Posted in: The Reel World by Gino Sassani on June 17th, 2017
"I'm about to commit a moving violation."
When I go to a Pixar film, I always find myself in a situation where I'm predisposed to love the movie. There have been so many greats like Toy Story and Monsters Inc and so few horrible examples like Ratatouille. So, I never really expect a Pixar film to be bad, and Cars 3 certainly wasn't bad. There are more than a few things to love about the latest collaboration between Disney and their Pixar division. The animation company also continues to push the boundaries of digital animation technology. You can expect some very nice emotional moments. It's also nice to revisit old friends from previous movies. Cars 3 has all of that, but it still falls a bit short when you compare it to the impressive library of movies Pixar has brought to the Magic Kingdom table. It will certainly be the Cars film that adults will be able to relate to the most. The best that could be said for the effort is that it neatly caps that particular franchise in the stable and will allow the talent led by John Lassiter to turn their attentions elsewhere. I'm really looking forward to The Incredibles sequel. I'm even looking forward to Toy Story 4. But was anyone really anticipating Cars 3?
Posted in: The Reel World by Brent Lorentson on June 16th, 2017
It’s summertime, and that means it is time for those bikini-clad bodies to start decorating the beaches and become bait for everyone’s favorite predator of the ocean. For those who don’t tan and manage to only burn in direct sunlight, there is a safer alternative to the beach, and that is your local theater with the new film 47 Meters Down. Last year we had the surprise hit The Shallows that made a valiant attempt at making the beach terrifying once again. I love a fun, cheesy shark film; it’s one of those cinematic pleasantries I feel we just don’t get enough of. With the wait for Meg being another year off, it seems 47 Meters Down is going to have to tide me over till then. Is it worth taking a dip?
Lisa (Mandy Moore) and her sister Kate (Claire Holt) travel down to Mexico for a vacation. The trip was originally supposed to be with Lisa and her boyfriend, though we find out early on that he broke up with her not long before the trip, and Kate was a quick backup guest. Though I had a hard time believing the pair are sisters, they could be best friends, and it would really do nothing to change the plot. We know these young women are simply soon to be bait for the sharks, and that’s what matters in these kinds of films.
Posted in: Disc Reviews by Brent Lorentson on June 16th, 2017
It used to be when you had a straight-to-DVD release, you knew better than to set the bar too high. From time to time you would find that occasional gem that slipped through the cracks and turned out to be something awesome, but this was a rare occurrence. With the way films are released now, the talent you are seeing in straight-to-DVD releases has improved, as have the budgets, since getting a film on the big screen has become a greater financial challenge. I mention this only because I look at a title like Kill’em All and wonder if they even cared. The actors are here and doing their job, but it’s the figures behind the scenes that I’m calling out here. Is this simply a cash grab to exploit the fans of Van Damme, or did they believe they had something special on their hands? I’m a fan of Van Damme, and seeing that this is a film directed by Peter Malota a stuntman from Van Damme’s heyday (Double Impact and Universal Soldier), you just kind of hope for better action, but sadly this all seemed so lazy.
Suzanne (Autumn Reeser) is a nurse who has managed to survive a massive shootout that occurred at her hospital. She’s the only witness that the FBI has to what went down. Peter Stormare and Maria Conchita Alonso play the pair of agents who are interrogating Suzanne in a very over-the-top good cop/bad cop sort of manner. If the interviewing skills by the agents aren’t enough to make you groan, the tough-guy banter Suzanne gives the agents is beyond frustrating, since every answer she gives is heavy with the sarcasm. Stormare is better than this; he can be menacing and be a threat on screen, but here his character is so over-the-top it’s hard to believe he would pass a character profile check to be an agent.
Posted in: Disc Reviews by J C on June 15th, 2017
“Have you ever seen two priests wearing tracksuits?”
The highest praise I can offer for The Young Pope — the staggeringly extravagant and deeply strange co-production between Sky Atlantic, Canal+, and HBO — is that I can guarantee you will see something you have never seen before. (A pair of priests in tracksuits is the least of it.) The show is bold in both its style and storytelling, although it only unequivocally succeeds in one of those two areas. Given all the Vatican-centric politics and power plays, it’s easy to see why this show was dubbed “House of Cardinals.”
Posted in: Disc Reviews by Gino Sassani on June 14th, 2017
"Weird, messy, complicated, sad, wonderful, amazing, and above all, epic."
It's time to say goodbye to Mystic Falls. It's time to say goodbye to Damon, Stefan, Bonnie, Caroline, and all of those fan-favorite "ships" that have passed in some rather bloody nights. After eight years The Vampire Diaries is getting the stake and fading off into the sunset. Eight years is pretty respectable when you consider that the series has been on the cancellation bubble since its fourth year. Somehow it managed to survive long enough to go out on its own terms and leave behind a strong enough legacy to assure its survival for years to come in syndication. While The Originals continues we are likely to see some of these characters, if only in guest spots along the way. There's also rumors of yet another spinoff. It's safe to say we haven't quite seen the last of the show's surviving characters, or even the ones who didn't survive. For now it lives on in the Warner Brothers Blu-ray release of The Vampire Diaries Final Season release.
