UpcomingDiscs headquarters looks suspiciously like Middle Earth this week. Join us as we bid farewell to the Hobbit saga...again. Warner Bros. brings us the R-rated, Extended Edition of The Hobbit: The Battle of the Five Armies. Speaking of Warner, I spy The Man From U.N.C.L.E finagling its way into our midst as well. Finally, IndiePix jumps in the deep end with Swim Little Fish Swim.

There may not be as many options to choose from this week, but you still have a chance to win a free DVD by telling us how you feel about this latest crop of releases. (Not to mention all our other November titles.) Once a month we’re going to give away a free DVD title to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment. Contest is open to residents of the U.S. and Canada.

A Pigeon Sat On A Branch Reflecting On Existence is the title of a Swedish film that won the top award at Venice Film Festival. Many critics think it is one of the best movies of the year. It is also a movie that relatively few people will see. The main reason most people won't see it is because it is an extremely odd film. It could be called boring and fascinating in the same breath. The film is made up a series of master shots depicting events that have very little narrative clarity. Some characters show up periodically but with little sense that their actions have any potency or potential purpose. The title suggests an underlying philosophy of existential confusion.

The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. That's partly the reason it took me a while to warm up to the first season of HBO's Getting On, an adaptation of the British series of the same name. The biggest drawback, however, was that those initial episodes didn't seem very interested in shaking the grim specter of the original show. But what a difference a year makes!

I am not going to lie: I am a complete sucker for the “life swap” genre of film. Whether it is Freaky Friday, The Parent Trap and their remakes, or the fantastic Face/Off. These films always are entertaining for me, as I take great joy watching actors and actresses overcome the challenge of acting out the minute characteristics of the other actor (not just the character). Christmas Trade is no different; the two actors do a good job of keeping their portrayals believable. However, it misses several opportunities to be my second-favorite “life swap” film to date (I don’t think anyone can top Cage and Travolta in Face/Off).

Their channels have millions of subscribers. Their videos have billions of views. They are the future of dance.”

The definition of “making it” as a dancer has shifted over the years. Movies have dramatized this struggle by having its hoofing heroes struggle to earn street cred, gain admission into some prestigious dance academy, or make noise on Broadway. But thanks to social media and websites like YouTube, wannabe dance sensations can take a more DIY approach to stardom. The best parts of Breaking Through brush up against that notion, but too much of the film gets drowned out by groan-worthy dance flick cliches.

Uncanny is definitely an apt title for this science fiction film: a story that deals with possibly the most realistic artificial intelligence entity ever created, in the realm of this film’s universe that is. The impact of this film will likely be dampened due to the release of a recent realistic science fiction drama that will not be named. In the beginning, the film did not fully capture my attention as I had an idea of how things were going to play out. That said, what I imagine could not have been further from the reality. It is rare that a film catches me off guard, and it is also a pleasant surprise when it does. So in that regard, my hat is off to this film.

“A straight line…you just go, and you never…look…back.”

Well, I hope you’re ready to have everything you know about the Terminator franchise turned on its head. As a franchise known for his alternative timelines where the things we come to know are often turned around, my previous statement may sound like the usual bread and butter to you. However, I must say that I feel like the latest incarnation of the franchise, Terminator Genisys, has really outdone itself this time.

At the turn of the millennium a decade and a half ago, lists were pretty popular. It didn't matter if you were into the world of sports or movies, everybody was looking for the all-time best of everything. The American Film Institute got into the trend by releasing top-100 lists. Heroes, villains and memorable quotes all got the treatment. We all argued about the "classics" we felt were unfairly slighted and the "idiotic" choices that did make the lists. If only the lists were so much larger. Then everyone's favorites would be included and we could all finally find a list we could agree on. But, what number would that be? 100 was too small. A million was just too large. What number might be just right? 1001?

"Different, entirely." 

I have been a fan of Sherlock Holmes since I was a kid. Mixed amidst those Universal horror films I watched with my Pop on weekend chiller shows was an occasional Universal Holmes film with Basil Rathbone as the master of deduction. Soon followed the Doyle books, and a new world was opened for me forever. Since those days we have seen every kind of incarnation of the character possible, or so I thought. I've seen Holmes as a child in Spielberg's Young Sherlock Holmes. There have been several comedies and even a musical or two. Robert Downey Jr. has turned him into an action hero, and Benedict Cumberbatch has brought him into the modern world.

I don't think there has ever really been a great film about a great writer. We naturally compare their lives to works of great fiction. Great fiction tends to distill the tedium and awkwardness out of real life. Real life can be exhausting in the day-to-day disappointments that can sometimes be wrapped in small victories. David Foster Wallace was a great writer. This is almost universally acknowledged. David Foster Wallace no longer is because he hung himself in 2008 at age 46.