Posted in: No Huddle Reviews by Brent Lorentson on March 22nd, 2018
When Calls the Heart is already five seasons in and has been a fan favorite of the Hallmark Channel. It’s no surprise that the channel would take a chance with the show and develop a movie from the material that author Janette Oke has created. As a show that plays on the Hallmark Channel, it should come as no surprise that it is wholesome and filled with values that you don’t often find on the cable networks. In this day and age a little bit of wholesome television can be a nice change of pace; after all, for many all they see is the sex and violence that flood the airwaves. It’s hard to find entertainment that is safe for the whole family to watch. But just because it’s something for the whole family to watch, is it any good?
I’ll admit I never heard of the show when I picked up the film to review it. I’m all for mixing things up and giving all genres a fair shake, though I have to admit I was a bit leery of this title. On the bright side, despite the series already being five seasons in, there is no need to have any prior knowledge of the show to appreciate the film. The small town of Hope Valley and its residents is well drawn out for first time viewers and understanding the town dynamic is easy to follow as we are introduced to each of the members of the town.
Posted in: Disc Reviews by J C on March 22nd, 2018
“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.”
The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.
Posted in: Contests, Expired Contests by Gino Sassani on March 21st, 2018
Many of our followers know that Upcomingdiscs is headquartered in sunny Tampa, Florida. Except for the occasional hurricane, it's a pretty bright place to live. It looks like something dark is on the way and it isn't a storm. Tampa Bay filmmaker Ryan Justice and his crew have invaded our paradise with their new found-footage thriller Followers. The film will premier at the Movie Studio Grill at the University Square Mall Friday (March 23rd) starting at 11:00 PM. Some cast and crew will be on-hand for fans. If you're not in the area you get a perfect chance to catch the film on-line. The powers that be are handing out TEN ($10) iTunes Gift Cards to 10 lucky Upcomingdiscs readers. You can pick up your own copy of the film when it streams March 23, 2018. I'm going to pick a new winner every day starting on Friday the 23rd for 10 days. Once you enter you are eligible for the entire run of the contest.
To win a copy of this prize, follow these instructions.
Posted in: No Huddle Reviews by Brent Lorentson on March 21st, 2018
I can’t think of a real life cop who is more famous than Frank Serpico. Ever since the film Serpico was released in 1973, people around the world knew the name of the cop who singlehandedly attempted to end corruption in the NYPD. Al Pacino made the character famous, and the name continues to live on in pop culture, but now we have the documentary Frank Serpico to tell the story from the man himself. The film that follows is not just about the man and his crusade against the NYPD, but it also serves as a reflection with the man 45 years following his time in the department. Back then he took a bullet for speaking out about the corruption. Have the man or ideals changed over the years? That is what the documentary sets out to find out.
The film opens up with Frank discussing how his daily ritual before work was to act as though he were about to put on a performance. Well, it’s been 45 years, and the man continues to perform; that is the first thing that stands out to me about this production. He has no problem admitting that he is a bit eccentric, but what you can’t miss is that he seems to be playing the role of Frank Serpico rather than simply being himself. In interviews with friends and fellow officers, this is brought up as they discuss how Frank seems to feel obligated to live up to certain expectations that the film and his celebrity has created. Personally this was something I wish was explored more so we could truly have a chance to understand the man, because everything else that follows in the film just seems like an act. I don’t fault Frank for this, but rather the director Antonino D’ Ambrosio for not wrangling his subject in. Is Frank’s story any less interesting because of this? Not a chance, because Frank carries this documentary along from start to finish.
Posted in: Disc Reviews by Gino Sassani on March 21st, 2018
"If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to destroy it all."
