Posted in: Disc Reviews by Gino Sassani on July 3rd, 2017
"What have you been up to in your little zoo?"
It appears that we have been due for one of those untold stories amid the many tales of courage and bravery both fact and fiction, real and imagined, that have been told of the World War II era. There have been plenty of the battlefield hero films that include last year's exceptional Hacksaw Ridge from Mel Gibson. Then there are the quiet and unlikely heroes. These are people who did incredible things that were often unknown during the war and often even after it was all over. Schindler's List has become the gold standard for these kinds of emotional war movies. The Zookeeper's Wife is set in the mold of that kind of a film, telling essentially that very kind of tale. Here the action begins with the invasion of Poland, which was the spark that ignited a local territorial conflict into a global event. It is here at the moment of that spark we find Antonina Zabinski, played by Jessica Chastain, who used her small local zoo to save nearly 300 Jews from the Nazi extermination machine, failing with only two souls during the entire war. This is that untold story which most of you will discover for the first time.
Posted in: The Reel World by Brent Lorentson on July 2nd, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to films in the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and as fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead, he was a writer and director that I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin he got pulled away and replaced. When it got announced he was working on an action-comedy named Baby Driver well I was excited but the film’s title had me scared, fears of him doing something along the lines of Baby’s Day Out ran through my mind, but then as the cast started to assemble I couldn’t help but get excited. Kevin Spacey, Jamie Foxx, Jon Hamm, Jon Bernthal and these were simply the co-stars. Then when the first trailer dropped this became the title of the year for me to keep an eye on. While this might not be the kind of film that gets nominated for best picture, for me this had potential to simply be an experience, the kind of fun you hope to have when you see a movie.
So who is Baby? Ansel Elgort heads this film with the title name and for most he’s a guy that’s come out of nowhere. He’s been in The Divergent series and The Fault in our Stars, but Baby Driver is his first step into the spotlight and as I mentioned above he is surrounded by some major talent. The casting of Baby is key. Picking up a relative unknown works because the audience doesn’t know what to expect from this guy, and this works in the film as he’s surrounded by some dangerous heavy hitters in the crime world and they see this kid with his I-pod, they can’t help but wonder what’s up with this guy. Our intro to Baby Driver, wastes no time at showing us just what Baby can do as he is the getaway driver for a bank heist in Atlanta.
Posted in: The Reel World by John Delia on July 1st, 2017
The Despicable Me series that includes Minions never seems to get tiring as they extend their comedy one more time with Despicable Me 3, opening this weekend. The key to the filmmaker’s success is the handling of the characters and inserting them into the animated movie with a plan in mind. That plan consists of starting with a little comedy involving the Minions, then working into some intense action that leads to a champion who either succeeds or fails. In the meantime there are multiple stories going on with each one targeting certain audience members. Sounds complicated? Well, the best comedy adventure is intricate, and Illumination Studios does that very well.
The lovable characters are back again with a new twist on Gru’s (Steve Carell) employment. It seems that the government has hired him as a partner for Lucy (Kristen Wiig) in the secret service following their marriage. Gru, now an agent looking for the bad guys instead of being one himself, seems to have found his goal in life.
Posted in: Disc Reviews by Brent Lorentson on June 30th, 2017
From the vaults of Vestron Video has unleashed The Unholy for horror fans to indulge in for the first time on Blu-ray. Growing up and going to a Catholic school, films like The Exorcist and The Unholy managed to be all the more terrifying to me because the prospect of demons coming from hell was thought to be a possibility. Sure, Freddy and Jason could get the young me nervous at night, but what films like The Unholy presented were the kind of thoughts that had me afraid to keep the lights off at night. But does the film hold up decades later? That’s a tough call, but with the new digitally restored version of the film now hitting the shelves, it’s worth grabbing a little holy water and checking out.
Father Michael (Ben Cross) is simply your typical priest and is called out to a location where a man threatening to jump from a balcony is requesting to speak with the priest. Meeting with the man on the ledge, Father Michael seems to feel he’s gotten through to the suicidal man, and through a bizarre incident, Father Michael is pulled from the safety of the room through a window and falls to what should have been certain death. Yet by a miracle or simple luck, the priest manages to survive nearly unscathed, and the members of the church begin to believe he is special, “the chosen one,” and in the process he is placed in charge of his own parish.
Posted in: No Huddle Reviews by Brent Lorentson on June 29th, 2017
When it comes to Writer, Director, Producer, Walter Hill is simply one of the best at doing the traditional tough-guy movies. Films like The Warriors and 48 Hours are simply staples of my childhood; he even was involved with Alien, which I believe is one of the best sci-fi/horror films ever made, yet his star has seemed to fade as the years have passed. His work on the underappreciated Bullet to the Head I felt was a nice throwback to the features he made back in his heyday and had me realize how much his voice is missed in today’s cinema. This week, Shout Factory rolls out a blast from the past with the 1992 film Trespass. I remember this title from my days where I would visit my mom-and-pop video store and just consume all the movies I could, and Trespass was one of those guilty treasures that I just enjoyed the hell out of when everyone else seemed to just ignore it. Does the film hold up over the years? You bet it does.
