There is a sense of dread that unintentionally comes along with an independent science fiction film. Despite how far technology has come, it seems that for a science fiction film to really be impressive they need a reasonably decent VFX budget or suffer with a look that often times appears cartoonish by comparison of the larger-budget films. The Osiris Child somehow manages to not just create a grounded realistic futuristic world, but even manages to use practical effects to create some nasty-looking monsters and not pull its punches with the scope of its story. In a film that seems to be parts Elysium and parts Pitch Black; this might be the most ambitious effort I’ve seen in the genre that manages to succeed in many ways.

"Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. Searching every star, every world. And just when all hope seemed lost, message of a new discovery drew us to an unknown planet called... Earth."

In this version of Transformers, Earth is caught up in an age-old conflict between two factions of an Autobot society.

Sounds like you don't have a lot of faith in faith.”

You know how sports teams retire the jerseys of their most beloved, outstanding players so that no one can ever wear their number again? Well, we are well past the point where movies about exorcisms need to be hanging from Hollywood's rafters. Simply put, no one has ever come close to doing it as well as William Friedkin did almost 45(!) years ago with his adaptation of The Exorcist. If anything, The Crucifixion is an even more egregious misfire than other head-spinning stabs at the genre because this movie is actually based on an intriguing, horific real-life case.

The Despicable Me series that includes Minions never seems to get tiring as they extend their comedy one more time with Despicable Me 3, opening this weekend. The key to the filmmaker’s success is the handling of the characters and inserting them into the animated movie with a plan in mind. That plan consists of starting with a little comedy involving the Minions, then working into some intense action that leads to a champion who either succeeds or fails. In the meantime there are multiple stories going on with each one targeting certain audience members.  Sounds complicated? Well, the best comedy adventure is intricate, and Illumination Studios does that very well.

I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. These gift guides ARE NOT paid advertisements. We take no money to publish them. The kinds of things we recommend here are things I would be delighted to find under the tree.

CBS still has the highest rated dramas on television. There have been quite a few good DVD sets from the network in 2017. Here's a look at my recommendations

It is difficult to become invested in a group of characters in just six episodes, but I can say in the case of The Good Karma Hospital, by the time we reached the season finale, I was definitely invested. The story of a big city doctor who leaves her life behind in favor of a journey of self-discovery in a foreign locale is not precisely a new tale, but it is unfolded in such a charming way that you will find yourself willing to overlook its sometimes predictable nature. With a backdrop in south India, the show takes place in a public and underfunded hospital unofficially run by a strong-willed and surly matriarchal character. Mix that with our fish-out-of-water junior doctor, and you get a dynamic reminiscent of the relationship between J.D. and Dr. Cox. Extremely charming and unafraid, they tackle serious issues that plague an underfunded hospital. The Good Karma Hospital is a worthwhile watch.

Earlier this year, the fifth film in the Transformers franchise made its UHD debut. This week, the rest of the robots in disguise arrive in 4K! Thanks to Paramount, we'll soon have reviews for Transformers (4K), Transformers: Revenge of the Fallen (4K), Transformers: Dark of the Moon (4K), and Transformers: Age of Extinction (4K). Elsewhere, RLJ Entertainment goes out of this world with The Osiris Child: Science Fiction Vol. 1 while Omnibus Entertainment crowns The White King. Finally, Lionsgate loses its religion with The Crucifixion.

While this is the start of a new month, you're going to get the same ol' reminder: if you’re shopping for anything on Amazon — maybe a Christmas present for a loved one — and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Coming along the heels of Straight Outta Compton, the new HBO documentary series The Defiant Ones takes a more in depth at the life and career of Dr. Dre as well as famed musical producer Jimmy Iovine.  The 4-part series comes out to over four hours of interviews and stock footage that spans over the course of both of their careers, and as a result we get a comprehensive look at the music industry like we’ve never seen before.

If you live in the Tampa Bay Area you absolutely must check out the Tampa Bay Underground Film Festival. They have some amazing films from some up and coming artists in the field. Check out the schedule of films at the Tampa Bay Underground Film Festival. Do a little Holiday shopping, enjoy a meal and then see some great independent films.

“Cauliflower.” 

When Steven Soderbergh announced his retirement from directing films in 2013, it was an announcement that was followed by shock and disappointment for fans and others in the industry.  He was a workhorse who managed to deliver a variety of art house titles (The Girlfriend Experience) and then numerous successful blockbusters (Ocean’s 11, 12 & 13) that seemed to always allow him to make films by his own rules. Soderbergh makes his return to film with a heist film that uses West Virginia as its backdrop and NASCAR as its target. It’s familiar subject matter, but it’s the characters that separate this film from the rest of the pack.