Posted in: Disc Reviews by Gino Sassani on September 21st, 2018
"It's not just for profit. It's for revenge. It's a twofer."
Hollywood has been making a greater effort these days to add some diversity to their film casts. From minorities to women, this has been a year of unprecedented changes in the makeup of so many films. One of the new trends in this effort is to remake/re-imagine/reboot an already established franchise with a gender-switched cast. The results have been somewhat mixed. The female Ghostbusters film was a complete disappointment. And while it might be easy to blame the female cast, the issues go much deeper than that. Now the Ocean's franchise has decided to play in that territory, with better results. Ocean's 8 delivers the familiar formula of the Steven Soderbergh remake trilogy of the original Rat-Pack film, but with an all-girl heist crew. The film is still a bit of a disappointment in some ways, but it's a much better ride than Ghostbusters by a long mile, and again the flaws have little to do with the cast or the gender-swapped model.
Posted in: No Huddle Reviews by Gino Sassani on September 21st, 2018
"In the exciting days of live television, there was one show that won major awards in all categories. It was a live show in a live theater, and what you will hear is live laughter - a genuine reaction of a live audience."
That was Sid Caesar's Your Show of Shows. Sid Caesar is arguably the world's first major television star. His show was a monster hit that eventually earned him $25,000 an episode back in the early 1950's. He was something of a comic chameleon. He portrayed many iconic characters where Sid himself appeared to completely disappear into the role. His skits were often like small films that ran 20 minutes or more. Many of them spoofed films of the day and were rather large productions for a comic skit. Most skits on television are running out of steam after two to three minutes, but Sid Caesar had the uncanny ability to grab your attention and hold it for a considerable time.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2018
It’s okay to groan. I get it. Just when you thought the found-footage genre was dead, another film manages to get released. I think at this point we all simply have to accept that this is a genre that will never completely die on us, but we can always hope that it will eventually produce a hit every once and a while. When it comes to Found Footage 3D, it’s a bit of a mixed bag for me, and since the Blu-ray came with both a 3D and 2D version, I did in all fairness watch both versions, and there is definitely a version that won out, and if the time comes that I check this out again, I know how I plan on doing so. In case you were wondering, the disc does come with two individual 3D glasses, not the ones you can pick up at your local theater, but instead the throwback red and blue kind.
The clever twist that Found Footage 3D has going for it is that it is found-footage film about a film crew that is setting out to make a horror film in 3D. It doesn’t take long before we realize how the film is very self aware understanding the numerous typical tropes that are in the genre and knows there are two key rules they need to follow. Rule #1: give a reason for why the people are videotaping every moment, and Rule #2: when the third act comes along, have a good reason to explain why they are still filming and not tossing the camera aside. Derek (Carter Roy) is the over-the-top filmmaker with a vision to make the first found-footage horror film in 3D and is overly ambitious by also having the making of the film shot in 3D as well.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2018
Just about everyone has heard of Rolling Stone magazine. For me it was circa 1995 when I bought my first Rolling Stone magazine that had the band Green Day on the cover. While I never had a subscription, I still remember hitting up the Barnes and Noble and getting the new magazines when I could. It was the magazine I went to to read up on my favorite bands and random pop culture influences. The magazine is now celebrating 50 years of journalism on music, politics, and just about everything else in between. In the 4 ½ hour documentary, it is a combination of interviews and archival footage that tells the story from when the magazine was birthed in San Francisco to becoming one of the most popular publications of our time.
Though the Blu-ray says that it is told in two parts, the reality is that the two-disc set is broken up into six episodes that run just over 40 minutes each. Jeff Daniels handles the duties as the narrator, who starts off by explaining to us to where the magazine’s name came from as well as introducing us to the magazine’s creator and editor, Jann Wenner. The first episode really helps set the tone by telling the story of how the magazine and its staff came together as well as revealing how some of the magazine’s breakout articles first came together. From a story about Ike and Tina Turner before they were household names to John Lennon and Yoko Ono and their Bed In for Peace. It’s kind of amazing seeing how the magazine wasn’t so popular yet but was a part of something as historic on pop culture. Personally I really enjoyed getting to see Annie Leibovitz discuss some of her first shoots, and it’s easy to understand why she has become a legend in the photography world since.
