Following the success of The Conjuring, it was no surprise that sequels would follow, but I have to admit seeing an Annabelle film was a bit unexpected. While The Conjuring was based on true events (as true as one may or may not wish to believe in the paranormal), Annabelle was mostly a work of fiction. I’ll admit I’m a bit of the fan of the Warrens and have read plenty about their investigations, and I certainly feel their life is ripe for the Hollywood treatment along with the hundreds of case files they developed over the years.  While the first Annabelle did well at the box office, it took a beating by critics, but those involved at the studio see that there is still money to be made as they continue to expand the franchise.

Big Little Lies — HBO’s star-studded and (deservedly) Emmy-nominated limited series — is structured like a typical murder mystery. We know someone has been killed, but we don’t know the perpetrator or even identity of the victim. On top of that, the limited series format promises that we’ll actually have an answer by time these episodes wrap up (**cough** The Killing). But the reason Big Little Lies shines— other than top-notch performances and stellar direction — is because beneath the murder-mystery veneer lies a darkly funny drama about all manner of adult relationships: husband/wife, ex-husband/ex-wife, mother/daughter, mother/fellow-mother, and so on.

When we begin the second season of Blindspot, three months have passed since the first season's explosive finale. We are placed back in the action with the same time having passed on the show. Jane (Alexander) has been kept at a covert CIA black ops location where she is being tortured for information. It is a fortuitous time to rejoin the action, because we arrive just in time to see her engineer a clever escape. Meanwhile Kurt Weller (Stapleton) and his team have been back to more mundane FBI cases, and it's obvious they miss the excitement of working the tattoos. They're about to get their wish, and things are about to get pretty intense as we join the sophomore season of Martin Gero's Blindspot.

In the early 1870’s the residents of Labette County, Kansas, lived alongside a family of serial killers. Known later as “The Bloody Benders,” their modus operandi was to lure travelers into their grocery store, invite them to stay for dinner, crush their skull with a hammer, and slit their throat to ensure death. Afterward, they would bury the remains somewhere on their property. Just as soon as they had been discovered, they vanished without a trace, making it difficult to ascertain if all the details we know are factual or fictional. However, stories like these are the perfect playground for filmmakers, as they are able to take as many creative liberties as they would like, and in the end, they need only say its “inspired by true events.” That being said, Bender is one of many adaptations of these events, but it looks to be one of the only films that explicitly deals with the actual Bender family and their specific victims.

Putting a twist on the original movie Going in Style, director Zach Braff does a good job of reviving the comedy for modern-day audiences.  He turns up the laughter with memorable situation comedy and actors who can deliver some of the best one-liners.  It’s a lot of fun for a date night or just a chance to get away from the humdrum to laugh a little. Retired and trying to scrape by on his retirement check, Joe Harding (Michael Caine) is about to hit an unexpected brick wall. With his mortgage in jeopardy from lack of timely payments and his granddaughter needing help with tuition, he’s in a very tight spot.  His best friends Albert Garner (Alan Arkin) and Willie Davis (Morgan Freeman), who have been living together for the past 25 years to curb expenses, are about to be in the same boat.

The competition for TV viewers' eyeballs has never been fiercer, so it's hard for any network drama to make a lasting mark. The sexy and mysterious amnesiac at the center of Blindspot knows a little something about lasting marks...her entire body is covered in cryptic tattoos! Star Jaimie Alexander's Jane Doe might not recall much, but we remember the hit NBC drama just fine and we'll soon be taking a glance at Blindspot: Season 2, courtesy of Warner Bros. Meanwhile, IFC is at the head of the pack with Wolves, while Paramount puts up its Duke-s with a Rio Lobo/Big Jake John Wayne Double Feature on Blu-ray.

Now it's time for your weekly reminder before signing off: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Extraordinary people come with singular issues and needs.”

On the surface, being blessed with a genius-level intellect seems like good thing, right? So it's interesting that movies about uncommonly smart people (Good Will Hunting, A Beautiful Mind, and The Imitation Game to name a few) tend to focus on the extreme isolation and inevitable exploitation of these individuals. Gifted is about a potential “one-in-a-billion” math prodigy and her weary, protective uncle, who carries himself like someone who's seen too many movies about exploited geniuses and knows full well that “nobody likes a smart-ass.”

"Survival of the fittest. It's the law of the jungle. There's always someone trying to take what's yours. How do I know? It almost happened to me."

Where the heck has Alec Baldwin been lately? I seem to recall he was a pretty hot A-list movie star actor at one time. There was The Hunt For Red October, and then there was... OK, forget the A-list movie star bit. He was really an A-list television star. He killed it in 30 Rock and then of course there was... OK. Re-set. Now I remember. There was that hugely popular radio talk show he had going on for, what was it, five minutes?

"In the future, the line between human and machine is disappearing. Advancements in the technology allow humans to enhance themselves with cybernetic parts. Hanka robotics, funded by the government, is developing a military operative that will blur the line even further. By transplanting a human brain into a fully synthetic body, they will combine the strongest attributes of human and robot." 

...and resistance is futile. OK. Wrong franchise.

In times of war it is very easy to think of your enemy as the embodiment of evil. Sometimes it is necessary to do so. However, more often than not, the person on the other side of the line is just like you, a patriot doing their duty for their country, with mild to moderate understanding of the overall big picture. 1944 helps to illuminate this point, as the audience gets to experience the war from both sides of the battle. In this case it was Estonians fighting on both sides, further complicating the morality of the situation.