Posted in: The Reel World by Brent Lorentson on July 13th, 2018
In 2010 there was a little film called Winter’s Bone that came out; it didn’t make a splash at the box office, but it was one of the critical darlings of that year. For many it was the first time people got to see Jennifer Lawrence on screen, and it’s safe to say it is because of that film she is the star that she is today. I remember first seeing Winter’s Bone and being so floored by the film I immediately watched it again, and I had to know who it was that had directed the film. Debra Granik was the woman responsible for the film. It was a name I had never heard before, but it was one I’d be on the lookout for in the following years. Though she did a documentary between projects, it seems the wait is finally over as Leave No Trace is about to hit the big screen.
Will (Ben Foster) and Tom (Thomasin Harcourt McKenzie) are father and daughter who are living off the grid in a park on the outskirts of Portland, Oregon. When we first meet the pair we get a glimpse into their day-to-day life as they forage for food and practice hiding in their environment. It’s in these opening scenes we get to see the happiness these two share while living in this beautiful, lush, green sanctuary, and we can almost understand why someone would want to choose this lifestyle. Whenever the pair is in need of supplies they trek back into the city, where Will stops off at the VA hospital for his check up and receives his medication. Will turns around and sells his pills to nearby homeless veterans, and with that money he buys groceries and supplies with his daughter. It may not be a perfect life, but it’s clear that Will and Tom are happy with how things are.
Posted in: The Reel World by Jeremy Butler on July 13th, 2018
So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot of box office will be out of reach for it, though.
The movie is centered around Cassius Green (Lakeith Stanfield, Straight Outta Compton), a directionless young man who has yet to find something that matters to him. He lives in his uncle’s garage, and he is struggling to find work. Needless to say, he does not have a lot of hope, with the exception of his girlfriend, Detroit (Tessa Thompson, Creed), a talented artist and revolutionary who brings sunshine into our lead’s otherwise dreary world. Eventually he finds work as a telemarketer, but he has trouble keeping his customers on the line. You all should understand; what is your number-one response when someone tries to sell you something? It is only when he receives a tip from a co-worker to use his “white voice” that things begin to turn around for him. Suddenly, he begins to rack up sells left and right, causing him to quickly rise through the hierarchy of the company.
Posted in: Disc Reviews by J C on July 13th, 2018
“This may very well be our last mission, Ethan…make it count.”
You wouldn’t know it from looking at him, but Tom Cruise was 53 years old when he did this film. So it’s only natural to wonder how many more Missions the indomitable superstar has left in him. Well, if Rogue Nation is any indication, the above quote is meant to be more winking than prophetic. Just like its tireless star, the fifth installment of the 19-year-old Mission: Impossible film franchise is spryer, tighter, and more energetic than its age might suggest with the sixth just about to drop at the box office.
Posted in: No Huddle Reviews by Jeremy Butler on July 13th, 2018
No adults? Well, that must be every kid’s and teenager’s dream. No one to tell them what they can and can’t do, what to wear, or how late to stay out. Then again, I suppose if all the adults were transformed into mindless, violent zombies, that might put a damper on the festivities. I know it did for the group from Don’t Grow Up. For this group of juvenile delinquents, they are the last to know that the world as they know it has changed. One minute they are living it up, and the next they are fighting for their lives. Granted, production value is not of the highest caliber. The film more than makes up for it in an engaging story and not shying away from gore in this post-apocalyptic tale.
A group of kids housed in a youth detention center awake one day to find that they are no longer under adult supervision. In fact, they are the only people in the entire facility. It doesn’t take long for them to find trouble; ransacking the administration office, pilfering booze stashed away in a detention officer’s drawer. Things couldn’t be better until they make that fatal (and I do mean fatal mistake): they leave the detention center. Granted, they had little choice given that they ran out of food, but it is then that they learn the reason for their utopia, and there is no going back.
Posted in: Disc Reviews by Gino Sassani on July 12th, 2018
You might call me jaded, but I am pretty disappointed by the state of horror movies. It's not just the last few years. The truth is I haven't seen 10 really good horror movies in over a decade. Now that I've had a chance to see A Quiet Place, that number isn't going up. A Quiet Place is not a really good horror movie. It ends up making a lot of the same mistakes that filmmakers think define a horror film in the modern age. It relies too heavily on jump scares and characters who do some of the most idiotic things, thus placing them in a somewhat self-created dangerous situation. But I will make the argument that A Quiet Place is still a pretty good horror film because of a rather clever and unique concept and a filming process that allows us care for these characters more than the usual horror film red-shirt fodder that too often leaves me rooting for the monster in a Darwin-like weed-out-the-gene-pool kind of way.