A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated, and that would be a bit of a shame no matter what it looked like. Andy Serkis has changed my mind a bit over the years, but along came Guillermo del Toro to restore my faith in the idea of a man in a costume once again. Del Toro is a self-avowed fan of the Universal horror films and has thrown his hat into the Creature ring in the past. Universal didn't quite see it then. They had their own Dark Universe plans. Now I've had the chance to see The Mummy as part of the Dark Universe and was instantly underwhelmed. But after seeing del Toro's The Shape Of Water, I think it's time Universal took another look at their Creature From The Black Lagoon plans. Bang it here to listen to that Joe Dante chat: Joe Dante Interview.
Posted in: Disc Reviews by Gino Sassani on March 21st, 2018
"We have to be ready. You, me, the others... there's an attack coming from far away."
The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however, DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman vs. Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn't quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it's not a bad film, either. Superman actually smiles and has begun to return to the "golly" innocent of his best comic years. This film may not be everything we fans of both brands were hoping for, but it's actually a good start.
Posted in: Tuesday Round Up by J C on March 20th, 2018
After last week's jam-packed Round Up, we decided it might be a good idea to downsize. More specifically, we'll be reviewing Paramount's inventive satire Downsizing in 4K. (The film stars Matt Damon, Kristen Wiig, Christoph Waltz, and others.) Meanwhile, Universal does it vocal exercises in preparation for Pitch Perfect 3 (4K), the final(?) chapter in the popular aca-trilogy. Elsewhere, Fox stylishly travels back in time for Archer: Season 8 (Dreamland), while Shout! Factory goes north of the border to answer When Calls the Heart: The Heart of Homecoming.
Before you run off until next week, here's for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Gino Sassani on March 19th, 2018
The yesteryears of Disney were full of classic movies, from Aladdin to 101 Dalmatians. Each of those films holds a special place in my heart due to its warmth and very colorful, cute story. Having never seen Lady and the Tramp before picking up this early copy, I didn’t know what to expect of the film. Many declare it to be one of Disney’s best, which is certainly a remark that is quite distinguished. Would Lady and the Tramp capture my emotions and heart like so many old, classic Disney films did years ago? Read on to find out.
The basic story to Lady and the Tramp is as follows. A man named Jim Dear gives his wife Darling a mysterious box for Christmas. Inside that box is the ever-so-cute little cocker spaniel puppy, which Darling decides to name Lady. Lady spends most of her period growing up with two neighborhood dogs, Trusty and Jock. One day a dog named Tramp walks over the railroad tracks. When Darling has a child, we are introduced to two super ugly and vicious cats, Si and Am, courtesy of Aunt Sarah. Due to these evil cats and the new baby, Lady winds up in the doghouse. What happens next is cinematic history: the spaghetti scene and the start of a romance between Lady and Tramp.
Posted in: The Reel World by Brent Lorentson on March 16th, 2018
For some reason, adapting videogames into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover and work its way through the reboot machine. This is a reboot, though, I don’t mind; after all, the videogame gave its featured character a makeover and decided to tell the story of a much younger Lara Croft. As for the film, how did it do as it followed the game's footsteps by casting a younger actress to fill the role?
Tomb Raider is kind of a big deal for Warner Bros. Sure, they kicked in a lot of money for this film but, more importantly, this was obviously a potential tentpole franchise that they hoped to squeeze several sequels out of. Because of the franchise potential, it is no surprise that they would cast a younger talent for the role of Lara Croft, and for me Alicia Vikander is great choice. For those unfamiliar with Vikander, I simply can’t recommend Ex Machina enough. Is she Angelina Jolie? No, but that’s okay; times have changed and, instead of sexualizing the role, we get a more grounded and relatable take on the character.
Posted in: No Huddle Reviews by J C on March 16th, 2018
“I was just trying not to offend you and yet I wound up offending you, which is quite ironic.”
Six long years passed between the last Curb Your Enthusiasm episode in 2011 and the show's season 9 premiere last fall. And yet it only takes about two minutes for Larry David — the curmudgeonly comic genius who stars as an exaggerated(?) version of himself on the long-running HBO sitcom — to utter the words above after inadvertently offending his latest unsuspecting victim. In other words, even though portions of this season feel creakier than past years, it is absolutely great to have Curb back!
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