
To help celebrate this new service, they have generously offered us some free subscriptions to give away while we spotlight some of the best as they are introduced to the members of Film Movement Plus. With each announcement we're going to give away a few of those free subscriptions to help you get started.
Posted in: No Huddle Reviews by Gino Sassani on December 13th, 2018
In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. Both of these guys walk and talk like champs. There's a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. But what happens when both find themselves in deep trouble? That's the question as Billions heads into Season 3, where you'll get all 12 episodes on four discs with very minimal extras.
The strength of two very strong performances immerses us in each of these worlds to a point that we discover something none of these players know, or at least would be willing to admit. They are very much the same, and the culture of their careers is more alike than not. Both are willing to bend a rule for "the common good", and both believe themselves to be the heroes of their own stories. And that's where the writing and acting come together for a nice perfect storm. Both characters are heroes to the people around them. They've developed almost cult followings. Both are admirable people. Of course, the opposite is just as true. These guys can both play the anti-hero with the best of them. There is both great good and great evil in both. If that sounds complicated here, just imagine how hard it would be to actually pull off.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2018
When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded. For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself. This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year. The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date. Max decides to take his date to an independent stage performance that is mostly silently performed. Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.
The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook. In this case it was the one that showed the most promise, but struck out. “The Stockings Were Hung” takes the office gift exchange and veers in the most violent direction you could expect as the tone of the exchange becomes a game out of the Saw franchise as the coworkers open “gifts” that are weapons or are evidence of the coworkers doing some bad things while on the clock. I get where they were going with this, and this really could have been a fun story, but between some bad acting and the story crawling at a slow pace, it was difficult to care about any of these characters.
Posted in: No Huddle Reviews by Jeremy Butler on December 13th, 2018
The things we do for our children. That was all I could think of while watching Fancy Nancy, another Disney Junior series. Nancy is a girly girl with a love of all things glittery and French. Funny, I can think of another little girl who fits that description. It goes without saying that Nalyce was immediately on board for this disc, going as far as to remind me every day that we need to review this show. When we finally set down to watch it, she was all business, turning off all the lights and basically becoming a zombie staring at the screen. I mean, I've never seen her so dedicated to anything. I have to admit a certain level of pride. Sadly, I was not as enamored with the show as she was.
The series is laid out in the typical format for a Disney series: two episodes per thirty-minute format. Each episode imparts an important lesson that every child should screen to function as a productive member of society, such as the importance of sharing and accepting people for who they are. After every episode I made sure Nalyce told me what the lesson she learned from the episode. It was only slightly less painful than pulling teeth for both of us, as I found myself having to use the privilege of watching another episode as an incentive for her. For her, it was more about the entertainment than the embedded lesson. Nevertheless, I’m a parent first.
Posted in: Tuesday Round Up by J C on December 11th, 2018
It’s been almost 15 years since the legendary Gene Hackman was last seen on screen. (His last film was 2004’s Welcome to Mooseport, which is bad…but not bad enough to quit movies altogether!) While the on-screen drought for Hackman continues, the Oscar-winning actor can at least be heard in one of this week’s Round Up offerings. Shout! Factory takes us through the journey of joining We, The Marines (4K), which is narrated by Hackman. Elsewhere, CBS heads west for Yellowstone: Season 1 and trusts its Instinct: Season 1. Finally, Lionsgate goes on a violent spree with Deadman Standing, while Comedy Central gets into business with Nathan For You.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon — a Christmas present for a loved one, perhaps — and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Brent Lorentson on December 7th, 2018
At first glance, Mary Queen of Scots has all the makings of a film you’d expect to be nominated for numerous awards; after all, it’s a period drama that showcases some remarkable performances from Saoirse Ronan and Margot Robbie. Unfortunately this retelling of the story between Queen Elizabeth (Robbie) and Queen Mary (Ronan) is bogged down with its politics and the struggles these women have being leaders while their differing religions present a conflict preventing them from ever working together. Let me just jump into this and attempt to sort this film out.
For those who are not history buffs, I won’t disclose who it is that we see in the opening moments of the film as they are being led to their execution. It’s an odd way to open the film; despite it being historically accurate, it just seems a bit off-putting. The film then takes us to Mary arriving in Scotland to claim her throne after being away in France. At the same time Queen Elizabeth has been ruling over England and Scotland, since she hasn’t married and with no children it is Mary who is ready to take on the reins of becoming the heir to the throne of England. This is the start of many squabbles between the two queens, where we see their relationship dissolve from a unique sisterhood to the pair becoming envious of one another. Basically how most families are, only without the royal labels.
Posted in: Disc Reviews by J C on December 7th, 2018
“They destroyed the man I was, but then I was reborn. And this time I came out breathing fire.”
Season 1 of Westworld — HBO’s mega-budget adaptation of Michael Crichton’s 1973 film of the same name — spent a lot of time exploring the nature of reality and humanity through a high-tech theme park’s robotic hosts. And while the show still has plenty of time for those themes, the second season can be tidily summed up with a phrase that nods to another Part II of an iconic sci-fi franchise: The Hosts Strike Back.
Posted in: Disc Reviews by Brent Lorentson on December 6th, 2018
As a fan of The Conjuring films, I keep hoping that these spinoff films will manage to step up and be on par with The Conjuring, but instead they just keep letting me down. But that doesn’t stop the hordes of fans from still seeing these films; after all, the pair of Annabelle films were box office hits, and The Nun had a nice theatrical run as well, earning over $110 million. The Nun is a bit of a departure, as it takes us back to 1952 and is set in Romania to deliver a gothic horror story that seems as though it’s a bit of a nod to the old Hammer films from the 1950’s on into the 1970’s. Does the film deserve its box office success? Well, thankfully I didn’t have to take a vow of silence, and I can tell you all about it.
The film wastes no time in setting the tone and delivering the terror as we see a pair of nuns walk through the bowels of an abbey in Romania as they open a big, scary door that has the inscription “God Ends Here”. Obviously whatever is beyond this door is bad, but why these nuns are so gung ho about opening this door and going inside isn’t explained (at least until much later on into the film). It’s no surprise that the result of opening this door causes bad things to occur, one of which is a nun killing herself as she sees The Nun coming towards her. This sparks an investigation by the Vatican to be led by Father Burke (Demian Bichir) and Sister Irene (Taissa Farmiga).