The film takes place in a near-future that newspapers place at about 2020. It's now day 86. We are now in the familiar post-apocalyptic world of deserted streets and a family of characters scrounging through the derelict buildings for scraps on which to survive. The difference here is that this family, a husband and wife with three young kids, are going out of their way to remain as completely silent as possible. They communicate strictly through sign language and walk on bare feet to avoid the sounds of footsteps. Each move is carefully calculated to avoid even the careless sound of placing a pill container on a counter. Silence is golden, and before the title card is revealed, we discover the reason for all of this care. The Earth has been invaded by creatures that are blind but with heightened hearing ability. They hunt strictly by sound and move at lightning speed toward any sound and attack with razor-like appendages. These attacks are over in a second, and the viewer is left with graphic evidence that in this future world, silence isn't golden; it's survival.
Posted in: Tuesday Round Up by J C on July 10th, 2018
Shhhhhh…don’t make a sound. No, you didn’t wander into a library, but we are trying to keep things down this week at Upcomingdiscs HQ in honor of a certain surprise horror blockbuster. Paramount made a lot of noise with A Quiet Place in theaters, and we’ll soon have a review of the film in 4K. Elsewhere, Magnolia comes back to haunt us with Ismael’s Ghosts. There's also a pair of theatrical releases we'll be reviewing later in the week: Dwayne Johnson goes to great heights to entertain us in Skyscraper, while Sundance breakout Sorry to Bother You finds its voice.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by David Annandale on July 9th, 2018
"The Secretary is dead. The President has invoked Ghost Protocol. We're shut down. No satellite, safe house, support, or extraction. The four of us and the contents of this car are all that remains of the IMF."
The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done. Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?
Posted in: Disc Reviews by Gino Sassani on July 8th, 2018
"You can tell a lot about a person's character by how they treat people they don't have to treat well."
It had been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise, and added ‘action hero’ to Tom Cruise’s resume, and six years since John Woo’s highly stylized follow-up raised the franchise to new box office heights. In 2006 the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics. It was feared that the happenings of Cruise’s personal life would somehow bring down this movie; the previous two films did set the bar pretty high. Mission: Impossible 3's U.S. box office take did appear to suffer from the public backlash to its headliner’s wacky rants and questionable actions. J. J. Abrams’ top-notch action flick likely deserved better. But the third film could have put a halt to any future missions by posting the worst box office of the franchise to date. The $134 million box office was down considerably from the expected $200 million that was reached by all of the other films. As it was there would be another nearly six-year gap before the next outing.
Posted in: The Reel World by J C on July 6th, 2018
Earlier this summer, the Marvel Cinematic Universe was turned upside down in a snap. Avengers: Infinity War was the culmination of 10 years worth of origin stories and world-building. That blockbuster featured (almost) every MCU hero in the galaxy, universe-spanning stakes, and an unforgettable cliffhanger. So you can excuse Marvel for scaling things back (waaaaay back) with its next entry. Of course, any superhero flick that came immediately after Infinity War was going to feel small by comparison, so who better to take on that task than the tiniest hero of them all?
“So...how long have you been Ant-Man again?”
Posted in: Disc Reviews by Gino Sassani on July 5th, 2018
"This is not Mission: Difficult, Mr. Hunt. It's Mission: Impossible. Difficult should be a walk in the park for you."
After four years and nearly $200 million at the box office, it was only a matter of time before Paramount and Tom Cruise would partner again for a new Mission Impossible film. This time the move would be completely toward the action and stunts and farther away from the television series. The hiring of John Woo to direct the second film put quite a punctuation mark on that move. This time there would be no mistake. Mission: Impossible 2 would be a no-holds-barred action adventure across the globe, and with Tom Cruise once again doing the majority of these hair-raising stunts himself, much to the concern of the new director and crew. The stakes had to be higher, and Woo was the perfect choice for that kind of film.
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