Posted in: No Huddle Reviews by Dan Holland on June 14th, 2017
Weddings: outside of the picture-perfect day that is typically presented in television and movies, most of us understand the untold anxiety placed upon a bride and groom when families and friends amalgamate. Granted, some films depict this phenomenon accurately, but never solely focused on said anxieties properly. The Wedding Party is an independent feature written and directed by Thane Economou, and it showcases these anxieties up front and films them brilliantly, as the entire film is shot in one continuous take.
The story revolves around the complexities and confusion among the members of Paul and Margene’s wedding party. Paul constantly disappears throughout the night, Margene’s sister downs seven Xanax, Paul’s half-brother can’t let go of the bride’s ring, and the ones left over are whirling in a storm of anger and sex. However, two of the party members, Jim and Alex, come to represent the true “main characters” of the film. When Margene’s sister doses out of her duties as the wedding planner, Alex must take over, recruiting Jim to help. As the night progresses, the two reignite the crush they had in high school and navigate through their own anxieties and doubts.
Posted in: Disc Reviews by J C on June 14th, 2017
“Black…all important movies start with a black screen…”
I completely understand if you’re Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan’s landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.’ budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014’s blockbuster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.
Posted in: Tuesday Round Up by J C on June 13th, 2017
We are right in the thick of Summer Movie Season, which means there is the usual overabundance of superheroes at the cineplex. Fortunately, there’s more than enough action to be found on the small screen as well. Warner Bros. puts the pieces together this week with its release of The Lego Batman Movie in 4K. Warner also takes a bite out of The Vampire Diaries: The Final Season. Meanwhile, Candy Factory RSPVs to The Wedding Party, while Shout! Factory gets high and mighty (but mostly just “high”) with its Blu-ray release of Cheech and Chong’s Next Movie.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Brent Lorentson on June 12th, 2017
I think we can all agree that at some point we’ve all managed to make a fool of ourselves in the name of love. It’s almost a rite of passage so to speak. As for that forbidden love, well, I’m not so sure how many people will be so eager to admit to this one. When it comes to the film My Cousin Rachel, it’s a love story, but far from what you’d find on the Hallmark channel. Instead this is a film about the nightmare of what love can be and what it can do to you. Back in the 90’s, Roger Michell directed one of the sweetest and optimistic romances of that decade when he did Notting Hill.Now it’s 2017 and his return to romance could not be any more bleak, but how beautifully bleak it all is.
Philip (Sam Claflin) gets us up to speed in the film’s opening narration where he discusses becoming an orphan and being taken into custody by one of his cousins, Ambrose, a cousin who seems to have embraced the novel idea of bachelorhood. Philip manages to be raised just fine by his cousin, that is till things change and Ambrose falls ill and has to move from the English countryside to Italy, and during his recovery he meets a mysterious woman, Rachel (Rachel Weiz). His cousin continues to write Philip and tell him about his growing relationship with Rachel, till things take a turn for the worse and in the following letters his cousin goes on to believe Rachel is attempting to kill him. Concerned for Ambrose, Philip ventures off to see what has happened to his cousin, and upon his arrival he discovers that he is too late and that Ambrose is dead.
Posted in: No Huddle Reviews by Gino Sassani on June 11th, 2017
Catholic priests are used to hearing confessions, but for one particular pastor in Chicago, the usual confessions about using the Lord's name in vain or stealing a couple of paperclips from the office just weren't exciting enough. Father Dowling loved reading mystery books, and it appears to have sharpened his own powers of observation and deduction. As luck would have it, crimes and mysteries would simply fall into his lap. With the help of Sister Stephanie, better known as Sister Steve, he would step away from his pastoral duties to track down clues that were elusive to the Chicago Police Department. You might just say he was the answer to their prayers. All the while he would attempt to keep the financially strapped Saint Michael's parish on solid footing.
Tom Bosley was the perfect choice to play the lead character here. America had already adopted him as the television father of an entire generation with his role as Richie Cunningham's father on the hit series Happy Days. He has a quiet and soothing demeanor that is quite suited to a man of the cloth. He had such a gentle way about him that he actually reminded me somewhat of my own childhood pastor and friend. The cast also included the granddaughter of famed 1950's television couple Ozzie and Harriet Nelson and the daughter of their teen-idol singer son Ricky Nelson. Tracy Nelson adds the more manic pep counterpoint to Bosley's more easygoing nature. Sister Steve was once a street-wise juvenile delinquent until Father Dowling turned her life around and she became a nun. She was often found rushing headlong into dangerous situations and appeared to be able to score jobs at crucial businesses without any effort or interview. The Father and Sister persona also allowed them to gain the trust of those holding information they might need. Like Columbo, they made a career out of being underestimated.
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