Upcomingdiscs was at the Tampa premier of Followers. I found the film to be quite good and a nice turn on the found footage format. Director Ryan Justice delivered and the home-field crowd stuck around to hear him and other cast and crew members. The house remained full even at 1:00 AM. The film still has the rest of the week to run in 10 cities across the nation. If you are in one of those towns I highly recommend you get yourself a seat. (Check below for a screen near you. Just click on the image to get a better view.) I'll be covering the film in more detail in the weeks to come. I was lucky enough to be invited to hang out with Ryan and film star Nishant Gogna over beer and iced tea while they prepared for the big night. Now you can sit in on some of my conversation with Ryan Justice. Just bang it right Here.

I respect that you love your group, but it’s time for you to move on.”

The first Pitch Perfect movie arrived in Fall 2012 as a goofy, energetic, underdog surprise that charmed audiences with its funny jabs at (and genuine affection for) a capella music. But as the trilogy (allegedly) comes to a close a little more than five years later, the only quality that this popular, profitable franchise managed to retain from that previous sentence was “goofy.” The saucy tagline for this movie is “Last Call Pitches,” and everyone involved seems ready to hang up their pitch pipes.

When Pacific Rim first came out, I had a blast with the film.  It was the ultimate giant-monster-versus-giant-robot film that my inner ten-year-old has wanted to see for so long.  Sure, the film had some dialog issues, but the world that Guillermo del Toro created with the film was so over-the-top and beautiful that the bad dialog was easy to forget.  It knew what it was, brainless eye candy, and it delivered in a big way. Now we have the sequel coming out; del Toro is no longer at the helm, and in his place we have Steven S. DeKnight whose previous directorial efforts have been episodes from Daredevil and Dollhouse.  Does the sequel hold up?  Well, to put it bluntly, not even close.

John Boyega has been an actor I’ve appreciated since I first saw him in Attack the Block. Seriously, if you haven’t seen Attack the Block yet, stop wasting time and see this immediately. While I’ve enjoyed seeing him in the new Star Wars films, I just feel he’s an actor who hasn’t gotten the appreciation he deserves, and for a while when I saw he was going to be in Pacific Rim: Uprising I had hopes that this could be the film that put him over the top.  He comes into Uprising playing Jake, the son of the famed hero of the jaeger/kaiju Stacker Pentecost who was played by Idris Elba.  He wants nothing to do with that legacy and instead has become a thief in the world that is still in ruins from the kaiju attacks that occurred ten years prior.  It’s while he is trying to steal tech from an old jaeger that he runs into Amara (Cailee Spaeny), who is stealing jaeger tech of her own so she can finish building one herself. The two, though, are eventually caught, and instead of serving jail time the powers that be decide to send them to Top Gun…I mean jaeger training.  How this makes any sense is a stretch at best, but this is a movie about monsters the size of skyscrapers, so logic I suppose should really be left at the ticket counter.

After six seasons I don't really think of Major Crimes as a spinoff from The Closer. It has gone on to establish itself as a much better show than its former version ever was. We have become very comfortable with most of these characters, and the series isn't really looking over its shoulder anymore, if it ever did. This is one of those shows that's just easy to watch. There might not be anything groundbreaking going on here, but it feels like that old worn shirt that you love to wear because it just feels good having it on. That's the kind of thing that can go on for many years, and it did. But Major Crimes is shutting its doors with this sixth and final season now available on DVD from Warner Brothers.

Pretty much the rest of The Closer’s cast remained intact for its six years. The senior officer on the team is Lt. Provenza (Bailey), and he's become the field commander of the team over the years. There's Lt. Andy Flynn (Denison) finally getting married to Commander Sharon Raydor, who originally came from Internal Affairs and was not instantly beloved. But Mary McDonnell gave the role some life, and she became a bit of the show's emotional center. Lt. Tao (Chan) is still one of the tech experts, along with Buzz (Keene), who also serves as the videographer of the unit. Buzz gets a promotion to reserve officer, but he’s still pretty much the guy with the camera. Detective Sanchez (Cruz) is back after suffering a death in the family. He still loses his cool a little, but I found him an awkward character this season. The delivery has changed to an almost deliberate tight, calm cadence. He's obviously struggling to keep his temper under control. Dr. Morales (Del Arco) has a bit of a testy relationship with the police unit this season. It's nice to see some strain here. The unit also includes Kearran Giovanni as Detective Amy Sykes. Last season the show added the rather dry Detective Wes Nolan, played by Daniel di Tomasso. He fits in rather quickly as far as chemistry goes with the unit. Of course, as an undercover cop he was used to being pretty much on his own, so he's still learning the whole teamwork thing. This season we see the arrival of a new and interesting character. Detective Camille Page is brought over from Missing Persons because of her expertise in dealing with missing children cases. (More on that later.) She's played by Jessica Meraz and is a fiery detective not used to being a part of a team. She likes to finish other people's sentences and was mentored years ago by Provenza. The standout character has to be Lt. Provenza, played by M*A*S*H’s G.W.Bailey. The character is actually a lot like that show’s Rizzo. Just pretend that he finally got out of the Army and got into law enforcement. He’s always complaining and getting into trouble, but he’s smart, and his instincts are often dead-on.