Posted in: No Huddle Reviews by Jeremy Butler on September 19th, 2018
Lahinch is a coastal town in County Clare, Ireland. It has a population of around 642 people and is known for the Dough Castle tower ruins and the Lahinch Golf Club, where the South of Ireland Championship is played. However, it is mostly notable, especially for the purpose of this documentary, for being one of the foremost surfing locations in Ireland. That is the key component of the documentary, Between Land and Sea, which is set against the backdrop of Ireland’s west coast and captures the beauty of the landscape as well as the waves that even someone like me, who has never stepped on a surfboard, is tempted to ride.
Between Land and Sea is told in an observational documentary format, meaning that there is no narration, and the audience is treated as being a part of the conversation, which was fairly immersive in my opinion. It made me feel like I was actually there engaging in the conversation with the individual being interviewed. First we are introduced to a local, who works predominantly through the year as a miner, but his true passion appears to be for making surfboards. The film goes on to interview his family, as well as other members of the community including former professional surfer Fergal Smith and a cameo for surfing legend Shane Dorian. The most captivating portion for me was the landscape, which was captured beautifully. I’ve always known that Ireland had a rugged beauty to it, but here it was full-frontal. Granted the focus was on this one coastal town, but still there was no denying the allure of Lahinch.
Posted in: No Huddle Reviews by Brent Lorentson on September 17th, 2018
When it comes to shows that simply sneak up on you and manage to suck you in, This Is Us would be a show I never saw coming nor expected to simply fall in love with. As a show that is on network television, it stands toe to toe with the best that cable has to offer. But what is most surprising is that what sets this show apart from the rest of the pack isn’t a complex antihero or dragons; instead it is as simple as being a show that feels as real as anything I’ve seen on television in some time. As the title would suggest This Is Us is simply about a family and the struggles and successes that come day to day, though as many of you can understand and relate, there is nothing simple about life and the constant hurdles that are thrown at us on a day to day basis. I was hesitant last year when I watched the first season, but I was quickly moved by its characters and their stories. I was so impressed with that first season I wondered if it could maintain at that level for the second season. Well, after 18 episodes and plenty of tears, I’m here to say it didn’t maintain; instead, it exceeded what it did the first season.
Dan Fogelman (Crazy, Stupid, Love) has created a show about the Pearsons, Jack (Milo Ventimiglia) and Rebecca (Mandy Moore), as they go about their journey raising their three kids, who all happen to share the same birthday with their father. This season we start off with the siblings turning 37. There is Kate (Chrissy Metz), who is continuing to follow her interest in singing as well as being with her fiancée Toby (Chris Sullivan), Kevin (Justin Hartley), who is working his way to becoming a serious actor in film, and then we have Randall (Sterling K. Brown), who this season is working on bringing in a new member of the family.
Posted in: No Huddle Reviews by Jeremy Butler on September 17th, 2018
I have never really been one for art, and Revolution: New Art for a New World, did little to move me on that particular subject, but it was very informative. I can honestly say that I learned a lot more about the Russian avant-garde period than I knew beforehand, which was basically nothing. This educational film would be very suitable for an art history class or those who are very passionate about art, as it truly does present a great amount of detail regarding the time period. It even goes as far as to interview descendants of the pioneer artists of the era, such as Kazmir Malevich and Wassily Kandinsky. For those among you who are art lovers and want to be able to talk about the avant-garde with some level of understanding and comprehension, I would encourage you to give this documentary a watch.
