When it comes to the Italian western aka the spaghetti western, the first director who comes to mind is Sergio Leone (The Good The Bad And The Ugly); and then there is Sergio Corbucci.  While Leone was blazing a successful career, Corbucci first came onto the scene with his film Django. The film was dirty, violent, and mean.  For those who are only familiar with the Quentin Tarantino version of Django, well, you’ll definitely see the films are drastically different aside from them both being revenge films. Much later on Corbucci got the chance to follow up his first big hit with another western, The Great Silence. I had gotten to see this dark western before, though it was in the form of a bootleg copy.

Irreverent, totally off-the-wall, and exaggerated are the good things about the dark comedy Death of Stalin.  The film goes bonkers on the Russian regime lead by Stalin as they picture the death of their leader in 1953. In actuality when the Soviet leader died rumors were rampant on whether it was ordinary or murder; well, this film isn’t going to answer that question, but it’ll lay to rest the madness of it all. You don’t have to be a historian to enjoy the film, just be able sit back and laugh at what may or may not have taken place.

“You’re not good...you’re super.”

For a while, it honestly felt like Disney/Pixar was messing with us. When The Incredibles swooped into theaters in 2004, it was simultaneously one of the best animated/action/superhero movies I’d ever seen. Plenty of people shared that opinion, so a sequel seemed like a no-brainer. That’s why it seemed like a cruel joke when we got not one but two forgettable Cars sequels before The Incredibles got a chance to suit up again. Guess what…the wait is officially over!

"It's a beautiful day in the neighborhood. A beautiful day for a neighbor. Could you be mine?
Would you be mine?"

Anyone who was a kid from the 1960's to the 1990's and beyond recognizes Mr. Rogers and his Neighbor Song. The man defined children’s programming for television, and he did so from a small studio tucked away in Pittsburg, Pennsylvania for almost 40 years.

“Americans are loud, aren't they?”

Oh Lucy! earns the exclamation point in its title within the first two minutes. The movie opens with a shocking leap that is meant to jolt the audience, but barely causes our disaffected heroine to raise an eyebrow. It's played off as a throwaway moment, but it establishes the fact that this quirky Japanese/American dramedy with oodles of personality probably isn't going to go where you expect.

For some reason, adapting video games into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure, it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover and work its way through the reboot machine.

“Why are they doing this to us?”

Back in 2008, The Strangers stalked its way into theaters. The movie was an especially nasty bit of home invasion horror; its stunningly simple premise (three masked psychos terrorize doomed couple) and the random nature of its killings was both what the movie's fans admired about it and what left its detractors wanting more. Ten years later, The Strangers: Prey at Night hits a lot of the same notes while incorporating a self-aware tone about horror movies and some '80s-inspired flair. Call it The Strangers Things.

“A straight line…you just go, and you never…look…back.”

Well, I hope you’re ready to have everything you know about the Terminator franchise turned on its head. As a franchise known for his alternative timelines where the things we come to know are often turned around, my previous statement may sound like the usual bread and butter to you. However, I must say that I feel like the latest incarnation of the franchise, Terminator Genisys, has really outdone itself this time.

“I am someone who wakes up in a different body every day.”

Every Day manages to be both clumsily straightforward and frustratingly vague about its fantastical premise. The movie centers on a mysterious traveling spirit known as “A,” which — as you can read above — inhabits a different body every day. Unfortunately, there's little-to-no exploration as to why or how A (conveniently) only inhabits the bodies of camera-friendly teens. The best thing about this premise is that it injects the otherwise tired and homogeneous teen romance genre with a new look. (Actually, it ends up being closer to 15 new looks.)

Summer continues to heat up, and so does our weekly Tuesday Round Up! This week’s crop of releases features action, comedy…and titles that contain plenty of both! Warner Bros. goes digging for adventure with Tomb Raider (4K), the big-screen reboot of the mega-popular videogame franchise. If you’re looking for laughs AND action, Paramount has you covered by releasing the Eddie Murphy one-two punch of Trading Places and Coming to America on Blu-ray and the Jerry Lewis 10-Film Collection before changing gears and giving everyone’s favorite time-travelling killer cyborg a UHD makeover with Terminator: Genisys (4K). And if you want to watch a really nice guy run for a long time, Paramount is also releasing a little movie called Forrest Gump (4K). Universal keeps the laughs coming with Will & Grace — The Revival: Season 1, but also gets scary with The Strangers: Prey at Night. Last but not least, Fox injects some romance into the week with teen dramedy Love, Simon.

Of course, I couldn't go on and on about all this great action and great comedy without mentioning the sequel to a movie that did both at the highest level: later this week, we’ll have a review for Disney/Pixar’s The Incredibles 2. On top of that, Warner Bros. tries to avoid being “it” with Tag, while Focus Features throws on a cardigan and revisits beloved icon Mister Rogers with Won’t You Be My Neighbor. Before you run off until next week, here's for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!