When Calls the Heart is already five seasons in and has been a fan favorite of the Hallmark Channel.  It’s no surprise that the channel would take a chance with the show and develop a movie from the material that author Janette Oke has created. As a show that plays on the Hallmark Channel, it should come as no surprise that it is wholesome and filled with values that you don’t often find on the cable networks.  In this day and age a little bit of wholesome television can be a nice change of pace; after all, for many all they see is the sex and violence that flood the airwaves. It’s hard to find entertainment that is safe for the whole family to watch. But just because it’s something for the whole family to watch, is it any good?

I’ll admit I never heard of the show when I picked up the film to review it.  I’m all for mixing things up and giving all genres a fair shake, though I have to admit I was a bit leery of this title. On the bright side, despite the series already being five seasons in, there is no need to have any prior knowledge of the show to appreciate the film.  The small town of Hope Valley and its residents is well drawn out for first time viewers and understanding the town dynamic is easy to follow as we are introduced to  each of the members of the town.

“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.” 

The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.   

Many of our followers know that Upcomingdiscs is headquartered in sunny Tampa, Florida. Except for the occasional hurricane, it's a pretty bright place to live. It looks like something dark is on the way and it isn't a storm. Tampa Bay filmmaker Ryan Justice and his crew have invaded our paradise with their new found-footage thriller Followers. The film will premier at the Movie Studio Grill at the University Square Mall Friday (March 23rd) starting at 11:00 PM. Some cast and crew will be on-hand for fans. If you're not in the area you get a perfect chance to catch the film on-line. The powers that be are handing out TEN ($10) iTunes Gift Cards to 10 lucky Upcomingdiscs readers. You can pick up your own copy of the film when it streams March 23, 2018. I'm going to pick a new winner every day starting on Friday the 23rd for 10 days. Once you enter you are eligible for the entire run of the contest.

To win a copy of this prize, follow these instructions.

I can’t think of a real life cop who is more famous than Frank Serpico. Ever since the film Serpico was released in 1973, people around the world knew the name of the cop who singlehandedly attempted to end corruption in the NYPD. Al Pacino made the character famous, and the name continues to live on in pop culture, but now we have the documentary Frank Serpico to tell the story from the man himself.  The film that follows is not just about the man and his crusade against the NYPD, but it also serves as a reflection with the man 45 years following his time in the department. Back then he took a bullet for speaking out about the corruption. Have the man or ideals changed over the years?  That is what the documentary sets out to find out.

The film opens up with Frank discussing how his daily ritual before work was to act as though he were about to put on a performance.  Well, it’s been 45 years, and the man continues to perform; that is the first thing that stands out to me about this production. He has no problem admitting that he is a bit eccentric, but what you can’t miss is that he seems to be playing the role of Frank Serpico rather than simply being himself. In interviews with friends and fellow officers, this is brought up as they discuss how Frank seems to feel obligated to live up to certain expectations that the film and his celebrity has created.  Personally this was something I wish was explored more so we could truly have a chance to understand the man, because everything else that follows in the film just seems like an act. I don’t fault Frank for this, but rather the director Antonino D’ Ambrosio for not wrangling his subject in.  Is Frank’s story any less interesting because of this? Not a chance, because Frank carries this documentary along from start to finish.

"If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to destroy it all." 

A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated, and that would be a bit of a shame no matter what it looked like. Andy Serkis has changed my mind a bit over the years, but along came Guillermo del Toro to restore my faith in the idea of a man in a costume once again. Del Toro is a self-avowed fan of the Universal horror films and has thrown his hat into the Creature ring in the past. Universal didn't quite see it then. They had their own Dark Universe plans. Now I've had the chance to see The Mummy as part of the Dark Universe and was instantly underwhelmed. But after seeing del Toro's The Shape Of Water, I think it's time Universal took another look at their Creature From The Black Lagoon plans. Bang it here to listen to that Joe Dante chat: Joe Dante Interview.

"We have to be ready. You, me, the others... there's an attack coming from far away."

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however, DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman vs. Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn't quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it's not a bad film, either. Superman actually smiles and has begun to return to the "golly" innocent of his best comic years. This film may not be everything we fans of both brands were hoping for, but it's actually a good start.