So what is Russian avant-garde? It was an influential wave of works that were considered experimental, radical, or unorthodox with respect to art, culture, or society. It was an art form that was popular during the Russian Empire and Soviet Union, namely between 1890 and 1930, which covered several art movements such as Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, and Neo-Primitivism. To me that all amounts to one specific term: abstract art.
Posted in: The Reel World by Gino Sassani on September 16th, 2018
"Predators don't just sit around making hats out of rib cages. They conquered space."
In 1987 Predator became somewhat of a milestone film for many reasons. The movie would anchor a franchise thanks mostly to a wonderfully original Stan Winston creature design and the performance of Kevin Peter Hall under the suit. Both Winston and Hall have since passed, but the alien hunter that they created together is still going strong. The film also featured two stars who would later go on to become governors of their states. Arnold Schwarzenegger and Jessie Ventura made their mark in politics. The film also featured Rocky's Carl Weathers. It also featured Shane Black in a small role that might not have contributed to the blossoming franchise then, but he has made his own impact by writing and directing the latest installment of that franchise The Predator.
Posted in: The Reel World by Gino Sassani on September 15th, 2018
There is something about the words “based on a true story” that seems to have a certain effect on us and seems to alter our perception of a film. Then there is something about a true crime story that seems to excite us even more; at least for me, I enjoy these films where we get a glimpse of the seedy underbelly of society. So when White Boy Rick comes along to tell the tale of the youngest FBI informant who also happened to be an arms dealer and drug kingpin, well, this is the kind of film I tend to get excited about. When I first saw the trailer, it had me thinking this could be a hodgepodge of American Hustle, Blow, and Goodfellas all wrapped into one. Unfortunately, though the film has some great talent and oodles of potential, the result is a good-looking mess on the screen.
The film opens up in 1984 where we meet Rick Wershe Jr. (Richie Merrit) and his dad Richard Wershe Sr. (Matthew McConaughey) at a gun show. We get to see the duo hustle one of the dealers as they are purchasing a pair of AK-47’s. What we can pick up on from the start of the picture is that there is a believable chemistry between McConaughey and Merrit that we can believe these guys are father and son. There is also Rick’s sister Dawn (Bel Powley), who has become a drug addict, and we see her early in the film leave home to be with her unsavory boyfriend. Rounding out the Wershe clan are the grandparents, played by Bruce Dern and Piper Laurie. Had the film simply focused just on the family, I believe there could have been a stronger film here, but the relationship between Rick and Dawn is definitely the weak link and becomes a distraction to the story, because she seems to just pop in and out of the film without bringing anything to further the story.
Posted in: The Reel World by Jeremy Butler on September 14th, 2018
The favor, a paramount commitment of friendship. Everyday friends engage in this covenant, without batting an eye. But what if that favor had lasting consequences? That is how this story begins, and it rapidly descends into a tale of love, loyalty, murder, and revenge. Anna Kendrick and Blake Lively join together for a quirky and campy mystery entitled A Simple Favor that I actually must admit that I enjoyed more than I was expecting to. I mean, obviously, Blake Lively is a captivating beauty, and Anna Kendrick is the embodiment of the girl next door. Not to mention no one does that quirky charming persona like Kendrick. However, if I had to pick who was the more entertaining of the two, I would have to give a slight edge to Lively, for reasons that I will soon elaborate on. A Simple Favor is based off a book of the same name. I’m not sure how closely the film followed the book, but I imagine that the audience will not be disappointed with the film.
Kendrick plays Stephanie Smothers, a mommy blogger and single mom whose life became all about her son following the death of her husband and brother in a car accident. When her son befriends another kid in his class, she meets the beautiful and enigmatic Emily Nelson, a working mom who is very outspoken. The two bond during a play date with their kids, and Stephanie begins to really admire Emily and her life with her husband. One day, Emily calls Stephanie and asks a simple favor: pick up her son after school. Stephanie is happy to oblige, but hours quickly turn into days and no word from Emily.