Vince (Bill Paxton) and Don (William Sadler) are a pair of firemen who discover a treasure map while fighting a fire. With a little digging they discover that the map is to a “treasure”, gold that was stolen decades earlier and then hidden and never recovered. The pair decides to travel to St. Louis and check out the location of this gold and hopefully claim it as their own.
Posted in: No Huddle Reviews by Gino Sassani on June 28th, 2017
"I believe you. Trust me. Listen, you know what, we're gonna help you. You understand? You've served your time."
We've all served 12 years together. Bones has proven itself to be the little show that could. While it has never been exactly a ratings superstar, the show pulled in quite a loyal fanbase that kept it on the air for a surprising 12-year run. There were few years the show didn't finish on the bubble, and they were starting to wrap up everything last year in what was going to be the last. The characters actually went different ways but were brought back together for a shortened Season 12 encore. And that's how you have to look at this final season of Bones. It's a planned encore that should finally satisfy what has been a somewhat shrinking, albeit rabid, group of fans. Season 12 gets an appropriate 12 episodes that actually do not lead to the group splitting up this time. It is an explosive finale that certainly resets the world, but you're not going to get to see how that reset looks. You'll have to satisfy your final Bones jones with the release of the final season on DVD.
Posted in: Disc Reviews by Brent Lorentson on June 28th, 2017
“First, there is an opportunity. Then…there’s a betrayal.”
It’s been 20 years since the release of Trainspotting, and it’s fair to say a lot has changed in the past two decades. I remember going out to the United Artists Mission Bell Cinemas to see Trainspotting the weekend it came out. I was with my best friend at the time, and neither of us was old enough to buy tickets for the film, so we ended up having to sneak into the film. We’d seen the trailers, and in a time before the internet there just wasn’t much we could find out about it aside from reading articles in the entertainment magazines. To this day, I remember walking out of the auditorium simply floored by the film. Everything from the soundtrack to the visuals just hit me, and this was one of the first times I realized what creative influence a director has on the look and feel of a film. I came out as a fanny of Danny Boyle and the insane kinetic energy he puts into the look of his films. Over the years Danny Boyle has stepped out of the independent film spotlight and become a big-league director with several other award winning films, i.e. Slumdog Millionaire, 127 Hours, and Steve Jobs.
Posted in: No Huddle Reviews by J C on June 28th, 2017
“Dad, this is my boyfriend Martin…”
The tension generated by the first meeting between a young man and the father of the woman he loves has always been a reliable source of conflict. I mean, Ben Stiller and Robert DeNiro managed to squeeze three(!) Focker movies out of that stressful dynamic. All-Nighter fits snugly into that familiar sub-genre while managing to carve out low-key moments of character development and male bonding in between all the noise that comes with this sort of whacky situation.
Posted in: Tuesday Round Up by J C on June 27th, 2017
We don’t usually take too kindly to trespassers around these parts, but we are happy to make an exception this week. Trespass — a 1992 action-thriller starring the late, great Bill Paxton — makes its Blu-ray debut this week courtesy of Shout! Factory. Be sure to keep an eye on the site for our review. Meanwhile, Candy Factory brings us back down to earth with Life of Significant Soil, while Vestron unleashes The Unholy upon us. Finally, make sure to buckle up for our review of Edgar Wright’s Baby Driver a little later this week.
Here's your weekly reminder before signing off for the week (and for June): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Jeremy Butler on June 27th, 2017
Another shining example of an opportunity to watch a classic film that was before my time. Before had, the only thing I knew about Car Wash was that it was a Richard Pryor movie; however, now I grasp that Pryor is just a pawn in a large ensemble cast. He is far from the most important character, although he is an interesting one as Daddy Rich, but his role pales in comparison of Bill Duke as Duane, or should I said Abdullah, as he prefers to be known now. Car Wash as it turns out is of greater significance than I originally realized and worthy of the title of cult classic, and I do believe a huge portion of that is attributed to the song that was lived on for generation to follow. You all know it, “Working at the Car Wash.” Sing it with me now.
So a majority of the film revolves around Abdullah (Bill Duke), who is considered a Muslim revolutionary. Abdullah also serves a bit of the everyman for the story and our eyes into this world. This is most evident during the ending, where the character reaches his emotional peak while attempting to rob the establishment. In that scene, we see all the emotional difficulty that he has struggled with throughout the duration of the film. Another key takeaway from the scene is the understanding that we all just need a helping hand or someone one to show that they are in corner sometimes.
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